One to file under “why on earth didn’t I think of that?”. Ewan Spence has analysed each of this year’s Eurovision Song Contest entries in Last.fm.

For those who don’t know, Last.fm is a smart website that tracks your music (or podcast) listening habits. It can generate recommendations for you, but I joined the site almost four years ago. Back in those days when it was called Audioscrobbler (before it merged with Last.fm which was a separate website with a slightly different purpose) so I’m just there for all the wonderful stats about my taste in music. (In case anyone’s interested, my profile is here.)

Ewan Spence took a look at the stats for each of the songs in this year’s ESC to see how they measured up. Regular readers may remember that I wrote a post a couple of months back debunking the theory that the ESC is dominated by political bloc voting. So I was pleased to see Ewan Spence’s analysis which suggests that broadly the most popular songs as measured by Last.fm are also the songs that tended to do well in this year’s ESC.

However, there is one mega outlier. And it’s a groovy French man who is way out in front on the Last.fm chart — Sébastien Tellier.

If you remember my post about bloc voting in the ESC, you might also remember that even though there is no political voting, I concluded that France woz robbed. I wasn’t the only one either — I saw that quite a few people liked Sébastien Tellier’s song in particular.

I still see people discussing him from time to time. In fact, I have one friend who likes to talk about Sébastien Tellier quite often. He refers to him as “the hairy Jarvis Cocker”. From what I can gather, Sébastien Tellier had built up quite a following prior to Eurovision. His latest is his third album and is produced by one of the guys from Daft Punk. And back in the day he toured with Air.

Ewan Spence suggests there might be some tricky goings-on with Tellier’s numbers such as a Last.fm player on his website or something. I think it might be down to the fact that Sébastien Tellier is quite popular, so actually merits the attention on Last.fm. In fact, I have contributed to Sébastien Tellier’s numbers on Last.fm as I bought the album Sexuality on the strength of his Eurovision song ‘Divine’.

So, was Sébastian Tellier robbed? Yes and no. Simple following alone can’t explain the discrepancy. While Tellier has some fans, the winner of the Eurovision Song Contest — Russia’s Dima Bilan — is a major pop star with several number ones across eastern Europe.

I think it might have a lot to do with the type of person who uses Last.fm though — i.e. people who really, really like music. A slightly odd French electronic artist is just the sort of thing that would probably appeal to your average Last.fm user more than the average person on the street for whom music is like wallpaper.

Take a look at the this week’s Last.fm chart. Like Ewan Spence’s chart, it bears a vague resemblance to actual popularity, but with a few oddities along the way.

Where, for instance, is the UK’s biggest selling artist of the year so far, Duffy? 166th — behind a lot of pretty obscure artists (by which I mean people I’ve never heard of). I bet if you did a televote Duffy would be near the top.

The point is that Sébastien Tellier is great. But it was a bit like the French equivalent of the UK entering Aphex Twin (213th in Last.fm, ahead of the likes of Christina Aguilera, Norah Jones and Lily Allen) — right down to having everyone on stage looking like him. It would be great, but most would be left scratching their heads.

So hurrah for Sébastien Tellier. Eurovision may have ignored him, but that is understandable. Those on Last.fm can handle its odd French electronic music. One more time!

Jeff at SNP Tactical Voting took the baton from me and listed his top 10 blogs (although unlike me, he concentrated just on Scottish political blogs). In the process, he accused this place of having “a scarcity of posts of late”.

Guilty as charged. A number of elements have conspired against me when it comes to updating this blog.

First of all, I set up a separate F1 blog — immediately robbing this place of around half its content! Then there was the fact that I was in my final year at university. I didn’t want to mess it up as the dissertation deadline passed, then essay deadlines, then the exams came along.

Even since the exams have finished, though, it hasn’t quite worked out. I always find the transition from busy (!) student to lazy summertime bum difficult for some reason that I can’t put my finger on. Blogging always takes a back seat for a week or two as I grab some rest and get those summer jobs dealt with. I have been — gasp — reading books for leisure (which I never get the time to do during term time). I have been listening to that pile of unlistened-to CDs that has built up since last summer. The pile is now down to six which is very exciting. I have also tidied my room from top to bottom, sorting through stuff to work out if I should chuck them out or not.

Then there is the small matter of finding a job. Or, more accurately, working out what my career is going to be. Now that university is over for good (and I doubt I will be darkening the doors of academia again), I can now — belatedly — devote more of my brain power towards researching careers. I have not got very far forward. Every time I seem to get closer to finding a path that I find acceptable, something comes along to put me off. For this and various other reasons, I still find myself running around Edinburgh from time to time.

Also, for the past seven or eight months I have routinely been taking daily walks round the park and suchlike. This was partly to get me out of the house and into the sun. It is also with one eye on my slowly-but-surely expanding belly. A good side-effect is that I spend the walks listening to podcasts that I would never otherwise manage to listen to. However, it’s possibly fair to assume that this time may otherwise have been spent blogging which is why things have been a lot quieter here over the past year or so.

Then, just when I was ready to get back into the swing of things, all of my websites were knocked out by that exploding transformer. Then a different issue put my websites out of action on Tuesday as well! All-in-all, I lost about three days of possible blogging activity.

And then I got some good news. I’ve got a degree, and it’s a 2:1. It was such a relief — I was genuinely worried that I was headed for a 2:2 which would have been seriously demoralising. I would really have kicked myself for a few things if that happened, but somehow I have escaped.

I still don’t know the marks for all of my courses yet, which is quite frustrating. Of the scores that I know, I was on course for a 2:2. And I am sure I muffed up one of the exams that I haven’t had back yet. I’d love to think it was my dissertation that pulled the whole lot up. Anyway, I shouldn’t worry about that now. What matters is that I’ll be doing the silly dressing up thing with the stupid hats and scroll things later this month. (Incidentally, does anyone know where the hell you get a white bow tie in this area? That is the rubbish I am being asked to wear for this thing.)

All of this is just a really long-winded way of saying: yes, I know, it’s quiet round here. Jeff said that the scarcity posts is made up for with thorough detail. That is really a side-effect of the fact that it takes me so bloody long to get round to writing anything. By the time I’ve reached this little screen my head has collected so many thoughts on the issue that I end up writing a bloomin’ essay. Even this post is probably about 2,000 words long now.

The thing is, just because I’m not posting much on this blog doesn’t mean I’m not posting much at all. There are four other major outlets of mine. Twitter is the main one where I post anything that will fit into the 140 character limit. Then there is Delicious where I post interesting links, often along with a pithy comment. Then there are the two other blogs, Scottish Roundup and vee8.

These all have a presence on the sidebar here, but I thought it would be good to have an area where all of these various updates are gathered on one page. I started with a lifestream (launched a few weeks ago, though I kept it quiet). But I wanted something a bit different so I spent a bit of time in Yahoo! Pipes to create what I have modestly called the “megafeed“. For the time being I’ve placed it just above the lifestream on… the lifestream page.

Neither of them is exactly perfect. The lifestream just contains the headlines of each item. It incorporates Last.fm as well, but it’s pretty rough and ready really. Meanwhile, the megafeed just looks like a big list of stuff. There’s no way to tell whether it’s a Twitter update, a blog post or what. I tried to make it more obvious, but either there isn’t a way to do it in Yahoo! Pipes or I am too much of a n00b to work out how to do it. Just thought I’d mention it since I spent a bit of time on it. Think of it as a stalking opportunity.

Now that I have sorted that out, it is time to post not just in the four other places but here as well. Now I have drawn up a little list of posts I want to write. My calendar for this week looks fairly empty. I should probably be looking for a job but I will try to get some stuff up here too.

For the past few weeks I have been using Digsby, a smart Trillian-style multi-protocol IM client. I’ve tried such programs before — Trillian, Pidgin and Meebo — but for one reason or another they all annoyed me. For this reason, before Digsby I stuck to having MSN, Google Talk and Skype all open at once.

Digsby is quite cool because not only does it unite your IM accounts but it throws in your email and social networking accounts as well. So updates from Gmail, Twitter, Facebook and MySpace sit alongside your buddy list. Neat stuff. I believe support for more social networks is in the pipeline too.

Having said that, the Twitter features leave a lot to be desired. I have since started using Twhirl which I think is fantastic, save for the fact that it doesn’t open automatically when my computer starts up.

Beforehand I updated Twitter using Google Talk. But once I installed Twhirl I switched IM Twitter updates off because of course I was getting duplicate messages. But even then the problem of duplicate (or triplicate) messages did not go away. It got me thinking about the increasing trend for stuff people publish on one website to be automatically re-published elsewhere.

A lot of people I know use a Facebook application called TwitterSync. I am among them because I was screaming out for Facebook to allow this for a long time. The app automatically updates your Facebook status with your latest Twitter tweet.

This is cool because enlightened people know how great Twitter is, but there are so many more people on Facebook who do not use Twitter but could still benefit from the wise words you post on Twitter. The Facebook status is the ideal way to give your Twitter account a wider audience.

But what about those people who are friends with me on both Facebook and Twitter? They get the status updates twice. This was not so annoying beforehand. But because Digsby is hooked up to Facebook and Twitter, I get two little pop-ups telling me all about it — and this is in addition to Twhirl’s alerts.

This reminded me of a post written by Robin Hamman a couple of weeks ago. He asked, “is auto-feeding links to Twitter spammy?”

Then I came across a website called Tweet Clouds. This site produces a word cloud or heatmap of the words you use on Twitter. Three words tower above all the others: New. Blog. Post. Those three words appear at the start of each automatically generated tweet advising followers that I have just published something on my blog.

I do quite like it when people alert their followers on Twitter to the fact that they have just published a blog post. I think other people like it as well. I have just checked and over the past year Twitter has been this blog’s fifth highest referrer, bringing 888 visits. That is above Google Search and Google Search UK (although below Google Image Search and Google Image Search UK).

If you take out search engines and blog aggregators, Twitter is the second-biggest referrer to this blog (the biggest being Times Online’s blog platform, which is concentrated on just a few posts). Remember that this does not even include those who are visiting from the Twitter stream in their IM client or another application.

I often also click through when a new blog post is mentioned on Twitter if it sounds interesting enough. But I cannot stand it when other feeds are injected into a Twitter stream — people’s tumblelogs, Delicious links and the like. That is just overload.

If I was interested in someone’s Delicious links, guess what — I’d be subscribed to their Delicious feed. If I cared in the slightest about somebody’s tumblelog, I’d visit their tumblelog. Equally, however, you could say that if somebody really cared about my blog posts then there is already an adequate way to be alerted to new posts: RSS.

This problem is going to increase in the coming year as lifestreams and social aggregators such as Profilactic, FriendFeed and Socialthing! gain in popularity. In fact, these sites themselves demonstrate the problem itself rather nicely.

If you look at, for instance, my Profilactic ‘mashup’, you will see my blog posts appearing and soon afterwards the Twitter tweet announcing it. Then you will see my Delicious links repeated in a blog post (for vee8 at least). Jaiku had to be taken out because it is itself a pseudo-lifestream that already incorporates Delicious, Last.fm, Twitter and what-have-you.

Plus, Facebook has just begun to implement its own social aggregator-style features. If you already have the Delicious application installed then import your Delicious posts into your Facebook news feed, you will be getting the duplication in the Facebook news feed alone. (I tried it hoping that it would sync with Facebook’s ‘Posted Items’ feature — no such luck.)

This whole problem is summed up quite succinctly by Jon Bounds in a comment at Cybersoc:

The Facebook status, pulled from a twitter auto-announcing a blog post generated from del.icio.us links is not what I want form these services. And I get the feed of it at each stage.

It is probably time to step back, decide on which social aggregator I want to use, stick with it and stop republishing stuff on other websites. Still, I can’t help thinking that it just feels right to merge my Twitter account with my Facebook status, and it just feels right to publicise my blog posts on my Twitter account.

At the same time, it’s just not cool to read the same messages over and over again on several different websites. The internet is starting to feel like a giant echo chamber.

By now you may have heard of a website called Muxtape. In a way, I’m surprised it hasn’t been shut down already. It’s probably the most blatantly illegal website since YouTube. Technically, I guess, you’re meant to own the copyright to everything you upload to the service. But of course that’s not what most people use it for.

Muxtape is an enticingly simple website that lets you make a little playlist of tunes, a bit like a mixtape. Webware jokes, as if you would remember mixtapes! Meanwhile, David Title ponders if you have to be between the ages of 29-45 for the mixtape to mean anything to you!

I’m 22 (almost typed 21 there… can’t bear the adulthood), and I love the romance of mixtapes. It is like instant nostalgia. Cassettes are meant to be naff, and they are to an extent. But holding a tape is quite special, like holding a past future in your hands. Defects such as tape hiss, wow and flutter are as acceptable as surface noise. They add to the quaint beauty of the cassette.

And here is the thing. I used to make mixtapes. Then one day I decided to “upgrade” to CD-Rs. The CD-Rs would surely be more reliable and durable, right? Pah. The CD-Rs I bought were defective. For some reason iTunes (or the CD-R, I don’t know which) was making the audio of each track start two seconds before the access points. I wasted 4 CD-Rs trying to fix it, to no avail. Then it was reported to me that the CD-R wouldn’t even play! Annoying or what? The packet of faulty CD-Rs still sits beside me unused.

For all of their faults, cassettes are at least more reliable in the medium term than this. I have come to the decision that CD mixes are a bit like sending someone a letter but typing it out rather than handwriting it. You still put in the hard graft constructing it, but it is still somehow less personal, less human.

Of course, Muxtape is nothing like a mixtape. Indeed, it is probably even worse than a CD. As has been pointed out by David Title, a real mixtape is:

hours of love and care and cursing your slipping on the pause button. It’s recording little personal messages between the songs. It’s handwritting the titles and artists in painfully small print. It’s an act of love.

Muxtapes cannot even be personal. The terms (whatever they’re worth, given the dubious legality of the service) restrict you to one account only — and that’s a public account.

Nonetheless, that cute picture of the C90, the blocks of colours, the oh-so-fashionable massive Helvetica font (not that I’m guilty of that one) and the sheer simplicity of Muxtape is enough to reel you in and get you to make your own.

And make my own I did. Here is my Muxtape.

I should point out that if you like any of the tunes on my Muxtape, I think you should buy the album (the ‘Buy from Amazon’ link on Muxtape is a new addition today — a handy hint). I bought all of these. In the case of John Cage, I bought four different performances of it. In the case of Autechre, I bought the album twice.

Incidentally, there is an interesting take on the legality or otherwise of Muxtape at WebJam. The fact that Muxtape does not provide you with an easy method to download the music may be its saving grace. Besides, the cat is out of the bag. In the same way as shutting down Napster didn’t stop peer to peer filesharing, closing down Muxtape will only lead to several new clones of it.

On the simplicity of Muxtape, it is appealing — but it does make it rather light of features. There is no search function and even Google is blocked from indexing pages on Maxtape. Instead, you are presented with a random list of Muxtapes. Apart from that, you have to rely on word-of-mouth to find anyone’s Muxtape.

It’s just as well some clever fellow has created a smart Last.fm / Muxtape mashup (via Qwghlm). Enter in your Last.fm username and it will find Muxtapes containing artists that you like. Awesome.

In the meantime, it’s worth remembering that Last.fm itself has provided its own playlist service for years now, and it is on much more solid legal ground. There are some annoying restrictions — of course, you can only choose from the tracks that Last.fm has on its servers. Plus, perhaps even more frustratingly, the music is shuffled. This robs you of one of the joys of putting together a mixtape: getting the track order right. Catch my Last.fm playlist here.

There is some exciting news from Last.fm. I have been in love with that website ever since I signed up back in 2004, and there is now yet another reason to love it.

As of today, you can play full-length tracks and entire albums for free on the Last.fm website.

Something we’ve wanted for years—for people who visit Last.fm to be able to play any track for free—is now possible. With the support of the folks behind EMI, Sony BMG, Universal and Warner—and the artists they work with—plus thousands of independent artists and labels, we’ve made the biggest legal collection of music available to play online for free, the way we believe it should be.

Beforehand, you could only play a select few tracks in full for free — and to be honest, they were mostly rubbish. Now all four major labels as well as 150,000 indies are on board letting people listen to their music for free on Last.fm. Millions of songs are now at my fingertips.

Okay, so the music is not completely free. Once you’ve listened to a track three times, you will be blocked from listening to it again until you pay up. But complaining about this would be churlish. Even if you approach it as a kind of ‘try before you buy’ service, this is much, much better than anything that has come before.

For me, this is the day the recorded music industry has begun to face the music (excuse the pun). There have been signs of them facing up to the reality of a world with the internet. But even, for instance, their plans to sell DRM-free MP3s through Amazon was as much an attempt to derail Apple’s dominance in the digital download arena as anything else.

No doubt there will be questions about the financial viability of this. The BBC report on the announcement certainly adopts a slightly sniffy, sceptical tone.

It certainly feels strange, coming just a couple of weeks after Pandora closed its similar service in the UK on the basis that the labels were making it too difficult.

Both the PPL (which represents the record labels) and the MCPS/PRS Alliance (which represents music publishers) have demanded per track performance minima rates which are far too high to allow ad supported radio to operate…

But that is pretty much the model that Last.fm is adopting:

We’re not printing money to pay for this—but the business model is simple enough: we are paying artists and labels a share of advertising revenue from the website.

Today we’re redesigning the music economy.

How can Last.fm make it work if Pandora couldn’t? It is true that Last.fm has big backing in the form of its owner, CBS. But if it’s not financially viable, it’s not financially viable, right?

Maybe there is more to this, or there is something I’m missing. Leaving the Pandora issue aside, it looks as though something big has happened today — as though someone’s banged a gong and the majors have all woken up to what’s going on. And they’ve agreed to finally do something sensible about the situation. Today music became even cheaper, and we all became a bit richer.