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Archive: Norway

In praise of human politicians

12 September 2009 22:25

Categories: *, Current affairs, Media, Newspapers, Politics, Scotland, Sport

I see that The Scotsman has again been trying to wring another story out of a politician’s use of Twitter. This time it is Jo Swinson exposing her ignorance about football.

As she was overwhelmed by members of the Tartan Army at a railway station, Ms Swinson got out her BlackBerry, logged on to her Twitter site and wrote: “Have I missed something? What’s the football festivity? Can’t move at Queen Street station for folk in Scotland tops.”

Seven minutes later, Graham Barrie posted: “The Tartan Army v the Dutch Army tonight at Hampden Jo. You really need to get out more :) ”

Jeff and Mr Eugenides both have good takes on this. I have to agree with them. For some, football is a matter of life and death. The Scotsman‘s David Maddox calls the match “do-or-die”. But in truth, it isn’t much more than a slightly tedious playground game.

The Scotland–Netherlands tie wasn’t exactly in my diary, though it is true that I was quite aware of it thanks to my football-loving friends. My own take on the match, as published on Twitter, would probably have got me into more trouble. I wasn’t merely ignorant; I was aware, but sarcastic and dismissive:

Advice to football fans: Scotland won’t win the World Cup, so I wouldn’t concern yourself with it.

I find it difficult to get excited about football at the best of times. My enthusiasm for Scotland internationals is marginally above zilch. In my defence, I was rather put off by the fact that last month I was taken by a friend to the pub to watch what I was told would be a football match but turned out to be a disaster film. Strange.

Really, you could argue that the people who don’t think about football are making the right decision. All that worrying over whether Scotland gets knocked out in this round or that does seem to be a waste of energy. And I can well imagine Jo Swinson has plenty of other things to occupy her time with.

This comes just a few months after Patrick Harvie was at the centre of another Twitter row manufactured by David Maddox. His crime was to discreetly tweet at the dinner table, something which I think many people do.

I don’t get this obsession with politicians having to be identikit robots who all have to be up-to-date on the price of milk, whatever music is in the charts and some tedious sporting exploit. I have written about this phenomenon before, and my views haven’t changed.

The fact is that there are 646 MPs and 129 MSPs. If you took 775 random people, you can be guaranteed to find people who couldn’t give two hoots about football and couldn’t tell you how much a loaf of bread costs. You would certainly find plenty of people who didn’t feel the need to contrive odd opinions about the Arctic Monkeys. Yet we expect all this from our politicians. Why?

On the one hand people criticise politicians for being almost like robots if they are perceived to toe the party line, talk in soundbites or reel off reams of irrelevant statistics. But then if they reveal a bit of their personality by representing part of the variety of society by not fitting a media-constructed template of what a “normal person” is expected to be, they are blasted for being “out of touch”.

I can more easily admire Jo Swinson for her personal choice not to worry about football than any politician who feels the need to pretend they are interested when they are so clearly not. Indeed, Jeff’s comparison with Gordon Brown’s uneasy comments about Paul Gascoigne’s goal against Scotland in Euro 96 reveals that this is one of those issues where you’re damned if you do and you’re damned if you don’t.

While you would expect parliamentarians to have a knowledge of certain things in order to do their job, there’s nothing wrong with them being human when it comes to their personal interests. In cases like this, it is those in the media who seem more out of touch.

2 comments

It’s not all about the money

19 October 2008 00:07

Categories: Current affairs, Economics, Politics, Scotland

Events in the world of finance over the past few weeks have focussed that ‘national conversation’ onto matters economic. Of course, the economy always features heavily in debates surrounding independence, but events have changed the tone and moved the debate up a gear.

In particular, the trouble that Iceland finds itself in has led Scottish Secretary Jim Murphy to jibe about how Alex Salmond’s “arc of prosperity” encompassing Ireland, Iceland and Norway has become an “arc of insolvency”. I also cheekily made a reference to Iceland last week.

Of course, supporters of independence rebut the notion of the “arc of insolvency”. The various arguments surrounding these issues will continue on until the cows come home. Whether it is really wise to compare Scotland to Iceland (being a country with a population of just 300,000) at all, whether or not Ireland will potentially be in similar bother, and so on.

I wonder, though, if too much attention is paid to economic indicators when it comes to the debate on independence. Sure, things like economic growth are nice and desirable in their own way. But they surely cannot be the be-all and end-all.

I’m thinking about happiness economics. This is a slightly controversial field for various reasons. Certainly, being a relatively new sub-field fraught with all kinds of hurdles that other disciplines don’t have to negotiate, its findings are pretty patchy.

A famous concept in happiness economics is the Easterlin Paradox. Part of the paradox is that after reaching a certain threshold, societies as a whole do not become happier as they become richer. What matters, apparently, is your wealth relative to others. So if everyone becomes richer and you stay the same place in the pecking order, you will be no happier. However, more recent research suggests that the Easterlin Paradox doesn’t actually exist.

The Freakonomics blog ran a series of interesting posts on this more recent research earlier this year. Because there is seemingly no easy way to navigate through them all I will link to them here: parts 1, 2, 3, 4, 5, 6.

Despite contradictory findings and the various problems involved in researching people’s happiness, I think it’s important nonetheless for economists to study what makes people better off in broader terms rather than just assuming that well-being is a function of income. Certainly, even the more recent findings suggest that the relationship between happiness and income is far from simple.

A couple of interesting examples are relevant to the debate surrounding Scottish independence because they are both small countries. If you look in part 5 of the Freakonomics series, you will see nine graphs depicting the relationship between happiness and GDP. Ireland (part of the “arc of prosperity”) was very slow to become happier as GDP increased, though it did so, slightly, in the end. Meanwhile, Belgium’s happiness actually went down as GDP increased.

Whatever the pros and cons of studying happiness, it seems reasonable to suggest that there is more to life than just money. Certainly, it is an interesting thought experiment when it comes to considering the case for Scottish independence.

Cabalamat wrote recently on a comment on his blog: “I would probably support Scottish independence if the people calling for it had any coherent idea how to make Scotland richer. But they haven’t.” As you can probably guess from what I have written so far, I think this is a bit harsh.

Even though you probably won’t catch many people saying it, I am sure there are people who would happily accept a (slight) decrease in Scotland’s GDP as long as Scotland was independent. You might criticise these people, but if, as I have posited, life is not all about the money, it is a perfectly valid position to take.

For instance, I have often heard it said (and not just by nationalists) that Scottish people in general have had more confidence, more of a spring in their step, since Labour were kicked out last year. I don’t know whether that is true or not. I can’t say, personally, that I have noticed much difference in people’s behaviour since the SNP came into power. I am certainly not the sort of person who would become more confident just because the Yellow Party is in government and the Red Party isn’t. But if others do, then that is their prerogative, and who am I to judge that?

Similarly, it is often said that independence would have a host of other benefits besides any economic benefits there might be. For instance, some say that the people Scotland as a whole would become more confident, happier, prouder.

Whether or not you agree with that (and I have to say, I have my doubts), you have to admit that these are desirable goals of themselves, just as much as increased GDP is. As such, I would argue that it is reasonable to accept a trade-off in income if it gives you enough happiness to compensate for it. For this reason alone, I think the argument surrounding independence should hinge less on economic factors.

We all recognise this idea in a way. If everyone just focussed narrowly on money, we would all work 24 hour days and 7 day weeks. And while there are some people who like to work more than others, most of us like to have our leisure time which can boost our happiness. In so doing, we lose money by foregoing the wages that we would otherwise earn. And if we spend money on our leisure activities by going out or even by doing something as simple as using electricity, we lose even more money. But because it makes us happier, we do it. Indeed, if someone concluded that it was worth foregoing all of their leisure activities so that they could earn more money, you would probably think they were a bit of a dunce.

It is worth noting that Scotland has its own little Easterlin Paradox. Happiness in Scotland is lower than it is in England and Wales despite the fact that income is not substantially lower according to this paper (PDF link) by David Bell and David Blanchflower (found via Stumbling and Mumbling while searching for posts on happiness economics).

The fact that Scots are still unhappy relative to their neighbours suggests that Scotland’s problem is not just a deficient economy — it is a deficient people. Of course, independence would not let Scotland shed its “sick man” label overnight.

But if independence can contribute to an increase in the happiness alone of Scottish people, then it will have been of benefit. I’m not saying that independence would. But it’s interesting to think about.

8 comments

Music of 2007: top three

2 February 2008 13:53

Categories: Entertainment, Music, Reviews

Music of 2007

A series of posts

  1. What I listened to in 2007
  2. Music of 2007: #40–#21
  3. Music of 2007: #20–#11
  4. Music not of 2007: three reissues
  5. Music of 2007: #10–#4
  6. Music of 2007: top three

Yesterday I promised that I would finally get round to posting my top three albums of 2007 today. I almost forgot about it because I was having so much fun writing my dissertation (true story). But a promise is a promise, so I am staying up extra late. I’m sure it won’t take long…

3. Shining — Grindstone

Grindstone artwork This must be the most overlooked album of the year. I should point out, in case you were confused, that I am talking about the Norwegian electro-jazz-prog metal band, not the Swedish suicide-themed death metal band.

I discovered Shining because some of their members used to be in Jaga Jazzist, another Norwegian band that I love. But while Jaga Jazzist are known for their quirky electo-jazz stylings, Shining have increasingly forged a path into the altogether darker territory of progressive metal.

But it’s not just that — it’s a cartoon version of metal. Jazz instruments play as big a role as guitars, and the whole lot is backed by whacked out singing and interspersed with ambient interludes. In short, expect the unexpected.

If it all sounds a little bit overwhelming, as though they have over-egged the pudding, do not fear. Although light moments are mixed with the darkness of metal, it is far from a scatter-gun approach. Everything is meticulously arranged. In fact, it is the multi-layered nature of the tracks and musicianship of the band members that impresses me the most about Grindstone.

I think it is an utter travesty that Shining are not more well-known.

Listen to the album in full at Last.fm

Video: ‘Winterreise’ — not an official video, but it has kind of been endorsed by the band.

2. Radiohead — In Rainbows

In Rainbows artwork So much has been made of this album, but not much of it has been about the music itself. I am a serial offender here as well.

I was disappointed at first. If you have been reading this blog for long, you will know that I quite like exploratory electronic music. I am much more of the Kid A stripe of Radiohead fan than The Bends kind. So I initially found In Rainbows to be a let down. It seemed too safe for a band as good as Radiohead.

It sounded little different to Hail to the Thief. It rather does suggest that Radiohead have found their equilibrium. The post-OK Computer explorations were just that: explorations. Now they have found a happy medium, and every future Radiohead album will pitch its flag in this middle ground.

But that isn’t necessarily a bad thing. It is strange to hear Radiohead sounding so comfortable — but over time I have come to see that as one of the greatest strengths of In Rainbows. Probably for the first time in several years — the first time ever? — Radiohead don’t sound tetchy or fed up or lost. They are at ease. They are just making great music.

In Rainbows makes Kid A sound immature and Hail to the Thief sound downright shambolic. Not that I am announcing that I now dislike Kid A — it is probably still my favourite album. But In Rainbows has a craftsmanship to it. It has been constructed, not thrown together. Kid A had ideas. In Rainbows has songs.

So the experimentation has gone. Or at least it is taking a back seat. So there is nothing aurally exciting like ‘Everything in its Right Place’ or ‘Pulk’. But there is now pure beauty: ‘Nude’, ‘Videotape’ and ‘Reckoner’ are now among my very favourite Radiohead songs.

What makes In Rainbows stand out as a great album is Phil Selway’s drumming. Time and again he has been the essential element in a Radiohead song, most notably in ‘Pyramid Song’. Today he is at the top of his game, providing unusual but immediate drumbeats. He’s obviously had to up his game since the rest of the band started using drum machines!

If I have a complaint, it is about ‘Arpeggi/Weird Fishes’. Not that it’s a bad song, but I much prefer the original ‘Arpeggi’. It doesn’t sound as powerful as the original live version, as the guitars make the arpeggios sound rather muddied.

And great albums don’t have songs as weak as ‘House of Cards’ and ‘Bodysnatchers’. The latter also has a line that has been stolen straight out of Pulp’s ‘The Fear’, right down to the way it’s sung. Not a high crime, but rather off-putting.

Discbox purchasers got a second CD, and amazingly the music is pretty much at the same high standard as on CD1. ‘Bangers + Mash’ in particular is a great, fun song. It should have been on CD1 in place of ‘Bodysnatchers’.

Videos: lots — mostly live performances

1. Battles — Mirrored

Mirrored cover I have been going on all year about how great Battles are, and truth be told I don’t think there’s much else I can really say about Mirrored. Suffice it to say that it is great to hear someone genuinely pushing the boundaries and showing everyone what really can be done with technology when you put your mind to it.

Video: ‘Tonto’

My original review of Mirrored

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Music of 2007: #10–#4

1 February 2008 01:04

Categories: Entertainment, Music, Reviews

Music of 2007

A series of posts

  1. What I listened to in 2007
  2. Music of 2007: #40–#21
  3. Music of 2007: #20–#11
  4. Music not of 2007: three reissues
  5. Music of 2007: #10–#4
  6. Music of 2007: top three

At last! I have got round to the top ten. Was it worth it? Probably not. Next (i.e. this) year, I am only doing the top 20, I swear…

10. Hanne Hukkelberg — Rykestrasse 68

Rykestrasse 68 cover A neat album of playfully experimental jazzy folky songs. The interesting but subtle use of found sounds makes Rykestrasse 68 an unconventional album, but one that never forces the fact down your throat.

At the heart of this album is good songwriting and a wonderful singing voice. I just love the quirkiness of the vocals in ‘Fourteen’.

Video: ‘A Cheater’s Armoury’

9. The Future Sound of London — From the Archives Vol. 1–3

From the Archives Vol. 1 artwork
From the Archives Vol. 2 artwork
From the Archives Vol. 3 artwork Technically, this isn’t from 2007 (or is it? I dunno), which is the only reason why this doesn’t appear any higher on the list. But bear with me.

The Future Sound of London are (a little bit) before my time. But they are still among my very favourite electronic music groups, despite the fact that electronic music normally dates really badly. Sadly, little has been heard of FSOL since the release of Dead Cities in 1996 (not counting that Amorphous Androgynous stuff). I don’t suppose we can be too upset — they were stunningly prolific in the few years leading up to that moment.

I often yearned for the return of FSOL. A best of here and a compilation there has come, mostly reminding people that maybe FSOL just belonged in the 1990s. Would their music still seem so vital today? I wondered.

Well in 2007 FSOL seem to have begun a huge clearout of some sort, releasing several CDs worth of archive material from the 1980s and 1990s. So far only From the Archives vol. 1–3 seem to have come out on CD. I’m biding my time to see if the rest gets a CD release, but it doesn’t look like it.

Anyway, the point is that From the Archives is amazing. It is hard to believe that all of these tracks are rejects. It is clear that the technology available to them was not what it would be today. But this just means that it sounds like classic FSOL in their prime. To think that they had all of this awesome music just sitting around doing nothing for all those years!

Plenty of tracks contain familiar elements and samples from more well-known FSOL material. So it is useful to think of it as a historical document as much as a collection of albums.

The artwork takes a similar tack. Well-known elements of old FSOL artwork have been remixed into a form that is rather deferential to the peak period of activity. All in all, it’s quite a refreshing approach because normally bands seem keen to distance themselves from the past.

Because it sounds dated, and consists of music that didn’t make the cut, it is perhaps best to recommend it only to people who are already fans of FSOL. But for those people, what a treat this is! I couldn’t believe my luck when I read about it.

For those not so keen on getting the lot, there is a digest 2× vinyl edition. And Bleep are selling what appears to be an alternative digest version on MP3 and Flac.

8. Simian Mobile Disco — Attack Decay Sustain Release

Attack Decay Sustain Release Simian Mobile Disco is the phoenix that has risen from the ashes of the early-noughties indie-electro band Simian. Slaving away for years only to have your shtick stolen by the much more successful Hot Chip as soon as you disband. It must hurt.

A change of tack was in order for the Simian lads then, and Attack Decay Sustain Release is the result. Unashamedly danceable to an almost cheesy extent, don’t expect much in the way of experimental explorations. Do expect to be grinning ear to ear.

Video: ‘It’s the Beat’

7. Björk — Volta

Volta artwork The pre-release hype had it that this was Björk’s most accessible and poppy album for around a decade. There is a modicum of truth in that. But fans of Björk’s wonderful explorations won’t be disappointed.

Okay, so if you compare the Timbaland-produced lead single, ‘Earth Intruders’, with one of the more guttural offerings from her last album, the almost a cappella Medúlla, then it does look like a change to a poppier direction. But there is more to Volta than that.

In reality, it is just as exploratory as other Björk releases. Any preconception that Volta is a pop album is encouraged by the fact that ‘Earth Intruders’ opens the album, but the balloon is popped when the song fizzles out and ends with a cacophony of foghorn sounds that last over a minute.

There are a few other fun moments. ‘Innocence’, the second single, is a particularly interesting song. It is fun and catchy, but if it is commercial then it is a delightfully skewed version of pop. For me, though, the best moment is Vertebrae by Vertebrae. I love those dissonant horns.

Video: ‘Earth Intruders’

6. The Fiery Furnaces — Widow City

Widow City artwork It is a sign of how strong 2007 was for music that The Fiery Furnaces are so low on this year’s list. Possibly the most prolific band around, they often churn out more than one album per year and quality never seems to drop.

Okay, so Widow City isn’t quite up there with Blueberry Boat or Rehearsing My Choir. But this is still a stunningly awesome album. Fans of Matthew Friedberger’s double solo album will be particularly pleased — Widow City is similar in style in a lot of ways.

The album begins with a lush, slow, Eno-esque guitar solo. A fine curtain raiser to the normal Fiery Furnaces diet of playful alliterative lyrics, Mellotrons and other vintage synths, and delightfully wonky prog.

Unusually, there are some weak moments in this album. Some tracks towards the end of the album are particularly forgettable, but ‘Clear Signal From Cairo’ takes the wooden spoon — it just hasn’t clicked with me at all.

Video: ‘Ex-Guru’

5. Justice — †

† artwork It’s easy to get bored of electronic music. In dry patches you listen to one techno album after another, none particularly improving on what has come before. Then a group like Justice comes along to provide a breath of fresh air and remind you why you love electronic music.

What’s good about this album is that it is really immediate. It is clearly designed for the dancefloor. But there is still a good deal of sonic experimentation going on there to keep it interesting for the chin-strokers like me. And of course Justice have that infectious sound that only Parisian groups seem to have (hence the number of times you see Justice compared to Daft Punk).

My favourite track is ‘Tthhee Ppaarrttyy’. It’s not a banger as you might expect from the title — not at first anyway. Instead, it sets the scene of a person preparing for a party against an introspective-sounding melody. Can’t forget the other highlights though — ‘DVNO’ and, of course, the monumental ‘D.A.N.C.E.’

Video: ‘D.A.N.C.E.’

4. Underworld — Oblivion With Bells

Oblivion With Bells artwork I have been a fan of Underworld for quite a while, but I was still floored by the quality of this album. It has been a while since Underworld have released a studio album, so I was wondering if they were running out of steam. On the contrary, they have raised the bar.

It takes a while for the album to get going. I thought lead single and opening track ‘Crocodile’ was so-so. After that things star to get better. Before you know it, every track is a winner.

Particular highlights include ‘Ring Road’ which has an infections driving beat and hypnotically rhythmic vocals. It’s impossible not to nod your head or tap your foot along. Meanwhile, ‘Boy, Boy, Boy’ sounds like the past future of pop music that sadly never happened.

What amazes me is the fact that after all of these years Underworld are still going strong. Okay, it’s been five years since their last album, but this is top quality stuff. Most electronic acts tend to fizzle out after a few years. But Underworld’s history can be traced back to the 1970s, and they’re still going strong. I might even go as far as to say that Oblivion With Bells is Underworld’s best album. Karl Hyde must be the coolest fifty-something around. Except for Brian Eno.

Video: ‘Boy, Boy, Boy’

The top 3 is coming tomorrow. I promise.

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My ten favourite albums of 2007 so far

2 July 2007 01:49

Categories: Entertainment, Music, Reviews

I reckon 2007 has been a great year for music. Just half of the year has gone, and there are already lots of standouts for me. And some albums from big names are due out later on this year, so it is surely only going to get even better.

Here are my favourites of the year so far. I won’t list them in a strict numerical order for the time being. That can wait until the end of the year.

Air — Pocket Symphony

Air is a strange band, because — although I am certain that I like them — I never feel as though they are one of my very favourite bands. Yet, every time they release the album I am uncontrollably drawn to buy it.

At first I was just going to ignore Pocket Symphony until I saw it in a sale or something. But then I heard that it was produced by Nigel Godrich. And then I heard that there was a collaboration with Jarvis Cocker. And then I read all the good reviews.

It is a fine album, but it is exactly how we have come to expect an Air album to sound like. It’s not all that different in style and mood from Talkie Walkie.

In reality, the Jarvis collaboration is not all that great. But the Neil Hannon collaboration, ‘Somewhere Between Waking And Sleeping’ is quite something. It won’t do much to shake off all of the clichés about “chill out” music, but there is no doubt that it is a beauty.

Battles — Mirrored

I have already written about this album once, and I have also written about the time I saw them live. I don’t feel the need to say much more. But believe the hype. Battles are real innovators. This is exciting as much for the use of technology, and what it holds for the future, as anything else.

Björk — Volta

For some bizarre reason, Björk’s label tried to make out that this is her most accessible album for years. I’m not sure if that is the case. Those who did not like Björk before will probably not be swung by a couple of Timbaland collaborations (good though they are).

For me, this is a slight disappointment. It’s quite a good album, although not as good as some of Björk’s previous albums. It’s not helped by the collaborations with Antony Hegarty, who is not personally my cup of tea.

That’s not to say it’s a bad album, but I was expecting more. In a way, the best bit is the packaging. The CD comes in an elaborate fold-out box containing Russian doll-inspired cardboard wallets.

Ceephax — Volume One

[Insert comparison to Squarepusher here], but quite a good album. Just because I like that 8-bit 80s retro thing.

Hanne Hukkelberg — Rykestrasse 68

On Last.fm, a fair number of people appear to have tagged Hanne Hukkelberg as “jazz”. It is not one that I would have thought of, although if they mean jazz in that completely un-jazz Norah Jones sense, I can kind of see where they are coming from.

I do not mean to insult Hanne Hukkelberg’s music by comparing it to Norah Jones, but I can see how this album is a bit like that kind of music, but with all the blandness sucked out and replaced by eclectica.

Hanne Hukkelberg manages to do something that many people can’t — make music that is beautiful as well as experimental. Add a gorgeous Norwegian accent into the mix and you have a delightful album.

Justice — †

What a breath of fresh air! Why does not all dance music sound as good as this? There is seemingly lots of exciting electronic music coming out of Paris at the moment, and Justice spearhead it all. Besides Mirrored, this has to be my favourite album of the year so far.

Kieran Hebden and Steve Reid — Tongues

The awesome collaboration between a man at the forefront of modern electronic music and a jazz drumming legend continues with Tongues. As before, these tracks are performed with no overdubs or edits. That is the most impressive thing about it.

The music is not always great. Some of it is a bit rambling, and a lot of it does sound like second-hand Four Tet out takes. Nonetheless, Kieran Hebden and Steve Reid clearly connect very well, and it is a joy to hear them playing together.

Shining — Grindstone

I love this album! Shining keep the electronic / jazz elements of old, but crank up the prog metal à la Dream Theater to create an astounding, enjoyable album.

Moments of madcap, humorous lunacy like ‘In the Kingdom of Kitsch You Will Be a Monster’ and ‘Winterreise’ are countered by the more thoughtful and beautiful moments like ‘Psalm’ and the playful ‘Moonchild Mindgames’

If you have never heard of Shining, trust me on this one. If you want to hear something a bit different, I don’t think you can go far wrong with Grindstone. In a way, it has to be heard to be believed. Quite an album.

And chalk another one up for Norway!

Simian Mobile Disco — Attack Decay Sustain Release

From the burning wreckage of lamented electronic-indie band Simian (who must be in a right huff after Hot Chip stole their act and became infinitely more popular) emerges Simian Mobile Disco. Like Justice (remixers of Simian, so this is an obvious comparison), SMD go in for the unashamedly fun dance stuff. It’s like IDM that doesn’t feel the need to emphasise the ‘I’. (It’s The Beat that matters, of course.)

SMD answered a call I think. The world was screaming out for them to come along. I mean, who else is there to make this sort of music (by which I mean dance music that is actually danceable yet isn’t the aural equivalent of scraping your balls through a cheesegrater)? The Chemical Brothers? They’re a bit old hat now…

The Tuss — Rushup Edge

Oh dear. Read one forum and this is Aphex Twin collaborating with Squarepusher. Someone else says it’s Aphex Twin collaborating with Luke Vibert. Go somewhere else and all of a sudden it’s Aphex Twin on his own. Then somebody comes along and says it’s not Aphex at all, it’s just somebody taking the piss and pretending to be Aphex.

So of course I had to buy it.

I am undecided on it so far. Musically it reminds me a lot of the Analord series, which I thought was okay but nothing more. Whether it is good or not seems a bit by the by though. It’s going to be a talking point whatever.

EP of note

Boom Bip — Sacchrilege EP

I was prepared to give up on Boom Bip. His last album, Blue Eyed in the Red Room was so boring that I almost forgot how good his old stuff was. Then I heard some samples of this EP, and found out that he’s gone all electro.

Sadly, it’s still not all that interesting. Still, full marks for trying. And infinity marks for the presentation. The artwork is wonderful, and the pink vinyl is irresistible. Maybe it will grow on me — I have not had much chance to digest it yet.

Reissue of note

Seefeel — Quique (redux edition)

Seefeel can’t have spent much time in Scotland if they were prepared to call their album Quique (which, yes, sounds like ‘keech’). But the album is anything but keech.

This lost shoegaze classic was given a reissue earlier this year. I guess it must have been a bit unexpected. There doesn’t seem to be much reason why Quique in particular deserved this treatment, although I’m glad it got it.

It comes with a bonus disc of previously unreleased material, remixes and the like. A real standout is ‘Clique’, which is easily as good as anything on the album. Why it was not released at the time is probably one of those little mysteries that even the band does not understand (I hope so anyway).

Cheesy image, I know. But lying on the bed, half asleep, listening to this through headphones is a special experience.

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