Archive: film4

Somebody calling themselves John (but where are the credentials, huh?) left a comment on my post about Channel Five’s new channels:

It is a lie that is always perpertrated by snobs like this that all U.S. TV is crap. There is SO MUCH US TV, that there is plenty of good TV, you just have to search for it.

He can’t have noticed that my post wasn’t complaining about US television (I couldn’t care much for most television whether it’s British, American or anything), but about Five US’s roster of programmes.

Five US’s schedule has been revealed. The opening night is impressive — lots of CSI. But you know they’re only pulling out the big guns because it’s the first night. Here is Five US’s prime time schedule on its second day:

16.00 Joey — a shit spinoff of a shit comedy, nobody admits to watching this
17.00 Happy Days — 30 year old repeat
18.00 Pimp My Ride — stinky MTV carrion
19.00 2006 X Games — interesting, but this is usually on at about 4am on Channel Five
20.00 FILM: Big Daddy — Big Daddy isn’t actually bad, but this is just an easy way to fill a two hour gap
22.00 Combover — huh?
23.00 The Art of Competitive EatingWTF

The new channels has meant another shake-up of the Freeview EPG. Some of TopUpTV’s channels have gone to make way for the new channels. Surely the sensible thing to do would have been to get Five US and Five Life to fill those gaps? Instead, they’ve shoved about half a dozen channels up the EPG.

  • ITV4 — used to be LCN 30, now 28
  • Film4 — was 31, now 29
  • E4+1 — was 32, now 30 (I can tell this is going to be the most annoying for me)
  • ITV Play — was 35, now 31
  • Quiz Call — was 36, now 32
  • Five US — new channel 35
  • Five Live — new channel 36

Why shuffle five channels along when they could just have slotted in Five US and Five Life in LCN 28 and 29? This is just going to cause confusion, particularly given that Film4 has only just begun to feel at home on LCN 31. Freeview is meant to be simple.

five (that’s Channel Five to you and me) is set to take its first tentative steps into the world of multichannel with the launch of two new channels: five us (Five U.S.) and five life (not to be confused with Five Live). They’re both going to be launched on Freeview, which is good news, isn’t it? Nah.

I used to get quite excited whenever a new channel was added to Freeview’s lineup. But I’ve come to realise that most of the channels are utter crap. Also, most of the new channels have been squeezed in by reducing the picture quality. These days most Freeview channels just look like a load of pixelated, blocky shit — a step above YouTube.

Luckily, Channel Five has found the space for their new channels by buying part of Top Up TV and nicking all of their space. (Top Up TV is repositioning itself as a PVR service. The PVR will cost £180, then £9.99 per month. Any takers? No?) So at least Five’s new channels won’t look as though you’re watching them through a sieve.

But they sound as though they are going to be full of a load of insipid trash.

Five US features a mix of American drama, films, documentaries, sport and comedy…

Just like the original Channel Five then.

…while highlights from Five Life include the highly-acclaimed drama series Love My Way and the award-winning The Ellen Degeneres Show.

“Highlights” like some programme that nobody’s ever heard of, and a chat show hosted by somebody that everybody thought was left behind by the 1990s.

Let’s face it: these channels are going to be filled with programmes that aren’t even good enough to be shown on Channel Five. And is there anybody who thinks that Channel Five has enough material to fill even one channel?

People said the same when ITV launched ITV3, which the last time I looked was the third-biggest multichannel channel (behind Sky One and ITV2). That doesn’t make its content any good though. ITV3 is filled with twenty year old dramas that look as though they were filmed in an actual theatre, and probably should have stayed in the theatre aswell.

Meanwhile, ITV2 has become the home of uninspired spin-offs called things like The X-Factor X-treme DX Reloaded Uber Edition the Third On ITV2 (I think that’s also the name of Gilette’s new razor). Either that or it’s showing some wet Holywood chick flick or teen movie.

ITV4 is the worst of them all, especially when you consider that ITV essentially removed Men & Motors to make space for it. Like Men & Motors, ITV4 is meant to be aimed at blokes. But whereas Men & Motors had the well-known brand, fanbase and reasonable programming, ITV4 doesn’t.

Can anybody actually think of any progammes that ITV4 shows? The only one I can think of is David Letterman, which already had a perfectly good home on ITV2. Indeed, since they moved Letterman to ITV4 you would think that they would show it at a decent slot, but it still occupies the same irregular post-midnight slot. You could only hope of catching it if you came back late from the pub and happened to be flicking past ITV4.

ITV isn’t the only company polluting Freeview. Channel 4 has also done a disappointing job. E4 is okay, but it promises a lot more than it ever delivers. It should be showing more experimental British programmes. But most of the time it shows cheap American imports that are superficially good looking but are ultimately as appealing as stapling your bumcheeks together. The one thing going for the channel is E4 Music, which actually shows a decent variety of music. It certainly does a much better job than The Hits or TMF.

The jury is out on Film4. I have watched a few films that I wouldn’t have seen anywhere else, but the number of repeats already is worrying. I don’t think it’s quite delivering.

Then there is More4, another channel that seemed promising but you never seem to watch it. Again, does anybody know what this channel shows? There is The Daily Show, if you can remember to watch it. But is there anything else? Whenever I flick past it, it seems to be showing repeats of Noel Edmonds’ Imaginary Telephone Conversations.

The channel launched in a blaze of publicity with A Very Social Secretary, but has produced nothing notable since then. More4 is obviously hungry for more of that kind of publicity — it’s only gone and shot George Bush. Please.

Then there is the BBC. In fairness, the BBC’s digital channels have produced much more quality programmes than its commercial rivals have. But still something seems to be lacking. BBC Three in particular seems to have completely lost its way.

In fairness, a lot of BBC Three’s troubles seem to stem from the ridiculous rules and quotas that the Department of Culture, Media and Sport imposed on the channel. It famously told the BBC that BBC Three must show news in order to distinguish itself from commercial rivals, then later criticised the news programme because nobody watched it!

A couple of years ago, on the crest of the Little Britain wave, BBC Three seemed like a quite a good channel actually. Don’t forget that BBC Three was also the home of The Mighty Boosh and Monkey Dust, two fine programmes.

But since then it has produced reams of steaming poo like Tittybangbang (officially the world’s least funny comedy) and Grownups (a flimsy script coupled with dreadfully wooden acting, this makes Two Pints look like a bloody masterpiece). Even Rob Brydon seemed to be shat up with the misfiring Anually Retentive.

Since ditching the 7 O’Clock News, BBC Three seems to have filled its current affairs quota with documentaries by complete dullards wittering on about their tiny penii. And people think bloggers are self-indulgent! And let’s not forget those awful programmes about parenting. If I want to see lots of toddlers with potty mouths I’ll go to the supermarket.

The whole tone of the channel is unbearable aswell. Why are those continuity announcers trying to be my mate? It is contrived, unfunny and annoying.

BBC Four is pretty good at what it does. And let’s face it, most of BBC Three’s best programmes would probably fit easily on BBC Four. Vaguely decent comedy shows like Screen Wipe or Don’t Watch That Watch This do fine on BBC Four, so why not? Sometimes it feels as if the Beeb uses the word ‘youth’ as a proxy for ‘shit’. So they should do with that shit what everybody else does with it. BBC Three should probably just be thrown in the toilet, and the BBC could concentrate on just the one digital channel.

This evening I had a look at Film4′s first free night. Enjoyed Lost in Translation. But oh dear. The first ad break — the entirity of which was bought by Renault — went out in silence. It looked like a lot of effort went into it aswell. I’m sure there was a new advert there, and also a showing of an old-ish one which hasn’t been on for a while. But it was all messed up! They must be furious.

FilmFour is Free, you surely must have noticed.

Except that in the middle of the huge campaign to alert us all to the fact that the respected film channel is coming to Freeview, Channel 4 only went and decided to change its name. The new name is Film4. It’s not a huge change, but that only makes it all the more strange.

Apparently it is so that it will fit in with Channel 4′s other digital channels — E4 and More4. Curiously enough, there is no mention of Quiz Call. I suppose this means that Channel 4 will soon be changing its name to Channel4?

Ignore the fact that FilmFour was Channel 4′s first foray into the multichannel world. Ignore the fact that anybody who would care that FilmFour is owned by Channel 4 already knows it. None of this has stopped them from rebranding the channel, complete with fugly logo and all.

Film4 logo

The logo does make you recoil at first. What on earth were they thinking of, replacing that classy logo with this blocky monstrosity? Chris Riley likes it. I just think it looks like Teletext. Mind you, it is starting to grow on me, so I probably won’t even notice it a couple of months down the line.

But there is no excuse for this logo which goes straight to the top of the pile of crap logos.

SMG logo

Now I was never a fan of SMG’s logo, but at least it wasn’t offensive like this one! Now I can see what they’re trying to do here. “Look, we own STV don’t you know, so we’ll use that ‘S’ in our logo.” Very good. Not that the S was very nice looking in the first place. But you can see what they’re thinking with that. But look at the bit after the ‘S’. What is with that ‘M’?

Film4 and SMG both seem determined to take us back to the 1980s. Please! Wasn’t it bad enough the first time around?