Archive: France

What do viewers at home love about F1? It is great wheel-to-wheel racing? Lots of overtaking? Strategy calls? Or the venues? Looking at the polarised reactions to this past weekend’s Singapore Grand Prix got me wondering.

A few of the journalists were pretty effusive about the race. Will Buxton was particularly euphoric:

Epic race. One of the best of the season. Wow.

I saw that this drew a few hoots of derision, including from me! Because from the comments made by other fans watching at home was that… well… it was a bit dull really.

It wasn’t a stinker by any means. There was some good action and a fair few talking points. But large stretches of the race were rather processional. Hardly epic.

The epic race without the racing

Will Buxton justified his comments:

No sarcasm. Epic race. ALO VET lap trading, WEB early stop and brill drive, HAM / WEB moment, GLO driving arse off. KUB amazing.

There is some truth in what he says. While Webber and Kubica provided some entertainment, this was only because they were out of phase with the surrounding cars strategy-wise, so were not on an equal footing with the drivers they were battling with.

As for the battle at the front, the problem was that Alonso’s victory was never truly in doubt. He commanded the track all weekend, and always even looked like he might have a bit extra left in the tank too.

During the first phase of the race, Vettel drifted back to 3.5s behind Alonso. After the pitstops, the gap eventually grew to over 2s before slowly decreasing again. Vettel did get mighty close to the end of the race, but this was typical Alonso driving conservatively.

Renault engineers always talked about how conservative Alonso was as a driver. They never had to tell him to turn the engine down; he had already done it.

So it was in Singapore. Alonso had done just enough to establish himself as the certain winner of the Singapore Grand Prix and had the whole situation under control.

It may have looked good on the timing screens. I did indeed get excited when purple sectors were being set and Vettel started to decrease the gap. But the “lap battle” was partly down to the street circuit becoming cleaner and faster towards the end of the race.

I’m sure they were playing with each other, but neither looked to be pushing particularly hard. Alonso was always in control, and Vettel never looked interested in truly pressurising.

At the start of the race, Vettel had ceded the first corner, setting the tone for his race. It did not look like he was particularly interested in winning — a suspicion confirmed by Vettel’s comments that passing Alonso would have been too risky. And why bother? Alonso is the ultimate defensive driver, as his amazing battle with Michael Schumacher at the 2005 San Marino Grand Prix demonstrated.

The bottom line is that if you hold a race on a street circuit with one overtaking spot — two at a push — then the racing isn’t epic. There might be stuff surrounding the racing — strategy, crashes, pretty buildings… But not much overtaking.

Interesting, yes. Epic, no. The ingredients simply weren’t there.

Epic racing or epic facilities?

There is a trend for certain venues to be talked up a lot by the F1 circus, no matter how good the racing is. I particularly remember Valencia Street Circuit — which has served up three of the most turgid grands prix seen in the last decade — was universally praised by the teams as being a great venue for grand prix racing.

Scratch the surface of the headlines, though, and you see that they are not so interested in the racing itself. Ron Dennis said that the 2008 European Grand Prix at Valencia was so great that it made him “ashamed to be English”. But it left most others ashamed to be F1 fans, it was so bereft of racing.

Of course, Ron Dennis was thinking about the facilities. Facilities are apparently the only thing that matter in F1 these days. Never mind what the viewers at home make of the track. As long as the venue is equipped with a shiny silver throne for the McLaren chief to do his golden business in, who cares about the people at home?

Similarly, the journalists have clear favourite places to visit and places they can’t stand. China? Don’t talk to them about it. And spare a thought for poor, poor Magny-Cours. It was so awful — not because of the circuit, of course, but because it was in the middle of nowhere, as the journalists never missed the chance to remind us!

Meanwhile, Melbourne is always the “great place for a race” — is that code for a booze-up? And Singapore is now “epic”.

Never mind the fact that the Marina Bay Street Circuit is not great for overtaking. Never mind that the 2008 race needed a manufactured crash to pep it up, and that the 2009 race was voted the fourth worst of the season by F1 Fanatic readers.

TV coverage demonstrates skewed priorities

The scenario was not helped by some rather lacklustre television coverage from FOM this weekend. It looked to me like the director was more used to directing pop music videos than motorsport.

Coverage at night races is always dominated by shots of the lit-up buildings and the scenery surrounding the circuit. It feels more like the Singapore Grand Prix is more like an advert for Singapore than a motor race. Who was going to bed last weekend without seeing that flashing “Your Singapore” banner in their sleep?

When it comes to races like this, Bernie Ecclestone’s priorities are clear. Why else would the bland coverage of last year’s Abu Dhabi Grand Prix have won an FIA award for best coverage of the season? Much of the race action was missed. Anyone not paying full attention would have thought that the race was won by a hotel that looks like a giant flashing lady-toy, so fixated were the cameras on anything but the cars.

Those in the inner circle in F1 should remember that the fans at home are looking for epic racing — not epic Holywood movies, epic nightlife or epic superloos.

Limited edition crisps

Walkers’ limited edition crisps are marketing genius, but culinary crap. Am I the only one to have noticed that Walkers just wheel out the same flavours over and over again? The only difference is the names.

From the current World Cup series, I have definitely had ‘French garlic baguette’ some time before. And surely there are no prizes for guessing that ‘Dutch Edam’ is yet another name for what was previously their Cheddar cheese flavour, which has also been ‘feta cheese’ and a few other things in the past.

Smaller packets than John Prescott

While I’m at it, why is a packet of Walkers crisps never enough? They are not exactly filling, are they? I am sure I normally polish off a packet within a couple of minutes, and I never feel any less hungry afterwards.

Unacceptable deviation from standard crisp packet colours

And has anyone ever got to the bottom of why their cheese and onion crisps are blue, while salt and vinegar are green? This policy completely goes against everything we learnt about the colours of packets of crisps when we were growing up.

I ask all the tough questions.

One thing that really stuck me about the leaflets from Ukip and the BNP for the recent European Parliamentary election was the fact that they were stuffed full of cheesy patriotic symbols — Union Flags, Spitfires, Winston Churchills and so on. Any electorate in the world will have a certain contingent who are enticed by nationalistic rhetoric at the expense of good policies.

In England, Ukip and the BNP have cornered this market pretty well, with the English Democrats also doing a good job of it. One thing that these three parties have in common — aside from their narrow nationalism — is the fact that they are all pretty vile.

Here in Scotland the nationalist vote is completely mopped up by the SNP. We all know that the SNP uses national symbols which appeal to base instincts which may entice certain types of voters. This gets up some people’s noses, including mine.

But the SNP have done a grand job by keeping a lid on the nastier side of nationalism. For this we can be thankful. All though there is, without a doubt, a nastier side to some of their supporters — as we have seen with the Cybernats — you won’t find these types of views coming from the mainstream of the party.

Indeed, the party is at pains to promote a progressive type of nationalism. They embrace civic nationalism. They reject ideas of Scottishness defined in terms of ethnicity. They avoid anti-English approaches. And we can be especially thankful that violent methods do not form part of the nationalist agenda in Scotland.

This is combined with progressive policies, including an enlightened approach to immigration and a positive agenda towards Europe. While in many other parts of the world nationalism may be equated with right-wing or fascist concepts, the SNP combine a nationalist ideology with a broadly centrist agenda.

Whatever the motives of the voters, the SNP’s form of nationalism is a great deal more tolerant — and tolerable — than the forms of nationalism we see from the likes of Ukip, the BNP, the French National Front, the Movement for a Better Hungary, or any number of extreme parties across the world.

Richard Thomson recently described the SNP as being part of “unquestionably the best behaved nationalist movement in the world”. Looking at the European election results and seeing where nationalist votes seem to go, it’s easy to agree with him.

Here it is: that post I’ve been sitting on for upwards of a year. Before I start, I am going to make a few introductory notes about what I do and don’t mean when I call democracy disturbing. I find that all too often debates about this subject are clouded by dogma, which leads to poor thinking and boilerplate arguments.

Before some cheesy person wheels out that Churchill quote about democracy being the worst system apart from all the other systems, yes of course I have heard it. And it is true. I am a democrat because I believe it brings about favourable conditions. For instance, there is the correlation between democratisation and higher GDP per capita. (Whether democracy is cause or effect does not matter. If the value of the higher GDP per capita is greater than the cost of democracy per head — as it almost certainly is — then democracy is a price worth paying.)

Furthermore, I should define more closely what I mean by democracy. Most of the flaws I will point out are actually problems with elections rather than democracy as a whole. Aspects of democracy such as civil liberties, human rights, freedom of speech, the rule of law, due process, and so on and so forth, are of course things that I am deeply supportive of. This will become clear in my first point.

I tackle the issue not from an anti-democratic perspective. Far from it. My problem is with the approach which sees democracy almost like a religion which ought not be questioned — what Bryan Caplan in his book The Myth of the Rational Voter called “democratic fundamentalists”:

Its purest expression is the cliché, attributed to failed 1928 presidential candidate Al Smith, that “All the ills of democracy can be cured by more democracy.” In other words, no matter what happens, the case for democracy remains untouched.

No case should remain untouched. That is why, for me, there is not enough scrutiny placed on democracy. There is a fear of investigating it, because the benefits of democracy are perceived to be so self-evident that anyone who stops to ask what the disadvantages are is instantly regarded as a fool. That must be dangerous. If we agree that the system is imperfect, the only way to improve the situation is to investigate it and have an awareness of what the problems are.

Just as a final point, much of my thinking in this area came about as a result of the research I did for my dissertation, which was about the “paradox of voting“. In case you want to read more about voting behaviour, I have uploaded my dissertation here.

Having got all of the caveats and explanations out of the way, it is time to move on to my five points.

1. Democracy is not guaranteed to uphold freedoms

This is more or less a rehash of The Devil’s Kitchen’s post which I referred to yesterday. Above I said that “aspects such as civil liberties, human rights, freedom of speech, the rule of law, due process” are important. Arguably, these have all taken a battering by recent democratically elected governments.

Wave goodbye to your right to peacefully protest, have a fair trial and take photographs in public. Say hello to ID cards, the database state, endless reams of CCTV footage, mass DNA collection, control orders, detention without charge and extraordinary rendition. Thanks, democracy!

2. Tyranny of the minority

Most people are familiar with the concept of the tyranny of the majority. Thanks to the system of democracy adopted in this country, it doesn’t even take a majority to construct a tyranny. In the 2005 General Election, 9,562,122 people voted for Labour candidates. Assuming a population of 60 million, this translates to around 16% of the population.

The votes of this small percentage of the UK’s citizens has given the Labour Party 55% of the seats in the House of Commons, a majority of 67 seats. What gives the government the right to rule the country with such dominance? Not the people, that’s for sure. Only 16% of the people expressed a preference for the current government. In fact it is the way the system is constructed, and nothing else, which gives Labour its “legitimacy”.

That brings me neatly on to…

3. The system can’t be fixed

Arrow’s Impossibility Theorem states that there can be no voting system which will be able to fulfil a number of desirable criteria:

  • The Pareto principle — if everyone prefers x to y then y should not be elected
  • Anonymity — every voter should be treated equally
  • Neutrality — every candidate should be treated equally
  • Independence of irrelevant alternatives — the ability of x and y to win an election should not be affected by the entrance of a candidate z
  • Transitivity — if x is preferred to y and y is preferred to z then x should be preferred to z

Independence of irrelevant alternatives is the one that riles up proponents of electoral reform the most. Just think of Ralph Nader, or the farcical events of the 2002 French Presidential election. In this case, the voting system is far more important than the voters themselves. The fifth item on the list refers to Condorcet’s paradox, whereby attempts to find a winner of the election leads you on an endless circle.

We can argue among ourselves about which voting system should be adopted. But (and I’m not saying this will necessarily come as a surprise to anyone), you will never find a system that will please everyone. It will be a matter of choosing the least worst option, as every system has a fatal flaw of some kind. For what it’s worth, my preference is Single Transferable Vote — but that’s a matter for a different post in the future.

For more along these lines, read this post about a talk I attended a couple of years ago. It was given by economist Eric Maskin en route to collecting his Nobel Memorial Prize in Economics. He had some very interesting views on electoral reform.

4. An individual vote is almost worthless

If you are concerned with affecting the course of history by having your say on major political issues, going to cast your vote in an election is more or less a complete waste of your time and energy. It is said that you are more likely to be killed on your way to the polling station than to actually cast the deciding vote.

The probability the the outcome of an election will hinge on your vote is minuscule. Even under the fanciful assumption that in a two candidate US Presidential election each other person is likely vote for either candidate with a probability of 0.5, the probability that your vote will be the deciding vote is 0.00006.

Yet the costs of voting are actually rather large. You have to spend time and possibly money learning about each of the candidates and their policies. The time and money spent travelling to the polling booth is not exactly negligible in the context of the minuscule probability of your vote actually meaning a damn thing.

Of course, this doesn’t mean that voting is wrong. People don’t vote because they believe it will affect the outcome. They vote because it makes them feel good. But the fact that you need to resort to non-instrumental incentives in order to justify the act of voting leaves wide open the possibility that people with bad motives (or motives with bad effects) are more likely to vote…

5. Many who do vote base their decision on prejudices

In his very interesting book The Myth of the Rational Voter, Bryan Caplan said that the fact that people vote can be explained by the fact that they like to hold certain political beliefs. Let’s call our voter a sheep. He may hold suboptimal opinions and support policies that would actually make him worse off. This might be due to social pressures, a sense of self-image or whatever. It is, after all, all too common to meet someone who votes Labour just because their dad did.

It is precisely because a person’s vote is so worthless that sheep are encouraged to vote. They like to go and vote because it makes them feel good, reaffirms to themselves their ideological loyalty and so on. But sheep never stop to think if the policies they support would make them worse off. They don’t have to because their vote doesn’t matter anyway. The cost of ideological loyalty is low. Indeed, the benefits of it are enough to outweigh the costs of voting.

Those who hold no strong ideological loyalties, and who may therefore be expected to enter the polling booth ready to judge fairly based on all of the information they have gathered, are actually far less likely to vote. This is because they feel no warm glow from the act of voting for their favoured party.

As such, the traits of voters are the sort of traits you would normally expect to find on a football terrace. They will trudge along to express their tribal feelings, and will keep on doing so even in the driving rain, even if their football team is rubbish and the game is low-quality.

One might say that the political party you support is rubbish and the state of politics just now is low-quality. Who wants to buy a season ticket? Is it not better to leave that sort of behaviour on the football terraces?

Music of 2008

A series of posts

  1. Music of 2008: #25–#11
  2. Music of 2008: Top ten

At the end of every year I write a post ranking my favourite music releases of the year. But for 2008 I was very busy, and I had other things I wanted to write about more. Now that it’s February, I think I’d really better get on with it. I know not many people will still be in the mood for looking back on 2008, but for those who are interested in what I was listening to, here we go.

25. Flying Lotus — Los Angeles

Los Angeles artwork
I used to look forward to any new electronic music that came out, but I find myself becoming increasingly jaded by the scene. Los Angeles is the perfect example. There is nothing particularly offensive or wrong about it. But it just doesn’t sound original or interesting enough to justify many repeated listens. I bought this on the basis of the strong reviews, but I would say this album is not much better than average. Maybe I’m just getting old…

24. Hot Chip — Made in the Dark

Made in the Dark artwork
Shark jump! Not as good as The Warning, which in turn wasn’t as good as Coming on Strong, Made in the Dark shows that Hot Chip need to have a rethink before they descend into mere self-parody. Having said that, there are a couple of good songs here (most notably the lead single ‘Ready for the Floor’), but overall this album is pretty weak.

23. TV On The Radio — Dear Science

Dear Science artwork
It was difficult to ignore this album, mostly because it received such great reviews — seemingly unanimously. The way people acted, you’d think this was the most important rock album since OK Computer. Sadly I must disagree. Even though there are some good songs on Dear Science, for the most part I find it bland and uneventful. It’s not a patch on their previous album, Return to Cookie Mountain. Although this is a good album, the hype leaves me scratching my head.

22. Harmonic 313 — EP1

Here is a fun EP from Mark Pritchard. The first track, ‘Word Problems’, sets the scene, led by vocals from a Speak & Spell inviting you to solve the problem. The tracklisting isn’t supplied conventionally. Instead you have to crack the code using the decoder on the spine of the record sleeve. A bonus MP3 is available if you can solve all the problems on the website. A great piece of fun electronic music.

21. Kelpe — Ex-Aquarium

Ex-Aquarium artwork
I rather like Kelpe. But although the music is pleasant enough, I don’t think it is original enough to merit a higher position. The style sits somewhere between Four Tet, Freeform and Boards of Canada. But in some tracks the Boards of Canada influence is a bit too obvious, and he doesn’t quite manage to nail the sound correctly which makes the album slightly unsatisfying.

20. Four Tet — Ringer

Ringer artwork
This four track EP exhibits a different kind of Four Tet. The new direction is slightly more minimalist and repetitive, but no less enjoyable for it. This really only appears so far down the list because it is so short. I hope Four Tet releases more material like this in the future. I am getting rather impatient for a new Four Tet album!

19. The Future Sound of London — Environments

Environments cover
FSOL have continued the purge of their archives this year, with the long-awaited Environments coming out on CD for the first time in 2008. Originally slated for release in 1994, the original Environments was scrapped. I’m afraid to say, though, that this hasn’t quite grabbed me in the way other FSOL releases have. It needs a few more listens until I can be absolutely sure though.

18. Sigur Rós — Með suð í eyrum við spilum endalaust

Með suð í eyrum við spilum endalaust artwork
A disappointing album. The first track, ‘Gobbledigook’, was released in advance as a digital download. It is an excellent track — madcap, almost with an Animal Collective vibe, and certainly unlike anything I’d heard from Sigur Rós before. It raised expectations. But unfortunately, the rest of the album, while rather pleasant, is disappointingly insipid. You’d hardly think this same band created the stunningly beautiful Ágætis Byrjun.

17. Sébastien Tellier – Sexuality

Sexuality artwork
French hero of the Eurovision Song Contest 2008 Sébastien Tellier released this delightfully eccentric album of unmistakably French sexy electronic music. This is hardly the most technically excellent release of the year, but a highly enjoyable listen nonetheless.

16. Autechre — Quaristice.Quadrange.ep.ae

Autechre spoiled its fans this year, releasing almost five hours’ worth of material in 2008. Unfortunately, much of it sounded the same and by the time you reached the end of Quaristice.Quadrange.ep.ae, itself a two-and-a-half hour marathon, you couldn’t help but wonder if you were having the piss taken out of you. There is no doubt that these fleshed-out versions of tracks from the original Quaristice are very good, by the time this came out all the various versions were starting to merge in the mind as one, and it doesn’t feel like the most value-for-money purchase. And considering not much happens during it, did ‘Perlence subrange 36-6′ really have to be almost an hour long?!

15. Clark — Turning Dragon

Turning Dragon artwork
Turning Dragon represents a refreshing change in direction for Clark, much more fast-paced and plastic-sounding than his previous material. Relentlessly fast-paced and dense, this is a captivating listen. Yet, as always, the lack of originality is Clark’s downfall. The Aphex Twin influence is still painfully evident, and the new style definitely owes a lot to the fashionable world of Flying Lotus and French acts like Justice and Jackson and His Computer Band. Nonetheless, this album represents an impressive diversion in Clark’s career.

14. Red Snapper — A Pale Blue Dot

A Pale Blue Dot artwork
Comeback of the year! I am delighted that Red Snapper are back together, and their first EP back demonstrates that they haven’t lost it since they went their separate ways back in 2002. The new incarnation has more of a live feel than previous Red Snapper releases, but it still maintains the electronic elements and groovy jazzy feel has been enhanced. Opening track ‘Brickred’ is amazing. Full marks also for the packaging, which is a plain white digipack with swing tags attached — interesting.

13. Justice — A Cross the Universe

A Cross the Universe
Justice’s was one of my favourite albums of 2007, so I was always going to like A Cross the Universe, the live CD and DVD documentary which follows the band on their US tour. Sometimes the live interpretations are not as strong as the album versions, so for me the CD doesn’t quite have the punch it might have done — though it’s a great listen nonetheless. The documentary is odd and scary. I read someone comparing it to the Borat film, because the events depicted are so bizarre.

12. Claro Intelecto — Metanarrative

Metanarrative artwork
I had heard a lot about Claro Intelecto over the years, but this is the first time I have actually bitten the bullet and bought a CD. And how glad I am that I did! There is nothing particularly groundbreaking about it, but there is no denying that the music is wonderful. It is somehow nostalgic-sounding without being retro in the slightest. I particularly love ‘Harsh Reality’. Beautiful melody with a gently driving beat. A fine album.

11. The Future Sound of London — From the Archives Vol. 4

From the Archives Vol. 4 artwork
I rate the From the Archives series very highly. Volumes 1–3 collectively reached number 3 in my 2007 chart. The quality of volume 4 is not perceptibly lower (although it is rather shorter than the previous volumes), but I have not ranked it so highly simply because I have just about had my fill of archived FSOL material over the past couple of years. Still great music though.

I will post my top 10 tomorrow.