Archive: video

I have problems with my nozzle. When I am filling up the car, I can never get it quite right.

When visiting the petrol station in the past, I usually just filled the tank right up. But in the light of fuel price-geddon that has gripped the nation this year, I have switched to aiming to pay a certain round number in the past couple of months.

My chosen amount is £30.00. This is good to fill my tank to about three quarters full — enough for about two weeks of merry driving to and from work.

The problem is that I have only ever managed to hit £30.00 once. Every other time I have ended up paying £30.01.

The extent to which this matters is debatable. It would be pretty embarrassing if I were to pay in the kiosk. And it would be awkward if I had planned on paying in cash, and only had three tenners on me.

But as Aaron Corby pointed out, since I pay by card at the pump, the only person who really knows about my one penny overshoot is me. But my perfectionism does not allow me to accept this state of affairs.

What can you do? When I wrote about this on Twitter, many suggested aiming for £29.99. Easier said than done! In my experience, the figure always jumps.

£29.96
£29.97
£29.98
£30.01 WTF!

It’s like in the old days when you tried to look something up on teletext. You stare at the scrolling page number in the corner, anticipating the point when it reaches your chosen page… when all of a sudden it jumps.

Perhaps the best piece of advice was from Richard Rooney:

My tip? DON’T try to hit round number. Just stop filling whenever. Over lifetime of driving I’ll gain at least 5 mins!

Intelligent dance music — IDM. It’s a great genre with a naff name. Aside from the snootiness of ‘intelligent’, it has always raised the question: how on earth do you dance to this?

Well we now have the answer, thanks to this video I found the other day. It demonstrates how you should dance to the IDM smash hit Cfern by Autechre.

I will be trying it in my bedroom tonight!

I was pretty excited when it was announced a few weeks ago that Pulp are getting back together to play some concerts next year. Pulp have been one of my favourite bands since I was nine years old. Yet I have never seen them live.

Many times my friends and I have discussed going to see one of Jarvis Cocker’s solo shows. But somehow it has never quite come together.

I’m keeping my fingers crossed that they will play in Scotland. Only three dates have been announced so far, all at pretty far-flung festivals.

Mind you, I’m not too sure about the way it is being marketed as being “all the original members of the band”. It might be the “classic” line-up that propelled the band to the height of its mid-1990s fame. But it is by no means the “original” line-up.

The band had several incarnations throughout the 1980s until success was reached. Jarvis Cocker is the only common element of them all, although the majority of the band was in place by the mid-1980s.

I was listening to some Pulp from this period the other day. It reminded me of this footage from a 1980s documentary about the Sheffield music scene. The footage is pretty grotty-looking, but it’s great to have this rather rare peek into the band’s early days. This is available on the ‘Hits’ DVD.

Clearly, they weren’t quite the finished product. Masses of loo roll is an interesting choice of stage decoration, and Jarvis Cocker himself does not yet have the commanding stage presence that made him famous.

The band themselves always warn against listening to their earlier material, preferring to think of the 1992 release of ‘OU’ as their year zero. However, I like all of their earlier albums.

Even though their earlier material rough around the edges, there is still a lot of great songwriting and the potential can be heard. Fascinating to listen to with the knowledge of how they turned out to become one of the biggest groups of the 1990s.

I saw this extraordinary video of accidents from the early days of motor racing over at Axis of Oversteer.

Note: This video is probably not for you if you are squeamish about seeing people being flung out of cars at high speed.

It is a shocking but fascinating video from a truly different era of motorsport. As the video keeps saying (as noted by Axis of Oversteer), “no-one was seriously injured”. But of course injury and death was a part of motorsport back then. Indeed it is today, even though great safety improvements have been made in recent decades.

But some of the stuff in this video is shocking. A particular stand-out is the flaming driver-less car free-wheeling around in the pitlane!

It seems that the video is a collection of clips from ‘Shell History of Motor Racing’. From what I gather, it was available on VHS years ago but has not been released on DVD. This is a great shame (even though it seems a bit strange — are the cartoon-like sound effects really necessary?).

You don’t often get the chance to see footage like this, and I find it absolutely fascinating to see the sport I love as it was so many decades ago. How many changes there have been!

I have been really enjoying the new album by Squarepusher. I had feared the worst about the Shobaleader One project since I first read the Q&A.

It sounded suspiciously like Gorillaz on the cheap, complete with odd psuedo-humorous band member names. A low-budget Gorillaz would necessarily be a bad thing. But it seemed like an odd move for Squarepusher to make. And the music, while clearly the sound of Squarepusher, was shockingly immediate and borderline cheesy.

The one or two tracks that had been released as teasers for the album seemed good. But would a whole album that sounds like a proggy Daft Punk be bearable?

Amazingly, yes. I have immensely enjoyed listening to this album.

In a way, it is a logical next step for Squarepusher to take. Squarepusher has been pushing on with the fantasy-prog sound since his 2004 album, Ultravisitor. This album created a novel half-live, half-studio atmosphere. The follow-up, Hello Everything, dispensed with the live elements, but placed more emphasis on the multi-instrumental talents and a further step towards a futuro-prog sound.

Then came Just A Souvenir, introducing Squarepusher’s fantasy band concept. It was as much about the stories of what this incredible futuristic band could do on stage as about the music.

Shobaleader One and d’Demonstrator appear to take the fantasy band concept and turn it into reality. Squarepusher is promising more Shobaleader One material, and live shows too. Despite my initial doubts, I’m looking forward to seeing what is coming next in the incredible development of Squarepusher’s sound.