Warp Records celebrated its twentieth anniversary this year with an extravagant box set, Warp20 (Box Set). Measuring in at 10 inches × 10 inches × 3 inches, it truly is a thing of beauty. Packed in there are five CDs and five 10 inch records, full of Warp goodness old and new.

It was not cheap either, so was only for the most fanatic of Warp followers. Luckily for Warp, there are plenty of fanatical followers — myself included.

Warp20 (Chosen)

Also released separately as a 2CD album on its own, Warp20 (Chosen) is designed to be a collection of the best of the first twenty years of Warp Records.

The first ten tracks, making up disc one, were chosen by voters on the internet. As such, the top ten is sadly predictable. You really could have forecast in advance the inclusion of the likes of ‘Windowlicker’, ‘Roygbiv’ and ‘My Red Hot Car’ in the top three.

The inclusion of most of these tracks was surely never in doubt. Certainly, the top eight are bona fide Warp classics (I am not so sure about Jimmy Edgar’s ‘I Wanna Be Your STD’ or Clark’s ‘Herzog’, but I can understand their inclusion). There is also a noticeable skew towards the late 1990s / early 2000s. Only one track, LFO’s ‘LFO (Leeds Warehouse Mix)’, is from before 1998.

It is clear that the current fans of Warp Records — at least those who voted in the internet poll — are a bit like me. They were not around for the birth of the label, and cling on to the late 1990s IDM explosion as Warp’s classic sound. I think this is Warp’s best period too, but I would have preferred a greater variety in the first disc.

Luckily, the second disc is on hand to provide some of that variety. Label boss and co-founder Steve Beckett chose a further fourteen tracks which make up disc two. While all the usual suspects are again present and correct (giving the likes of Aphex Twin, Boards of Canada and Autechre two appearances on the compilation), other periods and genres are given rightful recognition.

Ultimately, though, while there are a couple of gems here that I didn’t previously own, Warp20 (Chosen) is a bit redundant for me, and no doubt for almost everyone else who bought this box set. If you are such a great fan of Warp that you are going to shell out eighty quid or so, you almost certainly need no such overview to the label.

Perhaps of more value is the fold-out poster of comments posted by the internet users who placed their votes, providing (relatively) qualitative information to accompany the raw top ten.

Warp20 (Recreated)

This is the surprise highlight of the package — a double-disc album of Warp artists covering classic Warp tracks. It shows you how far Warp has come in the past ten years. For its tenth anniversary, Warp released an album of Warp artists remixing classic Warp tracks.

But with a more diverse range of artists on its roster, and plenty of artists with a different set of skills, it seems as though it makes more sense to ask artists to do covers rather than remixes. The results are pleasingly wonderful. Clearly, when you take maverick musical geniuses and ask them to take on the works of other maverick musical geniuses, the results are going to be deliciously skewed and entertaining.

The album opens with Born Ruffians covering Aphex Twin’s classic humorous tracks from the mid-1990s, ‘Milkman’ and ‘To Cure a Weakling Child’. The band’s stripped down approach works surprisingly well. The vocals are shouted out as though from the rooftops, rather than being distorted by electronic effects, adding to the comedy effect.

Another surprise highlight is Maxïmo Park’s take on ‘When’, originally by Vincent Gallo. This is a wonderful piece of dark synth-pop. Hopefully it signals a new direction for Maxïmo Park, whose sound has otherwise become stale.

Meanwhile, Jamie Lidell’s version of Grizzly Bear’s ‘Little Brother’ is just as beautiful and organic as the original. It is another instance of an artist revealing something otherwise unheard in his audio arsenal.

But the real highlight of the album is ‘Phylactery’ by John Callaghan, which is based on Autechre’s ‘Tilapia’. This transforms one of the first signposts of Autechre’s foray into increasingly unique and obscure electronics into a wonderfully wonky pop song.

One instance where a remix may have been a better idea is when Luke Vibert tackled ‘LFO’. The results are actually rather good — undoubtedly a Luke Vibert take on a classic Warp track. But it certainly lacks the punch of the original. This makes it a slightly trudging, though intriguing, listen.

Overall, though, Warp20 (Recreated) is a marvellous document. It reveals sides to Warp artists that hadn’t been revealed before. It’s like peering into the fourth dimension of an already-extraordinary label.

Warp20 (Elemental)

This disc contains an hour-long mix of 65 Warp tracks, created by remix maestro Osymyso. A similar mix, by Buddy Peace and Zilla, was released five years ago along with the WarpVision DVD. Although Osymyso had five years’ worth of extra material to work with, I am less fond of his effort. Nonetheless, the creativity involved in creating such a mix, containing a diverse array of Warp music from the past twenty years, still astounds me.

Warp20 (Unheard)

Moving on to the vinyl in the box set, we have three ten inch records made up of eleven previously (sort of) unheard tracks. Incidentally, these are smartly presented with a minimalist design and debossed text.

The selection kicks off with Boards of Canada’s immersive ‘Seven Forty Seven’. This is not, strictly speaking, unheard. It was originally featured in an interactive Boards of Canada website several years ago. But it is the first time it has been presented as a track itself. It is so good that I can’t work out why it hasn’t been released before.

This is followed up by the equally exciting ‘Oval Moon (IBC mx)’ by Autechre. Named after IBC, the Manchester-based pirate radio station through which Autechre first made their name, this is real old school stuff. Having been produced in 1991, it is almost as old as the Warp label itself! And it’s excellent.

After these two stonkers, the rest of the collection does not quite stand up to the same level. But it is still a good listen. Fair efforts from Clark, Plaid and Flying Lotus are included, along with classic unreleased material from Elektroids and Nightmares on Wax.

Meanwhile, the plodding and uneventful ‘Sixty Forty’, originally from a 2003 Peel Session, is probably the most disappointing Broadcast song I have ever heard. The collection is rounded off with ‘As Link’, a new Seefeel track, whetting appetites for their rumoured comeback.

Warp20 (Infinite)

Musically, the box set is rounded off with a couple of records made up entirely of locked grooves. There are fifty loops in total, plundered from Warp’s back catalogue. It is an interesting experience to experiment with them for a bit, but probably of limited use to anyone who is not a DJ.

Warp20 (1989-2009) — The Complete Catalogue

The final item in the box is a large book that documents the artwork for every release on the Warp label. It is interesting to leaf through and assess how the label progressed over the years, and recall the memories of hearing all of this wonderful music for the first time.

Warp Records is almost as well known for its strong visual identity as for its music. There is some fantastic artwork in the Warp catalogue. While this book is not at all the best way to appreciate the artwork, it does serve as an excellent historical document cataloguing Warp’s classic covers.

I see there has been a frisson of activity over the suggestion that some councils are looking to hold their counts on a Friday rather than the traditional Thursday night / Friday morning when the General Election comes round. The Sunday Times has reported that the BBC believes that up to a quarter of councils are considering making the switch to sociable hours.

The fear is that such a move would ruin general election night, the greatest political television show going. There have been plenty of passionate defences of the show, and the “Save Election Night” campaign has true cross-party support: see Jonathan Isaby of Conservative Home, Labour MP Tom Harris, SNP activist Will Patterson and Liberal Democrat Voice’s Mark Pack.

Without a doubt, it is fun to stay up all night watching power switch hands from one MP to another, and gradually from one government to another. And there is no denying that the television show has brought us some of the most memorable political moments of recent times. Everyone knows what you mean if you mention “the Portillo moment”.

But is it important? Is it even right? The political class treats a general election like a big sporting event. It is our Superbowl, and David Dimbleby is our John Madden. Coverage of politics is heaving with horse racing and other sporting metaphors. Correct me if I’m wrong, but an election is supposed to be about the serious business of government, not an entertaining night in front of the box.

Adam Smith famously wrote, “People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public.” I do think the cross-party support for election night coverage may be to the detriment to what is good for the public.

It is interesting that three of the biggest stories of the past week or so have been about the entertainment side of politics. There is a big debate just now about whether there should be a presidential-style leaders’ debate in the run-up to the election — Sky News is promising to plonk three chairs on a stage and give anyone who doesn’t turn up the “tub of lard” treament. (Of course, all the smaller parties cry, “Why can’t I be on a fourth chair?”) I’m not sure that anyone genuinely thinks such a debate would be a valuable addition to our political discourse, but it will be entertaining so that’s all right then, huh?

Then there is the controversy over the BBC’s decision to invite Nick Griffin onto an edition of Question Time. Chris Dillow summarises Paul Sagar’s point that Question Time is “not a platform for debate but merely a zoo in which soundbites are vomited into an audience who clap like hyperactive seals.”

Now there is this controversy; this fear about the future of election night coverage. Don’t get me wrong. I like a bit of political rough and tumble as much as the next person. And I agree that the votes for a general election should be counted as quickly as possible. There are very valid arguments against moving counts to Fridays, as you will see in the articles I have linked to above.

But the focus on the entertainment value of staying up all night is something that I find a tad distasteful. I am particularly surprised to see this point of view being advocated so strongly by any Liberal Democrats.

That party is quite rightly in favour of reforming the voting system. Most electoral reformers agree that single transferable vote (not to be confused with STV) would be the best (or least-worst) system to adopt. That move would almost certainly put the kibosh on any notion that we will find out the result before breakfast time, but it would still be right.

What is important is that we have a result that is fully reflective of the wishes of the people. In comparison to getting the right result, the speed of finding it out or the entertainment of the televisual spectacle pales into insignificance.

I would rather see a complete end to those sporting analogies I referred to earlier — “first past the post” and “two horse race” being among the most important ones to consign to history. I would happily see the television show “general election night” consigned to history too if need be.

So sacrifice your psephological salivating. Yes, election night can be fun and entertaining. But it would be better for democracy if our democratic institutions operated for the good of the voters, not for the good of politico television viewers.

Rupert Murdoch’s decision to experiment with charging for content has ruffled a few feathers. Fair play to Murdoch for being brave enough to put his head above the parapet. If anyone can take the risk, it’s Murdoch — and the rest of the media will have him to thank if the gamble pays off and it reveals the business model that other outlets can follow. Malcolm Coles certainly makes a fairly good case to suggest that Murdoch can get away with it.

Without doubt, monetising content online has been a very tough nut to crack, so much so that many appear almost to have given up. Indeed, the controversy surrounding Murdoch’s decision shows just how much some people now believe that it is impossible to charge for content.

No doubt the advent of the web has changed the game. It is much more difficult to charge for something that doesn’t physically exist, and something which can very easily be distributed for almost zero cost. This more or less means that, if you want to, you can probably get it for free.

I know of one major national newspaper that found that having a paywall was detrimental to their business because they made more money by removing the paywall and instead displaying Google ads to the extra readers. Anyone who has used Google ads will know that we are talking about pretty low amounts here. It is a real demonstration that a simple subscription model will not work for everyone.

But we know that there are plenty of people who are willing to pay for content. As Malcolm Coles points out, there are countless examples of people paying for music, audiobooks and whatever else, when they could have got it for free. That is because, contrary to what many people assume, most humans have a conscience.

For instance, the pay-what-you-like or “honesty box” model actually seems to work. There is the example popularised by Freakonomics about the bagel man. Radiohead seemed to make it work when they released In Rainbows.

Just last week I heard an interview with a taxi driver from Vermont, USA who invites all of his customers to pay what they like. “Nobody has shortchanged me yet,” he says. Even in cases where cash payment was not forthcoming, payment in the form of CDs was.

The problem is, you won’t be able to charge anyone anything if you only serve up a pile of samey crap. Your product needs to be distinctive. The bagel man wouldn’t have done so well if he was trying to sell pens. Radiohead made it work because they are the best band in the world with a loyal fanbase.

But how many media outlets can offer something so attractive? The problem as I see it is not that you cannot monetise any content. The problem is that the content newspapers are producing just now is not the sort of content they can get away with charging for.

Jeff has suggested that there needs to be a sense of duty to buy newspapers, just like there is a sense of duty to vote. But people should only really pay for something that they value, otherwise inefficiencies will result.

If people still value newspapers, they should be willing to pay — and many still are. Most people would feel guilty otherwise, as the honesty box examples suggest. But the problem is that many people just don’t like newspapers any more, as is evident in the comments on Jeff’s post.

It is not as if there is anything wrong with the physical product, despite the jibe about newspapers being “dead trees”. I can imagine a parallel universe where the newspaper was invented after the internet, where the physical paper would be seen as a luxury item. You don’t have to be connected to the internet. You can fold it up and carry it about with you. You can scribble on it if you want to. You can frame it if you love it enough.

But the problem is with the content. With the advent of new technologies, newspapers have become much less useful to consumers. Once, newspapers were almost the only way to find out about the news. Today they are the slowest of many ways to find out the news.

How many times does a major story break late in the day? That story will be all over the breakfast radio and all over the 24 hour news channels. There will be countless reports about it on the internet, and to add insult to injury the bloggers will have had their say too. But if you want to read it in the newspaper, you will have to wait until tomorrow.

Maybe a major story doesn’t break so late very often. But even in these cases, the chances are that you have had ample chance to hear analysis about the front page stories on the radio or the television the night before. In essence, newspapers now do little more than peddle what is literally yesterday’s news.

Like the music industry, the newspaper industry’s mistake was to fail to adapt. They arrogantly assumed that they could carry on with the same template and tinker round the edges, fumbling around for a business model that would work.

Of course, most newspapers have websites these days. But if anything, that has exacerbated the problem. It has led to phenomena like churnalism, with journalists producing more and more content with fewer and fewer resources. As such, much of newspaper websites’ content is watered-down crap. Worse still, much of it is Digg-bait which has been SEOed to death.

That is the crux of the matter. The media is sullied, and journalism as a profession is held in contempt by much of the general public. No wonder people won’t pay for content — it’s not any good, and there is nothing to distinguish it from free alternatives. Why pay to read Telegraph Digg-bait when you can read BBC churnalism for free?

So is there a solution? Keep an eye out for my next article where I will put forward a few suggestions.

Well my week-long voyage of discovery has come to an end. In actual fact, I decided early this week which party I would vote for. I wasn’t sure whether I would actually go along to vote though.

In the end, I decided to go along to the polling station. I fancied a walk and a bit of fresh air. Besides, my parents dropped in to vote on the way to a meal at glamorous Wetherspoons, so I would have gone hungry if I didn’t go with them.

Having reached the polling station without being bumped off, and decided which party I preferred, the costs of voting seemed very small even considering the minuscule benefits. So I went in, queued behind my parents, and cast my vote.

When I first went in, the polling station seemed quite quiet — there was only one person casting her vote. But by the time I left, I had seen at least another four people come in. I was expecting it to be proper tumbleweed stuff, but it seemed steady, even if it was quite slow.

Plus, one of the other voters was someone I recognised as being in my year at school, which perhaps bodes well for the youth turnout. Though to be fair, it is probably more likely to be a totally meaningless coincidence.

Anyway, even if the European Parliamentary election is ostensibly not the most interesting, the week in politics leading up to it has been fascinating. For one thing, I have enjoyed getting stuck into the issues and the parties.

I haven’t really done this sort of blogging for a couple of years at least now, so it felt a bit unnatural. But it was worth experimenting, and it certainly increased my awareness of the salient issues leading into this election. This sharpening of the brain has always been one of my favourite aspects of blogging.

Then there has been this whole issue with the Labour government in Westminster disintegrating in front of the world’s eyes. It would have been perfectly normal for this all to have happened after the election. But for this to happen in the run-up to an election seems incredible. It is an amazing piece of self-flagellation, demonstrating a lack of discipline and self-control. Either that, or things simply became so bad within the government that this actually was the least worst option.

Now the internet is abuzz about what will happen at 2201, when the media can again report freely on politics. It’ll be fascinating to watch this situation unfold.

I have to say, even though I despise their policies, I feel kind of sorry for Labour candidates and activists who had to try and make something out of this mess today. They’ve really been shat on by Gordon Brown’s ineptitude and cabinet in-fighting that is completely beyond the control of the activists on the front line. Makes me glad I’m not a politico.

The other incredible story of the day has been the tale of Ukip voters’ frustration at… wait for it… being unable to unfold a ballot paper properly! Unbelievable. Shows you the class of person that Ukip attracts.

There is a valid point to be made about the order parties or candidates appear on the ballot paper. It’s well known that the SNP exploited the alphabetical system to good effect by temporarily renaming their party “Alex Salmond for First Minister” during the 2007 Scottish Parliamentary elections, a stunt that possibly explained a lot of the confusion that voters experienced.

In the twenty-first century, you would expect something a bit more sophisticated than alphabetical order. Surely it can’t be difficult to have the parties and candidates displayed in random order, printing an equal number of each iteration of the ballot paper? But with so many things wrong with the political system in this country that no-one in power seems bothered to fix, this is small beer and it’s no wonder this situation has been allowed to unfold.

Anyway, in the end I decided to vote for the Liberal Democrats. This isn’t really a huge surprise. I have voted for them (as my first choice) in every election since I got the vote. It is true that I have become a bit jaded with them recently, but in fairness that is mostly because of their so-so performance in the Scottish Parliament.

Ideologically, they are easily the party I’m closest to. In fact, they are probably more or less the only party I could bring myself to vote for. The deal was sealed when I read their election leaflet, and was impressed by the tone and the positive content about the Lib Dems’ role in Europe.

If I had a second choice, I may well have ended up casting it for Jury Team. Despite my general scepticism about the anti-party rhetoric, I like the main thrust of their message. I was also quite impressed by their number 1 candidate Alan Wallace, who has a blog where the message is quite measured. Today he also added me on Twitter and replied to one of my tweets, so I appreciated the effort to reach me.

Now I just have to wait and find out if I cast a pivotal vote that got the Lib Dems and extra seat. I somehow doubt it. And I have to wait until Sunday to find out. Gah. Just as well something interesting will probably happen tonight anyway then!

Here it is: that post I’ve been sitting on for upwards of a year. Before I start, I am going to make a few introductory notes about what I do and don’t mean when I call democracy disturbing. I find that all too often debates about this subject are clouded by dogma, which leads to poor thinking and boilerplate arguments.

Before some cheesy person wheels out that Churchill quote about democracy being the worst system apart from all the other systems, yes of course I have heard it. And it is true. I am a democrat because I believe it brings about favourable conditions. For instance, there is the correlation between democratisation and higher GDP per capita. (Whether democracy is cause or effect does not matter. If the value of the higher GDP per capita is greater than the cost of democracy per head — as it almost certainly is — then democracy is a price worth paying.)

Furthermore, I should define more closely what I mean by democracy. Most of the flaws I will point out are actually problems with elections rather than democracy as a whole. Aspects of democracy such as civil liberties, human rights, freedom of speech, the rule of law, due process, and so on and so forth, are of course things that I am deeply supportive of. This will become clear in my first point.

I tackle the issue not from an anti-democratic perspective. Far from it. My problem is with the approach which sees democracy almost like a religion which ought not be questioned — what Bryan Caplan in his book The Myth of the Rational Voter called “democratic fundamentalists”:

Its purest expression is the cliché, attributed to failed 1928 presidential candidate Al Smith, that “All the ills of democracy can be cured by more democracy.” In other words, no matter what happens, the case for democracy remains untouched.

No case should remain untouched. That is why, for me, there is not enough scrutiny placed on democracy. There is a fear of investigating it, because the benefits of democracy are perceived to be so self-evident that anyone who stops to ask what the disadvantages are is instantly regarded as a fool. That must be dangerous. If we agree that the system is imperfect, the only way to improve the situation is to investigate it and have an awareness of what the problems are.

Just as a final point, much of my thinking in this area came about as a result of the research I did for my dissertation, which was about the “paradox of voting“. In case you want to read more about voting behaviour, I have uploaded my dissertation here.

Having got all of the caveats and explanations out of the way, it is time to move on to my five points.

1. Democracy is not guaranteed to uphold freedoms

This is more or less a rehash of The Devil’s Kitchen’s post which I referred to yesterday. Above I said that “aspects such as civil liberties, human rights, freedom of speech, the rule of law, due process” are important. Arguably, these have all taken a battering by recent democratically elected governments.

Wave goodbye to your right to peacefully protest, have a fair trial and take photographs in public. Say hello to ID cards, the database state, endless reams of CCTV footage, mass DNA collection, control orders, detention without charge and extraordinary rendition. Thanks, democracy!

2. Tyranny of the minority

Most people are familiar with the concept of the tyranny of the majority. Thanks to the system of democracy adopted in this country, it doesn’t even take a majority to construct a tyranny. In the 2005 General Election, 9,562,122 people voted for Labour candidates. Assuming a population of 60 million, this translates to around 16% of the population.

The votes of this small percentage of the UK’s citizens has given the Labour Party 55% of the seats in the House of Commons, a majority of 67 seats. What gives the government the right to rule the country with such dominance? Not the people, that’s for sure. Only 16% of the people expressed a preference for the current government. In fact it is the way the system is constructed, and nothing else, which gives Labour its “legitimacy”.

That brings me neatly on to…

3. The system can’t be fixed

Arrow’s Impossibility Theorem states that there can be no voting system which will be able to fulfil a number of desirable criteria:

• The Pareto principle — if everyone prefers x to y then y should not be elected
• Anonymity — every voter should be treated equally
• Neutrality — every candidate should be treated equally
• Independence of irrelevant alternatives — the ability of x and y to win an election should not be affected by the entrance of a candidate z
• Transitivity — if x is preferred to y and y is preferred to z then x should be preferred to z

Independence of irrelevant alternatives is the one that riles up proponents of electoral reform the most. Just think of Ralph Nader, or the farcical events of the 2002 French Presidential election. In this case, the voting system is far more important than the voters themselves. The fifth item on the list refers to Condorcet’s paradox, whereby attempts to find a winner of the election leads you on an endless circle.

We can argue among ourselves about which voting system should be adopted. But (and I’m not saying this will necessarily come as a surprise to anyone), you will never find a system that will please everyone. It will be a matter of choosing the least worst option, as every system has a fatal flaw of some kind. For what it’s worth, my preference is Single Transferable Vote — but that’s a matter for a different post in the future.

For more along these lines, read this post about a talk I attended a couple of years ago. It was given by economist Eric Maskin en route to collecting his Nobel Memorial Prize in Economics. He had some very interesting views on electoral reform.

4. An individual vote is almost worthless

If you are concerned with affecting the course of history by having your say on major political issues, going to cast your vote in an election is more or less a complete waste of your time and energy. It is said that you are more likely to be killed on your way to the polling station than to actually cast the deciding vote.

The probability the the outcome of an election will hinge on your vote is minuscule. Even under the fanciful assumption that in a two candidate US Presidential election each other person is likely vote for either candidate with a probability of 0.5, the probability that your vote will be the deciding vote is 0.00006.

Yet the costs of voting are actually rather large. You have to spend time and possibly money learning about each of the candidates and their policies. The time and money spent travelling to the polling booth is not exactly negligible in the context of the minuscule probability of your vote actually meaning a damn thing.

Of course, this doesn’t mean that voting is wrong. People don’t vote because they believe it will affect the outcome. They vote because it makes them feel good. But the fact that you need to resort to non-instrumental incentives in order to justify the act of voting leaves wide open the possibility that people with bad motives (or motives with bad effects) are more likely to vote…

5. Many who do vote base their decision on prejudices

In his very interesting book The Myth of the Rational Voter, Bryan Caplan said that the fact that people vote can be explained by the fact that they like to hold certain political beliefs. Let’s call our voter a sheep. He may hold suboptimal opinions and support policies that would actually make him worse off. This might be due to social pressures, a sense of self-image or whatever. It is, after all, all too common to meet someone who votes Labour just because their dad did.

It is precisely because a person’s vote is so worthless that sheep are encouraged to vote. They like to go and vote because it makes them feel good, reaffirms to themselves their ideological loyalty and so on. But sheep never stop to think if the policies they support would make them worse off. They don’t have to because their vote doesn’t matter anyway. The cost of ideological loyalty is low. Indeed, the benefits of it are enough to outweigh the costs of voting.

Those who hold no strong ideological loyalties, and who may therefore be expected to enter the polling booth ready to judge fairly based on all of the information they have gathered, are actually far less likely to vote. This is because they feel no warm glow from the act of voting for their favoured party.

As such, the traits of voters are the sort of traits you would normally expect to find on a football terrace. They will trudge along to express their tribal feelings, and will keep on doing so even in the driving rain, even if their football team is rubbish and the game is low-quality.

One might say that the political party you support is rubbish and the state of politics just now is low-quality. Who wants to buy a season ticket? Is it not better to leave that sort of behaviour on the football terraces?