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Duncan Stephen

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Current affairs/ Politics/ Scotland

My view on Scotland’s constitutional future

Would there really be NO role for Westminster?

9 October 2008, 02:13

Common ground on Scotland's future

A series of posts

  1. Finding the common ground
  2. My view on Scotland’s constitutional future

If you haven’t read my previous post explaining what I’m trying to do here, feel free to take a look.

In this post I will set out the thinking behind my views on Scottish independence.

For what it’s worth, I think within a couple of decades the idea of the independent nation state will almost be completely alien. In a lot of ways, it already is. In an increasingly globalised world, countries are increasingly defined not in terms of their own peculiar characteristics but in terms of their relationships with other countries.

For instance, we think of countries as being members of transnational organisations. Countries are usually members of organisations such as the EU, Nato, the UN, the Commonwealth, any number of free trade blocs, special relationships… I could go on.

I have never heard it suggested that the SNP, or supporters of independence as a whole, would wish to do away with Scotland’s membership and / or use of such transnational institutions and agreements (though I’m aware that the SNP is opposed to membership of Nato — just making the point that it’s not the principle of such institutions that the SNP objects to). Nor should they. But unquestionably each of these in some way limits the independence of any country that signs up to it.

So what makes these institutions good (or at least tolerable) while Westminster is so bad? What I struggle to understand about the independence supporter’s position is why there is seemingly no part for Westminster to play in any plans for Scotland’s future.

To bring us back on to common ground, I should point out that my views are almost certainly driven by the same motivations that drive the feelings behind support for independence. Notably this would be the principle of subsidiarity, which means that decisions should be taken at as local a level as feasibly possible. As such, I would support an extension of the Scottish Parliament’s powers in many areas.

But it seems to me unreal to believe that there can be no role for Westminster; that there should be no reserved matters. One thing that is pretty neat about the UK is that most of it is made up of Great Britain, a relatively conveniently-sized island. It is certainly not too big to be adequately governed. It would seem quite silly not to take advantage of this geographical reality.

There are surely areas where the economies of scale trump subsidiarity. Foreign policy and defence might be one area, although I understand that many supporters of independence would find this difficult to swallow after the Iraq War (though a lot of people in the rest of the UK find the Iraq War difficult to swallow as well.)

National disasters could be another area. For instance, the 2001 foot-and-mouth outbreak which affected both Scotland and England with Cumbria, right on the border, especially hit hard. In such a crisis situation, if the government had to place certain restrictions, or even emergency legislation had to be passed, it would be more efficient (and less costly) for there to be just one government involved rather than have to set up meetings so that you could get multiple governments to agree to a solution.

I’m not saying that it would be impossible for multiple governments to agree. But it would surely be efficient enough to make it worthwhile for there to be a UK-wide system in place. And having two governments involved would only double the chances of there being a cock-up, there is the danger that there will be crossed wires and so forth.

Of course, we are in a bit of a crisis at the moment. Alex Salmond has made much about what an independent Scotland maybe might have possibly been able to achieve. This is mostly fantasy talk though, because we have no way of knowing how an independent Scotland would have coped (meanwhile one of an independent Scotland’s blueprints, Iceland, is facing quite acute difficulty at the moment — sorry for straying off the fluffy consensus-seeking territory there!). I suspect Salmond is only using the crisis to advocate independence, but as leader of the SNP that’s his job.

But there has been plenty of hand-wringing among commentators about how difficult it has been to get world leaders to agree on the best way to tackle this global crisis. What if some kind of major crisis hit the former members of the UK and the leaders got into a stalemate? You can say we have that in this globalised world anyway and there’s nothing we can do about it. But creating even more failure points is hardly a constructive way to approach this.

So that is, in brief, the thinking behind my view on the constitution — how I see powers being distributed between Westminster and Holyrood. I’m delighted to see that Adopted Domain has already written his take on this, and I think our viewpoints are quite similar. A good start!

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Current affairs/ Economics/ Entertainment/ Film/ Internet/ Music/ Technology

Copyshite

The first in a series of posts looking at the state of the entertainment industry

28 December 2007, 03:19

There is a really interesting post about intellectual property and the woes facing the entertainment industry by James Graham. Given that I have been meaning to write about this issue for a long time, I may as well use this as the opportunity to finally get round to it.

But first, a couple of notes on copyrights and patents. James Graham says:

Both global patent and copyright laws have been extended in recent decades. The original idea behind such laws appears to have been forgotten and pure greed has taken its place. Globalisation means that the earnings potential from a new idea has massively increased; yet at the same time we’ve artificially increased it further still, and long lives will extend this still further. To take one example, J.K. Rowling, a rich woman who can afford the very best in healthcare, is likely to have a very long life. Let’s assume she lives to 100, in 2065. The copyright on her books will stay with her estate until 2135. That means that her great-great-great grandchildren will still be profiting from their ancestor’s books. Is there really any justification for that?

I quite agree. The traditional justification for strong copyright laws is to encourage innovation. You come up with a great idea, and we’ll make sure nobody else can profit from it.

Sound enough at first. But how long should this monopoly last? Is “life plus 70 years” or even “life plus 50 years” justified? Is 50 years even justified? Hardly.

Copyright was big(ish) news in the UK last year when there was a push by artists such as Cliff Richard, Paul McCartney and Bono (where’s his “altruism” now?) to get copyright extended from 50 years. Coincidentally (or not), Cliff Richard’s and Paul McCartney’s most successful recordings are soon to enter the public domain.

And let us bear in mind that this was for copyright on the recordings. So the copyright extension would have meant artists earning even more money from something that they did once, over 50 years ago, regardless of whether or not they even wrote the song. If only the rest of us could earn so much money for so long from doing a job just once!

So do strong copyright laws encourage innovation? It is difficult to imagine that Cliff Richard entered the recording booth in 1958 thinking about the money he’d be making from it in 2007. He will have been most concerned about the money he’d make from it in 1958 and a few years after that. Nobody but the most egotistical and talented musicians would imagine raking it in for any longer than 50 years.

Having copyright lasting “only” 50 years didn’t stifle innovation in the 1950s and 1960s — the rock n roll and beat music booms happened regardless. And looking at the subsequent careers of these early innovators of pop music, it is difficult to argue that these strong copyright laws have done anything but stifle innovation. After all, why would you bother to make more great music if you are still making money from 50-year-old music?

That makes sense when you think about it. Copyright laws essentially ensure that an artist has a monopoly. And monopolies are detested because of their effects on social welfare.

Cliff Richard isn’t concerned about innovation. His only incentive is to get his grubby hands on even more money. What a relief that the government rejected the proposal in the end.

So what is the optimal length of copyright? A paper by Rufus Pollock suggests that it is approximately 15 years. A far cry from the life plus 70 years for some works, or the 95 years that Cliff Richard called for.

It is a similar story with patents. The justification for patents is more or less the same as that for copyright laws. But research (PDF) by James Bessen and Eric Maskin (who I wrote about a couple of weeks ago) suggests that protection of intellectual property should be more “balanced”.

The ideal patent policy limits “knock-off” imitation, but allows developers who make similar, but potentially valuable complementary contributions.

Empirical evidence backs this up, as an extension of patent protection into the realm of software in the USA in the 1980s did not lead to an increase in innovation.

An interesting point about Rufus Pollock’s research is that he suggests that copyright laws should be weakened as the costs of production and reproduction decrease. And the past decade has seen a massive reduction in the costs of production due to advances in technology — particularly the internet.

And it is the entertainment industry’s complete inability to adapt to this reality that has left it in the mess it is currently in. That will be the subject of my next post in the series.

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