Archive: language

Sorry about my absence over the weekend. I was here all along. In fact, I was here more than usual. It was one of the least busy weekends I’ve had in a while. But I somehow misplaced my blogging mojo and I was distracted by other things.

Other things like my latest internet addiction, Scrabulous! Jeremy Bentham thought that humans wanted to maximise pleasure rather than pain. Goodness knows what he would have thought if he saw me inviting Facebook friends to play Scrabble against me.

It has mostly been a demoralising affair. I hadn’t realised quite how rusty I was at Scrabble. I knew it was bad when I changed my target in my games to staying within 100 points of my opponent. Apologies to everyone who has had to put up with my awful Scrabble standards.

Still, I did win one game. I got off to a good start with ‘zealot’ early on, but I fell behind. Just when it was looking beyond hope, I redeemed myself with — of all words — ‘pies’. I always knew they were good for you really.

It’s incredible to think about the popularity of the Scrabulous Facebook application. I would never have heard of Scrabulous if it wasn’t for Facebook even though Scrabulous must have been in existence for a while.

This is part of the genius of Facebook Applications. They realised that there is added utility in combining other websites with Facebook. For instance, with the Last.fm Facebook apps I can see the music that all of my friends are listening to — people who I didn’t necessarily know had a Last.fm profile. With Scrabulous I can instantly play games of Scrabble with my friends without having to sign up or track down my friends.

All this has got me thinking about Facebook Applications again. When they were launched at the beginning of the summer, it felt as though there could be two or three really good uses for it, but that it could lead to the kind of overload that makes MySpace unbearable.

Now my profile has 14 apps on it (not including the ones made by Facebook themselves) and rising. Some are trivial. Others are distracting. The best are nigh-on revolutionary.

Perhaps with the latter group of applications in mind, Facebook themselves appear to have taken a bit of a step back. One annoying move they have recently made has been to call their excellent Courses feature an application and promptly remove it. I still don’t understand the justification for it.

For students like myself (who, after all, Facebook was originally designed for), the courses feature was not a mere add-on service. It was practically integral to the website as it allowed you to easily find your classmates.

Now it has been ripped out and replaced with at least two different applications (and probably more in the future). And because different people will be using different applications (or none at all), now you won’t be able to find your classmates so easily. Not the smartest move by Facebook if you ask me.

I wonder quite why Facebook felt the need to pull out. Maybe they are feeling the heat of the spotlight a bit too much. It’s not good to be the top dog. Ask McDonald’s, CocaCola, Microsoft or (now) Google. These companies all receive exponentially more flack than whoever is on the next rung down. Facebook is dangerously close to being among them.

By passing on responsibility for so much of its functionality to third parties, at least Facebook can now attempt to divert the attention elsewhere. If somebody launches into some kind of tirade about privacy and the courses feature, Facebook can now say, “Don’t look at us — it was [third party application developer].”

Perhaps there are less sinister reasons for Facebook’s change in tack though. A new application is causing a bit of a buzz and it is putting Facebook itself to shame (via Martin Stabe).

I have written in the past about how Facebook’s geographical networks are woefully inadequate. Basically, they have plucked some major cities from the atlas and decided that that will do. There are only 17 geographical networks for the UK, and they are almost all major cities.

If you are in Scotland you have to choose from Aberdeen, Dundee, Edinburgh or Glasgow. Tough luck if you live in the Western Isles or even Fife, a peninsula wedged in between two of the aforementioned cities.

The rather excellent looking Neighborhoods app cuts out all of this nonsense. It makes these geographical networks for you. I added the app and it created a Kirkcaldy network for me, just like that! It has its own network-style page.

Of course, the problem with this is that the network is extremely small compared to, for instance, the Edinburgh one. In fact, I am the only member. But perhaps the tight-knit nature of these networks will work to its advantage. If the Neighborhoods app takes off (as it apparently has in Seattle), it could prove to be just the ticket. A simple solution to an old problem that Facebook themselves didn’t have a solution for.

It feels like a good time for me to review some of my favourite Facebook apps. But that will come tomorrow.

There are many, many, many things that I utterly despise about being alive. One of the worst is the rigmarole of having a conversation. Don’t get me wrong. Having a nice chitty-chat and a catch up is all fine and dandy. But those conversations where you do not actually get to the bottom of anything — what a pain in the arse!

It is called “small talk”. Small Talk used to be the name of a teatime programme on BBC One. Ronnie Corbett would sit there in his cardigan and point and laugh at all the gullible little children saying naive things. The poor children who starred in the show probably got bullied for the rest of their school life.

Much hilarity was caused by these kids talking about things that they don’t really about (and even then, it’s only because their parents did not have the sense to tell them the truth in the first place). Yet, the things these children said still made more sense than approximately 100% of actual “small talk” conversations that I have had.

I mean, what a waste of breath, power, energy and brains. I bet you if all the input used to make small talk was diverted and put to a better use, fusion power would have actually been invented instead of still being a pipe dream.

The thing that I really hate about small talk is the fact that I am not the only person who seems to hate it. In fact, I bet you that everyone hates it! It is an acute pain in the arse, yet we all subject ourselves to it.

What really gets me is the way people ask, “How are you?”, even though they could not give two hoots how you actually are. As such, you can never actually explain how you actually are (which, let us face it, is shit, complete with long-winded tale of woe).

If you do say how you actually are, the person who asked how you were in the first place will probably just turn around (if they are actually still in the room and haven’t fallen asleep) and say, “What makes you think I care?! Don’t take it out on me.” And if I retort, “Well, you did ask me how I was,” they would look at me as if I was the mental!

Even if they do not, I can assure you that they did not take in “how I am”. People just ask “How are you?” as a way of avoiding an uneasy silence. It is probably supposed to be polite, but I would rather have the uneasy silence, because at least that recognises the truth of the matter: you don’t care about me, and I don’t care about you. So don’t ask me how I am.

I am not even all that fussy about small talk. Questions like “How are you?”, “Nice day, isn’t it?” and “Have you got any plans for the weekend?” may not lead to any world-changing answers, but at least they form proper, meaningful sentences. Because there is another form of small talk which I consider to be little more than an advanced form of grunting.

“All right?”

That is the most innocuous one. Indeed, I often find myself using it. But even this is an absolute minefield. James O’Malley summed up the dilemma excellently:

I really hate it when people greet me by saying “Alright?”, as I can never figure out what they’re asking, nor how to respond. Are they basically saying “Hello”, or are they asking “How are you?”? If you misinterpret the question you risk looking like an idiot.

So, if somebody greets me by saying “Alright?”, I reply simply: “All right (?)”, which I say with an ambiguous monotone so that you can’t tell if I’m asking a question or not. This is because, to be honest, I don’t know if I’m asking a question or not, because I don’t know if I’m answering a question or not. “How’s it going?” provides similar confusion.

But those are benign compared to something like “What’s happening?” This sounds like it is less ambiguous than “All right?”, but it is not. If anything, it is even more confusing. I mean, think about it. The person who is asking me the question already knows what is happening — I am having a terrible conversation with him. Once again, there is no sensible answer to this.

But the absolute top of the tree has to be this: “What are you saying to it?” I mean, what the fuck is that? What am I saying to what? I’m not saying anything to any one, or any thing. A nonsensical question. Sometimes I reply, “Hello, It! Ho ho.” But that seldom raises a titter. Therefore, the only viable response is: “Nrargh.”

I am sure I have had actual conversations which have gone like this:

“All right?”
“All right (?)”
“What’s happening?”
“Errm. Yes.”
“What are you saying to it?”
“Nrargh.” [runs away]

Another one to add to the list: “What’s the craic?” The craic with what? I have not set foot in Ireland for about a decade. The only craic I have is my arse craic, and I doubt you want to know about that.

All of this explains why I fully support James O’Malley’s campaign to insert “What are the haps?” into every conversation. You know it has to be done.

Do you ever find yourself in awe of people who would normally be mundane? Today I found myself in the unhappy position of having to take the train into Edinburgh (every time I enter the city it just reminds me of university dread).

For some reason that I can’t really fathom, the train was absolutely mobbed today. The station was busy enough — on both platforms. When I got on the train it was already standing room only, before any passengers from Kirkcaldy boarded. It was not as if it was a particularly nice morning or anything. Yet the train was heaving with tourists.

Anyway, the poor train guard had a mountain to climb just to get tickets out to everyone. He had to barge his way past the dozen or so people standing in the “vestibule area”. Once he emerged he was confronted with a large group of people from Cupar who had only gone and bought the wrong tickets. Their tickets were for Dundee, not Edinburgh.

Most guards obviously can’t be arsed with their job. My guess is that some might have pretended not to notice that the tickets were for the wrong destination. After all, this was a group of daytrippers who were, to be fair, of advanced age. Having to shell out for new tickets would put a considerable dampener on their day and, dare I say, edged them a couple of hours closer to death. Other guards might just lose their patience over the matter.

But this guard knew what was what. The passengers seemed pretty upset when they realised what had happened, but the conductor kept the whole situation under control. Most would have mumbled and grunted. Some others might have rolled their eyes and tutted. This one? “It’s all right, it’s all right. It’s all under control. Keep your tickets. You can get a refund at the station.”

Of course, this is just him doing his job. But the unusually high number of passengers made the journey feel a bit chaotic as it was already, and there must have been several passengers on the train who did not yet have a ticket for those all important barriers in Edinburgh. And by the time the whole tangle was sorted out, we were almost halfway to Edinburgh already. I’m not sure how calm I would have stayed.

In time to reach the Forth Bridge, he made an announcement on the loudspeaker system. This is another point where you can usually tell whether the guard’s heart is in it. Sometimes they start with a heavy sigh, making you wonder if the guard is accidentally broadcasting to the entire train when he actually meant to dial 0898 50 50 50. Then they might grumpily plod through the script, as if to signify, “Look here, I really can’t be arsed, so don’t give me shit today, okay?”

Incidentally, I am certain that some members of staff have a bet on to see who can say “Cupar, Leuchars” the quickest. So the next time you’re on the East Coast Main Line around Fife, listen out for the announcement. “Edinburgh *sigh* Waverley… Haaymarket… err, Inverkeithing, gah, Kirkcaldy… Markinch… *cough* Ladybank… Cuparleuchars… Dundee…”

I am also sometimes amused (and this is where I reveal my snobby side) at the way guards try to speak formally and politely but are just incapable of doing so. Many long words are inventerised, causating me to arise my head from my book in amusementation.

There was none of that sort of thing from today’s masterful guard. He was a fine speaker with an authoritative yet friendly voice. In fact, with his distinctive, formal Scottish accent I couldn’t help drawing a comparison with late night radio hero Rhod Sharp.

Yet again, the guard was the calm amid the storm. “Those of you who still do not have tickets, I will endeavour to see you before we arrive at Haymarket and Edinburgh Waverley.” Not only this, but he seemed to be getting into the spirit of the day for many passengers, who were mostly tourists, as I have already noted. Acting as part tour guide, he appended his announcement: “To the group that joined us at Leuchars, you will see the painters hanging off the side of the bridge; I was not jesting about that.”

It was that last comment that made me think, “Wow.” In a hectic situation he managed to find the time to make a frivolous but heart warming comment for the benefit of the daytrippers, and provide on update on it over the loudspeaker system.

I quickly realised that it was silly to be so impressed, because he was only doing his job. But so many people don’t do that. Most guards grumpily check your tickets then sod off to their cabin for the remainder of the journey.

By contrast, here was a person who knew what he was doing. He kept control of a busy train with some upset passengers and still found the time to have a bit of fun with the passengers as well. I found myself appreciative of the fact that the guard put in so much effort and that, horror of horrors, he looked as if he might even enjoy his job — one that most would find unfulfilling.

I think now I understand why lollipop men are sometimes on the honours list.

Nothing against them personally, you understand. I’m sure they are perfectly nice gentlemen. But their music… oh my goodness.

Despite being ostensibly a pretty average folk-pop band, The Proclaimers are, for some reason, held up as some kind of pseudo-Gods in Scotland. Living legends, if you will. I mean, if you were to do a straw poll of Scots and asked them if they liked The Proclaimers, probably around two thirds would say ‘yes’.

Even those people who weren’t even born the last time The Proclaimers wrote a good song would say that they like them. It is a fact that, despite the fact that they are still making music today, they have had no notable new hit songs in well over a decade and a half.

But they are number 1 today due to the neverending popularity of ‘I’m Gonna Be (500 Miles)’, now with some additional help from Peter Kay and Matt Lucas, a couple of once-funnymen who lamentably have both been unable to come up with a new joke for about three years.

I don’t even particularly have anything against the music of The Proclaimers. They have some quite good songs. ‘I’m Gonna Be (500 Miles)’ is among them. Whenever the song is played in a public place it is greeted with mass euphoria. And, yeah, I think it’s all right as well.

But there is one niggling thing that really, really annoys me about The Proclaimers. That thing is also one of the aspects of the duo that makes them so phenomenally popular in Scotland. But it really, really gets up my rear pipe.

The singing.

The singing. Why?

They sing with one of the most contrived accents you will ever hear, twisting every vowel out of shape to an extent that you would never hear in a normal conversation or even in any other song, even a song sung by a Scot. It’s meant to be really patriotic because they are supposedly singing with their real accents, unlike all of those other bands that sing with fakey American accents.

But The Proclaimers do not sing with their real accents. Their hometown is only around thirty minutes from where I live, but I have never in my life heard anybody talk the way The Proclaimers sing — not even The Proclaimers. I have heard The Proclaimers speaking and they actually speak with a normal accent.

If somebody came up to you and spoke with the accent that The Proclaimers use when they are singing, you would think he had special needs or something. That is why you never hear anybody talking like that. Quite why this word warping is celebrated when somebody starts singing is beyond me.

I am afraid that The Proclaimers are right at the arse end of Scottish culture. In a fair world they would be rivals with that silver guy doing the robot. They belong more in some tatty souvenir shop in some piss-stained alleyway off Princes Street than at the top of the charts.

Burns Tonight is Burns Night — a fact that my dangerously nationalist self keeps on forgetting. I had forgotten once again until James Higham left this in a comment:

Fair fa’ your honest, sonsie face, Great chieftain o’ the Puddin-race! Aboon them a’ ye tak your place, Painch, tripe, or thairm: Weel are ye wordy of a grace As lang’s my arm.

Which I assume is some Burns. I recognise the second line, but none of the rest. Which probably proves something about how much of a philistine or traitor I am. But I don’t care.

Anyway, it just so happens that last night I went on one of my (very) occasional trips to the Scots Wikipedia.

Guid tae see ye at the Scots Wikipædia, the first encyclopædia in the Scots leid!

Noble though it may be, it does make me giggle a little bit whenever I read these attempts to take what is essentially slang very seriously. I must try and pick up some of those weighty documents that the Scottish Parliament apparently publishes in Scots. It would make some of those train journeys pass by quicker.

For the most part, English Wikipedia is written in a very formal manner. Scots Wikipedia is like reading Oor Wullie explain quadratic calculations. Here, for instance, is part of the article on naitural philosophy:

Pheesicists studies a braid reenge o pheesical phenomenae, frae the sub-nuclear pairticles that maks up aw ordinar maiter (pairticle pheesics) tae the maiteral Universe as a hail (cosmologie).

I also like this message that appears at the top of some pages (such as this one about Commissioners tae the Scots Pairlament):

The “Scots” that wis uised in this airticle wisna written by a native speaker. Gin ye can, please sort it.

I guess the slightly slap-dash, antiquated nature of the language part of the charm for some people. One of my maths teachers used to drop in loads of baffling slang words which were presumably meant to be Scots, but I’m certain she just made them up on the spot.

I also know that, for instance, Kirkcaldy has several different spellings in Scots. The Scots Wikipedia article spells it Kirkcaudy, which is redirected from Kirkcawddy — but, of course, you and I know it as Kirkcaldy!

The famous (in Kirkcaldy) poem, ‘The Boy in the Train‘ uses a yet another different spelling of Kirkcaldy (the collogue page at Wikipedia touches on this).

When the train station was rebuilt in the early 1990s the whole waiting area was decked out in linoleum — Kirkcaldy’s greatest export, and the cause of that famous “queer-like smell”. The smell can linger in the east of the town, particularly when it’s raining. It’s the kind of smell that, a bit like coffee, is really foul when you are a child but eventually you become fond of it as you grow older. I imagine if I ever move out of Kirkcaldy I’ll want to occasionally visit to catch the smell again.

In the linoleum-covered waiting area of the train station, the poem that makes reference to this smell takes pride of place above the stairs. Appropriately enough, the poem itself is cut in linoleum as well. I stand in the waiting area and try to decipher the poem when it is raining and I can’t stand outside on the platform. It seems as though when it’s raining in Kirkcaldy you just can’t escape linoleum!

From my memory, the version of the poem hanging on the wall in the station uses more than one different spelling of Kirkcaldy, but I could be wrong. I’ll have to take a look at it tomorrow. But it does seem as though Mary Campbell-Smith, judging by the rhymes she tried to pull off, thought that Kirkcaldy was pronounced “Kirkcaddy”. I suppose it’s an improvement on many non-natives’ attempts to pronounce the ‘l’ which is actually silent.

Best just to stick to ‘The Lang Toun’ really…

Other interesting Wikipedia projects