Archive: title sequence

Is this the greatest theme tune ever? And have you ever heard the full version of it?

I bet many don’t know about the guitar break in the middle!

I reckon you could probably tell how old someone is by what pictures they associate the boing with. For me, it is a snooker ball going down a pocket — or that goalkeeper’s handstand save. Sadly I haven’t been able to find either of these on YouTube.

Here are a few of the title sequences from over the years.

Grandstand really ought to still be on TV for the theme tune alone. If you ever wondered why it is no longer on TV, here is the answer. It was killed forever by a weedy remix. They even removed the boing!

The terrible music is bad enough. But what is incredible is that almost everyone in the video is doing anything apart from watching Grandstand. They are in the gym, drinking coffee, playing pool, and even doing the shopping. But they are not on the couch watching five hours of sport (apart from the young family at the end, but that is totally implausible).

Needless to say, the remix didn’t last.

It was a rocky path to recovery. This one from 2004 is bad in the opposite way. There is too much happening, but the classic montage style is gone. Worst of all, the theme tune is being spoken over!

Here is the beginning of the final episode of Grandstand, from 2007.

Is this the greatest news title sequence of all time? It was controversial at the time, but I love it.

The strikingly bold transmitter logo was designed by Martin Lambie-Nairn, who is arguably the most important person in television idents history. He is the person behind some of the most popular idents of all time, including the original Channel 4 blocks and the ’2′ figures for BBC Two.

But this BBC News logo appeared to be a misfire. It was unpopular with viewers, some of whom even likened the logo to Nazi imagery.

But I think the logo looks fantastic and ahead of its time. The music is brilliant too.

This title sequence was introduced in 1988, although the clip is from 1991.

Even in this most interesting of races, at the most interesting of times, with all sorts of interesting rule changes and an interesting off-season, one of the most fascinating things about the weekend was the television coverage. After a gap of 12 years, F1 returned to BBC television.

Although ITV undoubtedly raised the bar, F1 fans were always frustrated by the need to interrupt the race to show adverts. So in this sense alone, the BBC’s coverage is superior. But apart from that given, how did the BBC do in their first race back? Very well in my view. They are not quite as slick as ITV were. But you would expect that in their first broadcast.

First things first. The title sequence. There was much rejoicing when it was confirmed that ‘The Chain’ would indeed be the theme tune. But on first viewing I thought the title sequence was a bit naff. However, it has grown on me a lot after repeat viewings. And as neiltc13 pointed out to me on Twitter, it’s not half as naff as ITV’s title sequence from the past few years.

It is no accident that the two people who seemed most at ease during the broadcast were Martin Brundle and Ted Kravitz. Both now have several years of broadcasting F1 on ITV under their belt, and it is very much business as usual. The only difference for them is the logo on their shirts.

I have seen a lot of complaints about the new main commentator, Jonathan Legard, which I think are completely unwarranted. The most ridiculous criticism comes from Planet Hamilton, which spat: “what do you expect from the BBC’s 2008 Football Correspondent.” Amusing of them to talk about someone being ill-informed, while spelling their name incorrectly throughout.

Jonathan Legard may have been the “BBC’s 2008 Football Correspondent” (actually, he was Radio 5 Live’s football correspondent from 2004 until getting the F1 gig). But before that he was Radio 5 Live’s motorsport correspondent and main Formula 1 commentator, a role he held for eight seasons. He has also written about F1 for newspapers. So those people assuming Legard does not know enough about F1 are saying more about their own ignorance.

The real problem with Legard’s commentary at the moment is that he is used to commentating on the radio, which requires quite a different style. Some rustiness was also to be expected since he hasn’t commentated on a Formula 1 race since 2004. But the fact is that he is one of Britain’s most experienced Formula 1 broadcasters. He was always going to be near the top of the list of candidates.

Legard was clearly nervous during qualifying, but this is perfectly understandable. This is a big gig, and the spotlight was on him. After the shaky qualifying performance though, Legard seemed much more at ease during the race.

It is true that there is a lack of chemistry between Legard and Martin Brundle, but this is something that will develop over time. The pairing will need a few races to get used to each other’s rhythm, then they will begin to gel much better.

At points Legard seemed strangely lost for words. Two such moments stood out for me. One was when it became clear that Heikki Kovalainen’s car was damaged, at which point Legard simply started repeating the driver’s name a number of times. The other was when Fisichella missed his pit box, when Legard just said, “Oh dear. Dear, dear.” That didn’t add much to our understanding of the situation.

But I felt that Legard read the race very well, especially when you consider he has not had to do it since 2004. He was very quick to spot that the soft tyres were simply not working. When Brundle said he thought that Kubica was managing the soft tyres well, Legard was instantly able to point out that Kubica’s lap times had actually become very slow, at which point the Pole peeled into the pits. Legard read this unfolding situation much better than Brundle did, which is no mean feat.

Lee McKenzie also seemed very good for her first live F1 television broadcast. She has plenty of experience in other categories of motorsport though. Jake Humphrey is a seriously good television presenter, and despite worries about his knowledge of the sport he actually seems pretty clued up. As an anchor, I find it difficult to see how he could be bettered.

David Coulthard and Eddie Jordan do not yet have the chemistry to cope with each other, though they both have plenty of opinions. Unfortunately, Eddie Jordan simply does not know when to stop gassing on. He was constantly interrupting his colleagues and, frankly, he hogged the airtime.

David Coulthard seemed almost intimidated by it, and seemed to give up even chiming in towards the end of the broadcast. Sometimes I thought Jordan made good points, but he does shoot from the hip a bit too much. Overall, he was an obnoxious presence, and I hope the BBC manage to rein him in.

DC needs to be encouraged to speak more. He is a good speaker, with interesting opinions and an ability to relay that to the viewers. But he’s not as natural as Martin Brundle and does seem slightly wooden for the time being. As the only person on the BBC television team with recent driving experience, he needs to be used more.

Whatever, it is good to have a couple of pundits with forthright opinions. This is a world away from ITV, where the post-race analysis was utterly bland in comparison. Steve Rider is a competent enough presenter, but he now seems staid in comparison to Jake Humphrey. Meanwhile, Mark Blundell’s punditry was seldom insightful, and he was often little more than Steve Rider’s yes-man. What a change, then, to see some energetic debate on the BBC!

As for the production of the programme, I think this is also promising. While ITV’s programme was nauseatingly biased in favour of Lewis Hamilton, the BBC seem to have struck a much better balance. In fairness, given McLaren’s woes, the BBC doesn’t have much space to hype up Hamilton, but the coverage of Button’s win didn’t seem overly patriotic either.

Some of the features were a lot more interesting than what ITV came up with. The piece about Mark Webber’s recovery certainly towers above “Cooking with Heikki”. I think fans will be much more comfortable with the BBC programme.

I was initially disappointed that the BBC decided to send Jake Humphrey, DC and EJ to the race, where they were left trying to scream above the loud cars and, at the worst moments, aeroplanes. This does not make for good viewing, and was one of the worst aspects of ITV’s coverage. I was surprised that the BBC did not try to avert this, particularly in light of ITV’s experiences. Rumour has it that the BBC has farmed off GP2 coverage in order to fund this, so I was not happy.

However, the programme absolutely came into its own during the ‘Interactive Forum’ on the red button. This gives enthusiasts the chance to indulge in an hour-long post-race discussion. I must say that I thoroughly enjoyed this element of the coverage. It is a very welcome innovation. It makes sending the pundits to the races worth it, as they were able to conduct interviews, and Martin Brundle was able to join in the conversation.

Unfortunately, the analysis appears to have been totally ghettoised to the red button. Lee McKenzie was hardly used at all during the race, and I felt we should have heard a lot more from her. Meanwhile, neither the race re-run nor the BBC Three highlights programme had anything in the way of post-race analysis whatsoever, and very very little in terms of interviews. This is one thing that ITV was much better at, and I hope the BBC will reconsider this approach for future races.

Another thing that was better about ITV’s coverage was the fact that their online stream switched away from the ITV1 feed to show the FOM World Feed. This option was nowhere to be seen on the BBC’s website, which meant that viewers didn’t see the full press conference or the FOM-produced highlights package.

The other interactive elements of the F1 coverage are what really brings the BBC into its own. All practice sessions are being shown on television (via the red button) for the first time, which is excellent.

During the race there is, for the first time in the UK (with the exception of F1 Digital+), the option to watch a dedicated on-board channel. This is the sort of coverage that a couple of countries in Europe get on pay per view. We are very lucky to get this stuff for free in the UK.

Unfortunately, the option seemed to be suffering from some technical problems. The caption telling you which driver we were on board with failed very early on, and never returned. The rolling leaderboard and news updates also did not display for a while. Meanwhile, the insert that shows the world feed was almost too small to be of any real use. Personally, I would prefer the on board channel to be full screen, but that is because I had two screens. It is true that I didn’t often watch the on board channel, but I may make more use of it in more processional races (so it’ll come in useful for Valencia).

The other interactive channel is taken up with rolling highlights. This seems to be a staple of BBC Sport coverage, but I personally don’t see the point of it. I won’t stop watching the race to watch highlights, knowing that I might miss something happening live. Presumably people use it though, since the BBC often offer it for many sports.

Another novel feature is the option to choose your audio. Those worried about the lack of chemistry between Jonathan Legard and Martin Brundle can opt to listen instead to Radio 5 Live’s David Croft and Anthony Davidson, who get on like a house on fire.

There is also a CBBC commentary, but I don’t see this lasting. There was one slightly amusing moment when the CBBC commentators pretended they had a microphone inside the Safety Car and decided to listen into the conversation:


Safety Car Mic
Uploaded by Stefmeister2008

(Via the people on the Digital Spy F1 coverage thread.)

It’s obviously designed to be used during a boring moment while the Safety Car is out, so it’s just a shame Fisichella’s pit lane mess-up happened while it was being played! A nice humorous touch though. I can’t help but think the CBBC commentary is a waste of money and bandwidth though.

All-in-all, the BBC’s coverage had a few teething problems, but this was absolutely to be expected. Most of the problems so far are quite minor and I envisage that they will be sorted soon enough. We really are very lucky to be getting such great coverage in the UK now.

ITV showed that when it mattered, they could cover an unfolding event properly. Even though it was a low point for Formula 1, the 2005 United States Grand Prix was a high point for ITV’s coverage. When it became clear that there was a chance that the race would go ahead without the Michelin runners, ITV ripped up the running order and covered the unfolding scenario almost as though it was a rolling news channel.

When the Michelin runners pulled in at the end of the formation lap, ITV could easily have chosen to dump the coverage. Apparently, some channels around the world did. But ITV, to their credit, stuck with the race which was in a prime-time slot, knowing that what was happening was a huge story for Formula 1. The coverage itself was superb, striking just the right balance and bringing across to the viewer just what a farce it had become.

As James Allen says:

Commentating on the ‘race’ was completely different from any other race, as the story was as much about how the situation had arisen, how the crowd was taking it and where the sport would go next as it was about race action.

And Ted Kravitz points out:

Open hostility amongst the teams, the drivers literally powerless, and us on ITV broadcasting a meaningless race with six cars and ripping into the product we were meant to be promoting: a business that had forgotten it should be a sport.

That edition was nominated for a Bafta, but it didn’t win. Instead, ITV won Baftas for its coverage of the first race wins for Jenson Button and Lewis Hamilton. In both instances, the coverage was not particularly good for a host of reasons which I have outlined before.

ITV pulled off a master-stroke by selecting Martin Brundle has Murray Walker’s co-commentator. By all accounts, Brundle was a revelation as a television presenter, apparently leaving producers agog at his seemingly natural talent in front of the camera. It is all the more impressive when you consider the fact that Martin Brundle didn’t even want to be with ITV — he was still after a race seat!

Martin Brundle’s gridwalks have been one of the few must-see aspects of ITV’s pre-race coverage. However, over time it has become more and more farcical, as Brundle was increasingly asked by producers to interview irrelevant celebrities, and drivers continually give him the cold shoulder.

Mind you, the gridwalk has provided one of ITV’s finest comedy moments.

It wasn’t the only time a potty-mouthed driver let rip on live television. One of the most memorable was Mark Webber being interviewed after Sebastian Vettel crashed into him at Fuji last year. Live on British breakfast television, he explained, “It’s just kids. They do a good job, then they fuck it all up!”

And in Australia 2008, David Coulthard actually threatened to kick “three colours of shit out of the little bastard” Felipe Massa.

Meanwhile, Louise Goodman has said that this classic DC moment was her most memorable interview at ITV. Check out the professionalism of Jim Rosenthal!

In the background of that clip you can hear pundit Tony Jardine trying his hardest to stifle his laughter. The analyst was the only person other than Murray Walker to make the leap from the BBC to ITV in 1997, albeit in a different role (he was pitlane reporter at the Beeb). Tony Jardine remained with ITV until a few years ago. The decision to dispose of him in favour of Mark Blundell is one of the many questionable decisions that ITV have taken in recent years.

Simon Taylor used to work alongside Tony Jardine as pundit. He provided another comedy moment in 1997 when ITV inadvisedly presented the coverage for the Monaco Grand Prix from a yacht in the harbour. The boat bobbed up and down so much that Simon Taylor was unable to broadcast because he became seasick! I think a few viewers probably felt a bit seasick as well. ITV opted to present its Monaco coverage from a balcony in later years.

Simon Taylor was less engaging as a pundit and did not feature in ITV’s coverage for long. In fact, looking at the retrospective on ITV’s own website, it is as though Tony Jardine and Simon Taylor never existed.

All-in-all, I think the story of ITV’s coverage since 1997 is one that started off earnestly but dropped off over the years. The decision to hire experienced and respected analysts like Tony Jardine and Simon Taylor along with Murray Walker was the right move. It kept the F1 purists happy.

It certainly made up for the decision to employ Jim Rosenthal, someone who had no interest in F1 at the start, as the show’s anchor. I thought Jim Rosenthal did a very good job considering his inexperience of F1, and I think his understanding of the sport was very good by the time he left ITV-F1 a few years ago.

It was clear that ITV was proud that it had F1 coverage in 1997. I recall that in the run-up to their first race in Australia, ITV broadcast an entire evening of F1-based programming including a one-off chat show presented by Clive James and featuring several drivers, and a showing of the classic film Grand Prix.

And check out the original title sequence. It is dark, mysterious, and classy — a complete world away from the cheese-fest that ITV-F1 has become.

Looking at some of ITV’s programmes from the early years, which can be easily found on YouTube, the tone of the programme is surprisingly different. The pace is slower, as though the coverage is being given room to breathe — very different from the frenetic Hamilton worshipping of later years.

Over the years, the best aspects of ITV’s coverage were stripped away one-by-one. Murray Walker’s retirement was a big blow which I don’t think ITV ever quite recovered from. While in the early years ITV hauled a dedicated studio around the world to present its track-side coverage from, more recently the poor presenters have been left shouting above the noise of engines in the pitlane — completely pointless.

The decision along the line to ditch its respected analysts in favour of the more populist Mark Blundell was questionable. And the general focus on light features and Hamilton-hype in the later years left a sour taste.

Having said that, F1 coverage has undoubtedly come on leaps and bounds. Occasional technical features fronted by Martin Brundle were excellent. And it has to be said that the hour-long build up that ITV typically offered was a tremendous commitment, even if all too often the post-race analysis was hurriedly wrapped up if the race was longer than expected (i.e. any time it rained, or any grand prix shown in prime time).

And you have to feel sorry in a way for ITV. When they picked up the F1 rights in 1996, they will have been expecting F1 to be on the cusp of a Damon Hill era, thereby guaranteeing British bums on seats. Unfortunately, the Damon Hill era fizzled out even more quickly than it began, as Hill drove for the hopelessly uncompetitive Arrows team in 1997. Then ITV had to suffer the ignominy of covering the dull years of Schumacher dominance and Ferrari dirty scheming.

So it’s worth saying thank you to ITV and North One for the work they have put into bringing F1 to our homes for the past twelve seasons. We complained about the adverts and James Allen, but they also brought F1 coverage in the UK to a new level and the BBC have been given a tough act to follow.

Well there have been a few posts on this blog already about what we might expect from the BBC when they take over the coverage of Formula 1 in the UK from next year. There is one aspect of the coverage that I have not yet touched on because I have been planning a separate post on it — the theme tune.

Most people say they like ‘The Chain’, although I wonder sometimes you know. I think there is a bit of groupthink going on there. A lot of people say it just so that they can feel like part of the club. Nevertheless, Grand Prix on the BBC without ‘The Chain’ would be like cricket on the BBC without ‘Soul Limbo’.

ITV’s current theme tune, ‘Lift Me Up’ by Moby, is a bit of a mess. The title sequence is a bit of a farce as well. I can just imagine the meeting. “Do you know what our title sequence needs? A miniscule F1 car being launched from a giant helmet!”

The title sequence used from 2000–2002 was also a bit of a duffer. Apollo 440 were kind of cool in the 1990s, but they were getting pretty tired sounding by this stage. Their music is unmemorable — fitting for these F1 wilderness years of Mickey the Shoe domination.

ITV have had some good themes though. Their original was by Jamiroquai, and it’s rather good. Some of the sound effects used here are still used by ITV in some of their stings, twelve years on!

My favourite though was the Bachman-Turner Overdrive remix. I know this makes me unusual, but I am sure it’s Christine Blachford’s favourite as well so I’m in good company. :D

As for the BBC? I do have a soft spot for The Chain, I have to say. Whenever I think of the Beeb’s coverage, I think of this title sequence. The 1994 sequence with the Williams livery materialising over a montage of classic Grand Prix footage was the first I can remember seeing.

I wouldn’t mind seeing something new from the BBC though. I suspect they will probably use a jazzed-up remix of ‘The Chain’.

But if the BBC bring back ‘The Chain’, I want FOM to bring back this.