Archive: television presentation

Here is another piece of television presentation that has brought the memories flooding back. An early morning (4am) Channel 4 Schools broadcast.

I remember the blue slide with the Channel 4 logo on it. It actually looks very classy. Channel 4 had quite a slick presentational style at this point. They used Gill Sans a lot, before it became the BBC’s corporate font a few years later.

Like all of the best television presentation, this is ever so slightly scary. These Channel 4 Schools idents and countdowns used to scare me witless as a child.

Imagine waking up in the middle of the night, and switching on the telly just to check that the world hasn’t gone mad overnight. Then you tune into Channel 4 and are presented with that freakish, ghostly Channel 4 Schools ident. These figures from the past are rigid and look as though they have been stuffed, yet they are staring right at you, beady-eyed. It certainly sent the willies right up me as a nine-year-old!

The music is quite freaky too. It sounds like it is being transmitted from a shipwreck.

Considering the target audience — primary school children — it is all very arty and avant-garde. As a piece of television presentation, I love it — but it doesn’t quite seem right for schools programmes, does it?

And now, with my web hat on, check out the amazingly 1990s URL advertised at the end:

http://www.schools.channel4.co.uk/c4schools

I certainly remember seeing web addresses that were a lot more unweildy than this being broadcast on the television in the 1990s. (An early Blue Peter URL that was so long it had to scroll across the screen sticks in my mind — but more on that in a future television presentation gem of the week.) But the needless complexity of this URL still amuses me.

Is this the greatest news title sequence of all time? It was controversial at the time, but I love it.

The strikingly bold transmitter logo was designed by Martin Lambie-Nairn, who is arguably the most important person in television idents history. He is the person behind some of the most popular idents of all time, including the original Channel 4 blocks and the ’2′ figures for BBC Two.

But this BBC News logo appeared to be a misfire. It was unpopular with viewers, some of whom even likened the logo to Nazi imagery.

But I think the logo looks fantastic and ahead of its time. The music is brilliant too.

This title sequence was introduced in 1988, although the clip is from 1991.

Welcome to the first ever television presentation gem of the week. Each week, on a Friday afternoon, I plan to indulge in one of my geekiest and most shameful traits — an unhealthy interest in television presentation. If you read the post below, you will get the gist…

This is a brilliant example of television presentation gold from Christmas 1996. There are several notable aspects to this clip.

Firstly, it is a closedown — always a favourite among television presentation geeks. Also, it contains a Christmas ident. These are sought-after for their short-lived nature. Moreover, this clip is from Channel 4′s ‘circles’ era, which was quickly replaced due to its unpopularity. (It is a reasonably amusing ident too.)

But the reason I have chosen this clip to be the first ever television presentation gem of the week is that it exhibits 4-Tel On View. Moreover, as 4-Tel On View stopped broadcasting at the beginning of 1997, this must be one of the very last broadcasts.

4-Tel On View was Channel 4′s equivalent of the more famous Pages from Ceefax, which can still sometimes be seen on the BBC. This was designed as a low-budget filler programme, broadcasting selected pages from Channel 4′s teletext service, normally very late at night or very late in the morning. Presumably the logic is that it is better than a testcard.

As you can see, it has a quirkiness and a sense of humour that is somewhat lacking from Pages from Ceefax. It’s also a world away from the po-faced and corporate ITV Nightscreen, which 4-Tel On View producers Intelfax went on to make.

I can remember watching 4-Tel on View as a child, and I could never work out why or how it contained animations, which were lacking on both Pages from Ceefax and actual teletext. According to Wikipedia, it was all down to a “Magic RITE box” — so now you know.

Another highlight that dates this clip is the trumpeting of some very 1990s technology in the television listings. You can watch Bill and Ted’s Excellent Adventure in PALplus, with Nicam stereo, and subtitles on 888!

Another odd thing about this clip is that some of the pages and animations seem to scroll through far too quickly. If this clip is playing at the right speed (and the ident at the start seems perfectly normal to me), then this is a usability flaw of 4-Tel on View that made it almost useless!

Can anyone explain the ‘Beware of imitations’ animation? Was there some sort of rogue 4-Tel On View in operation?

It has just about the simplest and least imaginative channel name possible. But over the years the people behind Channel 5 have still managed to regularly get themselves ito a bit of a tizzy over what their channel is actually called.

So for years, the powers that be insisted that you should just call it Five. Or better still, five, without a capital letter. It was never ‘Channel Five’, and it was definitely not ‘Channel 5′.

You see, ‘Channel 5′ was associated with trashy TV movies and the notorious “three Fs” (films, football and fucking). This image worked in the pre-digital era of the first few years of the channel’s life.

But with 101 trashier other sides available to anyone with a posh new digital telly, Channel 5 had to go upmarket. Which meant spelling out the number 5 in full. But without a capital letter. Or the word ‘channel’ in front of it.

This was despite the fact that it was impossible to seriously talk about it this way. Saying to someone that you “saw a really good programme on five” would leave them staring at you in confusion — and not just because Channel 5 has no good programmes.

Still, I guess everyone just about got used to it after about nine years. That must be why new owner Richard Desmond has decided that it is better just to call it ‘Channel 5′ after all.

The branding brouhaha extends also to Channel 5′s digital channels. Even the relatively simple ‘Five US’ has been changed in the past to become ‘Five USA’. Now it is, of course, ‘5USA’.

Another week, another rebranding

5* logo

I noticed today that its other digital channels has changed its name yet again. It was originally launched in 2006 as Five Life. I guess that would be an all right name, if it wasn’t for the fact that it was extremely similar to the name of a certain high-profile BBC radio station. Whoops.

(Incidentally, BBC Radio 5 live is another station that would like you not to use a capital letter. The ‘l’ in the word ‘live’ is supposed to be lowercase. No matter that this looks really awkward wherever it is written.)

After a couple of years, Five Life became Fiver. It’s not clear why. It’s like a £1 note, but for the noughties! Perhaps £5 was the channel’s original programming budget.

Now it is called 5*, which is a bit awkward. The logo styles it as a nice five-pointed star, but in text materials an asterisk is used instead. Presumably you’re supposed to pronounce it “five star”, but it could as easily be “five pow” — I don’t know, and I am not prepared to watch for long enough to find out.

What does the asterisk signify? That this is just a temporary name and it might change again? Or is 5* a five letter swear word that you are provoked into uttering if you have to actually watch that garbage?