Archive: F1 Digital+

In my previous article about the post-Bahrain backlash, I noted that I thought the main reason why people felt that the race was boring was down to something fully within Bernie Ecclestone’s control. It is the most important thing to the vast majority of fans, although in the rush to blame the presence of heavy fuel loads or front wings or whatever personal hobby-horse they have, many people have forgotten about the television coverage.

FOM feed the world

Nowadays, the “world feed” carried by every broadcaster for almost every race is produced by FOM, run by Bernie Ecclestone. (The only exceptions at the moment are the Monaco and Japanese Grands Prix, where the world feed is produced by Télé Monte Carlo and Fuji Television respectively.) This is generally a very good thing.

Until a few years ago, races were covered by local broadcasters, meaning that the quality of the coverage could vary quite wildly from race to race. I always remember the Japanese Grand Prix being particularly bad because so much time was spent on board with a below-average Japanese driver trundling around doing very little.

This situation was not helped by the fact that the quality of this standard feed was deliberately stunted while Bernie Ecclestone attempted to launch a premium digital television service, F1 Digital+. “Bernievision”, as it was called, was a very good product.

There were lots of innovations that improved the quality of the coverage, including some smart systems that could detect when an overtaking manoeuvre or a crash was about to happen. You can see this in action here, when the coverage automatically cuts to the on-board camera of Jacques Villeneuve just before he crashes into Ralf Schumacher during the 2001 Australian Grand Prix.

Unfortunately, the main problem with F1 Digital+ was that it was ahead of its time. The adventure began in 1996, at an impossibly early stage of the development of interactive television. There were teething problems in the early days, including an incredible clanger at the 1998 Belgian Grand Prix, where the “superior” product managed to completely miss the biggest crash in F1 history! But they learned over time and there were innovations aplenty. With the broadcasters struggling to make any money with it, the service was closed down in 2002.

Since then, the technology on which F1 Digital+ was based has been used on the standard world feed, which FOM have gradually taken over from the host broadcasters. This has brought about a noticeable improvement in the quality of coverage since 2004. Broadly, the pictures have been better. Incidents have been caught live more regularly, and replays have been shown quickly. The information displayed on the on-screen graphics has also improved considerably.

But after reaching a peak in quality three or four years ago, FOM’s coverage has stagnated. Many times, innovations have been brought to the coverage, only to be used sparingly, and eventually disappear.

For instance, whatever happened to the tyre temperature indicators that were used once or twice a few years ago? Why do we no longer often see the graphics comparing the telemetry of two drivers racing side-by-side? What has happened to the thermal images?

Why don’t FOM buy some of those awesome super slo-mo cameras instead of just using the ones in Germany? Why is line comparison only ever used during practice, and even then not very often? Why isn’t more use made of the graphics that show the position of drivers on a map of the circuit?

The poor usability of FOM’s new graphics

Things are not totally stagnant at FOM though. At Bahrain, they unleashed a new set of graphics. It has to be said straight away that they are very good looking, and with a few tweaks will work very well. However, at the moment there are some major flaws with them.

The font appears to be a version of DIN. This is a bold, clear and readable font.

However, FOM have made a mistake by choosing to display the drivers’ names in all uppercase. It is known that all-uppercase is more difficult to read. Often readers look at the shape of words rather than the individual letters. This is much more difficult when capital letters are all the same height and many are roughly square-shaped. It is thought that it may even increase the amount of time spent reading by as much as 20 per cent.

Then there is the odd slanting of the lower-third graphics. I see what they are trying to do, by echoing the slant of the Formula 1 logo. But while it looks stylish, it is pretty painful if you want to actually try and read it!

Example of FOM's new graphics

As you can see, unlike a normal table, the text is not aligned to allow for easy comparison of figures down the column. Instead, you have to read down and to the left. Slanting is one thing, but if you are going to slant one way, slant towards the right! We read from left to right. Effectively reading from right to left (and then switching back to left to right to actually read the information!) is completely counter-intuitive. I know Bernie Ecclestone is keen to take Formula 1 to new markets in Asia, but making us read from right to left really is going a step too far!

The graphics also animate on rather extravagantly. This is particularly irritating with the graphics that update as each driver crosses the line. Each driver’s name and time now takes a while to animate on. But when cars are passing through so quickly, this is vital reading time lost. The new graphics really are a bad case of style over substance.

Example (a rare one) of FOM's tower graphics There was also a large outcry over the fact that the ‘tower’ graphics — which display a list of positions down the left hand side of the screen — appear to have been done away with. Although the tower made a couple of appearances during the race, it really is much more useful during qualifying, where positions change much more rapidly.

During the commentary, Jonathan Legard mentioned that the BBC had received plenty of complaints about the disappearance of the tower, although the content of the world feed is beyond the BBC’s control. For commentators to start bemoaning the poor quality of the world feed once again shows how much of a backward step FOM have taken lately.

On the plus side, there were a couple of interesting new additions as a result of the renewed emphasis on the speed of pitstops. The pitstop time graphic now shows the length of time spent in the pitlane as well as the amount of time spent stationary. However, the stationary time displays only after the driver has exited the pitlane. Why not reveal this first?

They also get the thumbs up for finally switching the lap counter so that it counts up rather than down. I generally like the new graphics, but they have some major flaws just now. With a bit of tweaking, it will look great and work well. But I do wonder what FOM were thinking of when they made some of these decisions.

Too much action was missed

But, of course, the design of the graphics is small beer compared with the actual pictures themselves — and it is here that I think FOM are particularly letting themselves down just now. A few years ago I was amazed at how much action they caught live. Today, I find myself with difficult believing how little action they catch — and how few replays they show.

For instance, what actually happened to Karun Chandhok? We know he binned it, but how? All FOM showed us was his slightly smashed-up car. A replay of the event was never shown. Did their cameras completely miss it?

Moreover, the BBC’s post-race ‘forum’ showed several replays from the on-board channels that brought to light much more action than FOM showed us. Nico Hülkenberg’s first lap was rather eventful, but FOM showed very little of it.

Another on-board shot, not shown on the world feed, revealed how Felipe Massa squeezed Lewis Hamilton early on in the lap. This was totally missed by FOM, and caught all viewers, and even apparently the pundits, by surprise when the BBC showed it later.

And why were viewers never given the full story of the mêlée caused in the midfield as a result of Mark Webber’s blue smoke on lap 1? And, for that matter, why was so little attention paid to the recoveries by Adrian Sutil and Robert Kubica, who made their way back up through the field following that lap 1 incident?

I have to admit that I am baffled. The race was allegedly “boring”, so there was plenty of time to show replays of interesting incidents, but clearly the opportunity was passed up. Why?

The whole style of FOM’s product has become rather stale, clinical and formulaic as well. While a few years ago the feed contained interesting shots of the cars and the circuit. Now there is a greater emphasis on wide shots of the venue. While these shots are attractive, they do not showcase the race.

The coverage of last year’s Abu Dhabi Grand Prix is a prime example. There were so many wide shots that it was often difficult to pick out the cars. It felt like most of the time was spent looking at the giant sparkly hotel that looks a bit like a rude sex toy rather than the race itself. And the final lap lunge by Jenson Button on Mark Webber was missed by the cameras!

You can see the moment on this video, at 2:30. Also watch out for when the cars out out of shot when Robert Kubica is battling with Sébastien Buemi at around 1:40, so we don’t properly see what Kubica really did.

It is worth noting that the FIA obviously thought that FOM had done such a good job of producing an uber-slick but ultra-dull feed that they awarded the Abu Dhabi Grand Prix an award for the best television coverage. I thought it stuck out as a particularly poor performance from FOM. It was another triumph of style over substance. I guess they were trying to trumpet this new grand prix, when it was widely recognised to be an underwhelming circuit that produced a rather dull race.

When will HD finally come?

I feel as though FOM have almost given up on improving the television product. F1 is supposed to be the most technologically advanced sport in the world, yet it is still not even broadcast in HD. It is probably the last major sport in the world to only offer an SD feed, and before you know it 3D will have come along by the time F1 goes HD.

Fuji Television are prepared to produce an HD feed for the Japanese Grand Prix (although this is only shown in Japan). I also noticed people praising the Japanese GP coverage for its interesting shots and pretty solid coverage. But Fuji were once universally recognised as one of the worst of the host broadcasters back in the bad old days.

Fuji really have upped their game in the past couple of years. It is notable that we can actually now compare Fuji with FOM and say that Fuji may actually be better. Certainly, Fuji provide a welcome breath of fresh air to F1 coverage when every other race is presented using the formulaic approach that has increasingly been taken by FOM.


Screengrabs nicked from stefmeister. If you are as much of a geek as me about both Formula 1 and television presentation, I highly recommend the F1 coverage thread on Digital Spy.

A deal has been struck between Max Mosley, Fota and Bernie Ecclestone, and the threat of a breakaway series has been averted. I think there were a lot of people out there who quite liked the idea of a breakaway series. Indeed, given the choice between Max Mosley’s rotten vision and a Fota-run series, I would have gone for the Fota series every time.

But a split would have been a calamitous situation. The new series, despite having all the big names and probably some decent circuits, would still have taken some time to find its feet. Plus, I couldn’t help but wonder if the Fota series would have got good television coverage. Don’t forget that for the vast majority of fans, television is the only way we can consume the sport that we love, so this is an essential element.

In a lot of ways, the roots of the current problem in Formula 1 lie with Bernie Ecclestone. Or, to be more precise, CVC. They are the ones who suck the money out of the sport in order to pay the interest on their debts. That is why F1 ends up visiting sterile circuits with minuscule crowds — because those governments will pay huge sums of money for the privilege of holding an F1 race. That is probably also the reason for the fervour over cost cutting. If the teams spend less, Bernie can get away with giving the teams less of the sport’s revenues, and giving CVC more of them.

But despite that problem with CVC, I can’t find it in myself to be too angry with Bernie Ecclestone. In truth, he has done a great job of promoting the sport, and F1 may never have appealed to me were it not for Bernie’s efforts. Sure, there are a lot of areas where he can improve, particularly on the dire online offering.

But under Bernie Ecclestone, the television coverage of Formula 1 has been revolutionised. He got his fingers burnt with the adventurous F1 Digital+ endeavour. But while those innovatory days may be no more (and it is notable that F1 is still not broadcast in HD), today’s FOM-produced World Feed (used for all races except Monaco and Japan) is based on many of those innovations and television coverage has improved immeasurably over the past fifteen or so years.

We seldom have to deal with relatively amateurish efforts from the host broadcasters. Just compare these two videos of the same incident as it unfolded live. One is from the FOM F1 Digital+ World Feed, and the other was from the host broadcaster. (To view them side-by-side ‘as live’, start the second video when the first video reaches 17 seconds.)

The difference in quality is massive. F1 Digital+ caught the accident live so viewers knew immediately what happened. This was no coincidence. It happened because a system of sensors around the circuit could detect when cars were running close together, and coverage automatically switched to those cars in the expectation of some kind of incident unfolding. Later, replays from multiple angles enhanced the viewer’s understanding of the incident.

Meanwhile, the host broadcaster cut to Ralf Schumacher climbing out of his car ten seconds after the incident originally started. And it was a long time until viewers found out that the accident also involved Jacques Villeneuve — and there was only one angle of the incident. Note also how Martin Brundle had to rely on the superior coverage which he could see outside his commentary box window to tell viewers that Villeneuve was unhurt.

The Australian host broadcasters were not dummies. They just did the best job they could with the resources they had at their disposal. “Bernievision” was only good because of heavy investment and years of experimentation.

Bernie’s television operation was pretty impressive even in 2001, though not all of the innovations remain in today’s coverage. But it is thanks to Bernie Ecclestone that today’s coverage is more like the first video than the second one. A Fota-run championship would not have had such a slick operation going from day one, and the fans would have been worse off for it.

(For more on the amazing “Bernievision”, check out these decade-old articles on GrandPrix.com: Inside Bakersville and Inside the F1 digital television centre.)

Then there is the question of whether it would have had any coverage at all. The BBC would have been scared off, and television executives would have been confused. They want the World Championship, whether or not an alternative series is better in the eyes of the fans. Take, for instance, the Intercontinental Rally Challenge, which I hear is better than the FIA’s World Rally Championship. Not that I’d know, because the former is ghettoised on Eurosport while the FIA’s weak WRC gets terrestrial coverage.

No matter if it has all the current teams and good circuits — signing up to show a new series is a risk which television executives wouldn’t want to take. The prospect of the best F1 series being on some pay channel and having no terrestrial coverage was a real one. That aspect of the breakaway scared me.

On the other hand, the proposed breakaway presented the opportunity to create a great new version of Formula 1, unshackled from the financial needs of CVC or the warped politics of Max Mosley. Fota had some crazy ideas, but they carried out market research and were far more receptive to the views of fans than the FIA have ever been.

I particularly liked the idea that the new series could have been particularly focussed on attracting an American audience. The FIA Formula 1 Championship has dumped on US fans time and again, and today there is no race in North America even though it is a major market for the manufacturers.

There would also have been a careful look at ticket prices and the fees circuits have to pay to hold an F1 race. No-one (apart from Bernie apparently) likes to arrive at sterile circuits with a dozen people in the grandstand. It comes across on television too, whether or not FOM’s cameramen are instructed to avoid shots of empty grandstands.

I could feel the atmosphere of the passionate British crowd on the television. The difference could hardly be more stark from the previous race at Turkey, where the crowd was around 10% of the size. And Silverstone is a circuit that Bernie wants to move away from.

Even the little things that are wrong with F1 could have had the magnifying glass applied to them. Such as, why can’t a driver keep the same number for his whole career. In other categories such as Nascar or MotoGP, a driver’s number becomes part of his legend, every bit as important as, say, his helmet design. Even in the history of Formula 1, the number 27 car is almost synonymous with Gilles Villeneuve. Imagine the marketing potential too. But in the clinical world of Formula 1, driver numbers are determined by the positions of last year’s Constructors’ Championship.

In short, the breakaway could have been a great opportunity to fix everything that is broken with F1. I doubt the breakaway would have been a true ‘split’, and it probably wouldn’t have had the same consequences as the Cart / IRL split. It was pretty clear from the fact that the FIA never released a finalised 2010 entry list that the FIA didn’t have a 2010 F1 Championship to speak of, and Fota’s would have been the only show in town.

That, I think, is why the deal must be seen as a victory for Fota. It has turned out to be a powerful organisation that did after all have the ability to at last stand up to Max Mosley’s dictatorial authority.

There is a part of me that suspects that the FIA as an organisation simply isn’t fit for the purpose of overseeing motorsports. We will eventually see how things develop with Max Mosley’s successor. I think today is just the starting point though, and we will see some more loose ends being tied up in the coming months. There will be power struggles there too, I am sure.

It looks like these negotiations will in fact be handled by Michel Boeri. That in itself is interesting because he is the promoter of the Monaco Grand Prix. It was reported that he would take the Monaco GP with him to the Fota camp if the breakaway went ahead.

What we need now, most of all, is someone in charge of the FIA who is not a glorified politician, constantly interfering. I remember Maurice Hamilton making the point once that everyone knows who Max Mosley is, and many people can tell you that Jean-Marie Balestre was his predecessor. But not many can tell you who Balestre’s predecessor was (for you history buffs, on the Fisa side it was Pierre Ugeux, and in the FIA it was Paul Metternich). Yet the sport still ran.

It sounds like from now on there will be more checks and balances in place, with the F1 Commission being given more of a say from now on. No doubt Fota will continue to play its role too, and I think it would be best for everyone if Williams and Force India re-joined and USF1, Campos and Manor all joined too. That way the teams, who create the sport, can have a say in its governance too.

Speaking of the new teams, I think as we sit here today, with much of the damage repaired, the biggest shame of this episode is that two capable teams have been denied a place on the entry list as a result of Max Mosley’s petty politicking. I think many of us can’t wait to see Prodrive finally get a chance to enter F1, and Lola were a promising prospect too.

No doubt the FIA actually had a tough choice to make, as according to Joe Saward at least the Manor Grand Prix team is actually a seriously strong prospect. With costs set to be cut and a more stable future for F1 promised, and with that troublesome Max fellow out of the way, at least we know there are capable teams that are ready to fill any potential gaps that appear.

Okay, so it’s not from the vaults, it’s from my attic.

I just happened to mention in passing to “me” from Sidepodcast on Identica the short-lived F1 magazine GPX. He asked me to upload it so that he could see what it was like, so I took photos of the two issues of GPX I own and uploaded them to Sidepodcast’s Dropio. I hope the people at Haymarket don’t mind too much. But this is over ten years old and it obviously didn’t make them much money at the time, so…

Discover Simple, Private Sharing at Drop.io

If you’re interested, Issue #3 starts here, and you need to click the left arrow to go through the magazine. Issue #4 starts here.

Issue #4 was the final issue of GPX. Obviously Haymarket had high hopes for it, and I even remember seeing posters in the window of a WH Smith advertising it. The magazine totally tanked though.

Originally designed to be a “laddish” magazine, issue #4 shows some signs of desperation with features designed to appeal more to females, including the “Top 20 sexy F1 drivers of all time” and a “hunky” poster of Mika Salo. Stuart C from F1 Racing has a bit more on GPX over at Sidepodcast here and here.

In retrospect, GPX wasn’t a quality magazine. It did have some good gags in it though. I like ‘Brainstorming with the Prost team‘ and the joke about spelling out ‘Schumacher’ with beer cans made me chuckle at the time.

The magazine as a whole has slight shades of The Red Bulletin and Sniff Petrol. In fact, GPX might actually have had a chance if it was as consistently funny as Sniff Petrol…

While I was rummaging for those issues of GPX, I found some other interesting old F1 magazines and various other bits and pieces. Most of these almost certainly came free with F1 Racing. Click below to see what I found.

Click for more »

Pitpass ran an interesting story yesterday about the deadlock that appears to have been reached between Sony and Bernie Ecclestone who are in negotiations to create a new Formula 1 video game. It is a shame that Bernie’s “hardball” attitude has led to this apparent stalemate.

I have been a big fan of Sony’s Formula 1 series of games. Its history can be traced back to 1996 when Formula 1 (based on the 1995 season) was released. It was a complete masterpiece. Developers Bizarre Creations had made the first 3D Formula 1-based video game and they got it near enough perfect first time round. It is still a joy to play the game today.

It was an arcade-style racer which meant that it was fairly basic, certainly by today’s standards. But it was a huge hit even among non-F1 fans. It was Europe’s second biggest selling video game of the year.

Formula 1 97 followed the year later, refining the product to a great extent. You could even set an option to have tear-off strips. When your visor got too dirty you had to press a button to clean it! It also had a separate arcade mode which felt like a completely different game. This meant that the game pleased non-F1 fans and dedicated F1 geeks alike.

From there, things went a little pear-shaped. Despite the huge success, Bizarre Creations decided to call it a day with F1 so that they could concentrate on Metropolis Street Racer. That series has since become the hugely successful — and, I must say, excellent — Project Gotham Racing series.

In the meantime, Psygnosis, the publishers who owned the rights to the F1 game, were left in the lurch. Visual Sciences were given the job of developing Formula 1 98, but they had just a few months to do it in. Sure enough, the game was an utter beast — buggy, unplayable and generally unsatisfying.

Another change of developer came for Formula One 99. Studio 33 were brought on board. They managed to do a competent job, but it was clearly a case of getting the basics right first as the game was slightly bare. It was, however, the first game to incorporate the Safety Car! Whether gamers enjoyed the experience of being behind the Safety Car is another matter…

In the intervening period, Psygnosis was bought by Sony Computer Entertainment Europe and renamed Studio Liverpool. This began Sony’s association with the F1 license. Gradual improvements were made for both the 2000 and 2001 editions, but the glory days of Bizarre Creations’s games would not be reached on the PSone again.

It is worth remembering that this period was a rather congested time for Formula 1 fans. In some years there might have been around half a dozen different versions of the F1 game. The PSone alone had four F1 games released in 2000.

As well as the Sony offering, Video System brought their F1 World Grand Prix brand from the Nintendo 64 to the PlayStation. Developed by Lankhor, the game was highly realistic, with a dizzying array of different set-up options and horrifically realistic handling. At least, I hope that was the case because it made the game damn well unplayable. It was a struggle even to reach the end of a straight. It was without a doubt the worst F1 game I have ever played.

The following year, Video System published a second game based on their 1999 license. This time they turned to Ubi Soft to develop it. F1 Racing Championship was considerably better than the first attempt, but that wasn’t saying much. As it was the third PSone game based on the 1999 season, there was little reason to buy it, particularly as the year was now 2000!

More successful was the Electronic Arts series. The company made the brave decision of publishing F1 2000 at the start of the 2000 season. Sony had been releasing their games at the end of each season. This meant that there were some inaccuracies in the game as teams proved to be more or less competitive than their pre-season testing form showed. But that seemed academic when all of a sudden there was a chance to play the F1 game several months earlier than normal, and crucially before the Sony edition came out.

However, the EA game was simply not as satisfying as the Sony version. For one thing, EA brought in Visual Sciences to develop the game, although this was kept quiet! VS was the company that made a hash of Psygnosis’s Formula 1 98. Although this time round they did a better job, it was still a bit of a handful to play.

EA also made the decision to release an updated version called F1 Championship Season 2000 at the end of the season to fix some of the inaccuracies of the original. There was quite a neat “scenario mode”, where you would relive actual events from the 2000 season. But by now the PSone market was truly over-saturated with F1 games.

Presumably realising this, FOA gave Sony an exclusive license to publish Formula 1 games from the 2003 season. EA’s parting shot was to release F1 Career Challenge. This took advantage of their licenses for the seasons from 1999 through to 2002. You would begin your career in a poor car and try to make your way up to a better car through the seasons.

This added a much-needed new dimension to F1 games which were often very samey for the obvious reasons that they were all based on the same circuits and the same cars time and time again. Sony / Studio Liverpool have since added a career mode to each of their subsequent F1 games.

These were difficult years to be an F1 gamer. Instead of getting what we wanted — namely, a decent F1 game every year — we were getting several mediocre games, none of which did the trick. Thankfully this changed with the move to the PS2 and the exclusive license awarded to Sony. It was tough luck if you didn’t own a PS2 though.

Sony’s early PS2 games were not all that great. But they were notable for being the only way you could get DVD reviews of the 2000 and 2001 F1 seasons, complete with footage from F1 Digital+. These remain the only official review DVDs of those seasons.

Every year the F1 game improved a little bit. Formula One 04 was enjoyable enough. But Formula One 05 was probably the first time you could say there was an F1 game as good as Formula 1 97. There were also some neat features where, using the Eye Toy peripheral, you could insert your own face into the game and watch yourself participate in the podium ceremony. Rather surreal, but good fun! Unfortunately, F1 05 was far too easy to play even on the hardest difficulty settings. Another nice touch was a set of unlockable classic cars.

Formula One 06 further refined the game. By now, a number of authentic features had been added to please the F1 fans. For instance, in career mode if you are stuck in the test driver role you have to be prepared to trundle around an empty track doing consistent laps — a lot more difficult than it sounds! Come race time you could even choose to drive the formation lap yourself and you would have to get the tyres up to temperature.

(You can read my more detailed reviews of Formula One 05 and Formula One 06.)

There has been one game on the PS3, F1 Championship Edition (strangely familiar title, that). It is based on the 2006 season. I’ve never had the chance to play it, but it looks great.

Just as the F1 series was becoming great again though, the F1 games have dried up. I had wondered why. After all, the 2007 season ought to have been more lucrative for Sony because of the hype surrounding Lewis Hamilton. Unfortunately, Bernie Ecclestone seems to have thought this more than Sony did, leading us to the current deadlock.

In the meantime, Electronic Arts have signed a £5 million deal with Lewis Hamilton. However, this does not necessarily mean that a new EA F1 game is on the horizon. Several years ago Jacques Villeneuve was involved in a fantasy racing game called Speed Challenge: Jacques Villeneuve’s Racing Vision. This EA deal could be a similar plan.

With stalemate all round, it is probably too late even for a game based on the 2008 season to be made. What a terrible shame. You might think I am going overboard a bit. But for me, the annual video game has become an important memento of the season, just as much as the review DVD is. If I feel a bit nostalgic for Pedro de la Rosa in an Arrows, I stick on Formula One 99. Now it looks like two whole years will be lost.

Fans of F1 games should check out F1Gamers. The site is chock full of obtrusive adverts, but it’s a good resource nevertheless.

Having considered the past of ITV’s Formula 1 coverage, it is time to turn our attention to the future of the BBC’s F1 coverage.

The first thing to point out is that, of course, just about everything is pure speculation for the time being. We have been given a few hints of what to expect — HD coverage, internet and mobile coverage and things like that. This all sounds like a very good step in the right direction. (It is ironic that this year ITV’s coverage is sponsored by Sony’s HD products — and it’s taken a move to the BBC for F1 fans to enjoy the sport on Sony’s HD products!)

Obviously the move to the BBC is popular for one overriding reason — races will be broadcast uninterrupted, without adverts. Beyond this, though, is the move to the BBC going to be the best thing for F1 coverage in the UK?

A note of caution must be struck. First of all, as pointed out by Ben Evans today, ITV revolutionised F1 coverage in the UK. While we may cringe at the fluffier elements of the pre-race show on ITV, at least there is one! On the Beeb, F1 was usually part of a packed Sunday Grandstand programme. Sometimes coverage basically started when the race started.

Even more amazingly, races were not guaranteed to be shown live until 1995! And coverage of qualifying was by no means a certainty either. You have to hand it to ITV on this front. They might have shoved F1 away to some of their more obscure digital channels from time to time, but I don’t think they have ever opted not to broadcast a race live (although there were a few difficult moments in the days before Freeview!).

Of course, there is nothing to say that the BBC will treat F1 in the same way as they did in the mid-1990s. Television has changed a lot — sports coverage especially so. Nevertheless, the BBC has a packed schedule. As far as I can tell, they seldom have problems filling their Sunday afternoon schedules — either on BBC One or BBC Two (let’s face it — the EastEnders omnibus, love it or hate it, is an institution).

The Beeb does have one thing going for it. The red button service essentially gives the BBC two extra channels at most times of the day. There will be opportunity costs here as well though, and F1 will have to compete with other BBC interactive services.

But if it is true that it was Bernie Ecclestone’s decision to pull the plug on ITV’s F1 coverage, it seems likely to me that he has sought guarantees from the BBC about the quality of coverage. It is not impossible that a guaranteed live terrestrial slot is part of the deal.

Also, a lot of people have pointed out that the BBC does not have much in the way of sporting events these days. And with Hamilton hype reaching overdrive, the BBC could have an opportunity to present F1 as the crown jewel of its sports coverage.

A survey out today shows that Formula 1 is now the UK’s fifth most popular sporting “category”. Ahead of it are the FA Cup, Wimbledon, FA Premiership and Six Nations rugby. Of these, the BBC has the rights to only Wimbledon and the Six Nations — events that are highly concentrated in just a few weeks of the year.

But for this reason, anyone hoping for an end to coverage utterly fixated on Lewis Hamilton will surely be disappointed. The BBC may not be a commercial organisation, but it can be every bit as populist. It also has to draw in the viewers in order to justify the money it has spent on F1 (estimated to be around £200m). The Beeb’s coverage will probably focus on Hamilton just as much as ITV do.

On a related note, many have expressed their unease at the rumours that Top Gear will be heavily involved. My feeling is that far too much has been read into a few comments about Top Gear. The most extreme one I can find is this:

Coles has also said that the success of BBC’s revamped Top Gear programme will be a major influence on the tone of their F1 coverage in 2009.

“When Lewis Hamilton did a test lap on Top Gear it got more viewers than the Brazilian Grand Prix,” he explained. “Bernie (Ecclestone) was very impressed with the Top Gear proposition and there will be cross-fertilisation between the show and the races.”

Now, that could mean anything. It could simply mean trails for the race being dropped into the Top Gear programme. As for “influence on the tone” of the coverage, this does not necessarily mean actually involving the Top Gear presenters. As has been pointed out by many, this would be a mega mistake — the Top Gear presenters frequently express their dislike for F1! The BBC would be foolish if they actually thought that it would be a good idea to have such people presenting F1 coverage.

Having said that, I have a feeling that Richard Hammond wouldn’t actually be a bad anchor. After all, Jim Rosenthal was self-confessedly ignorant about F1 but in the end I thought he did an okay job on ITV. These Top Gear rumours do sound as though the F1 coverage will be dumbed down quite a lot though, which is a shame. But like I said, the BBC have to do something to appeal to more than just hardcore F1 nuts.

So, Top Gear presenters aside, who else could be on the BBC’s team? I have seen a lot of people suggesting that people like David Croft and Holly Samos who already present F1 coverage on BBC Radio 5 Live could be moved along to present the television coverage. But it is worth remembering that the BBC still have rights to broadcast F1 on the radio. They might well decide to leave the radio coverage as it is while it still works, while taking the opportunity to broadcast on television as a chance to make a fresh start.

Three obvious candidates for lead commentator pop into my head — assuming James Allen is out of the equation, as most assume he is. One is David Croft. He is a bit like James Allen I think, but doesn’t put his foot in his mouth so often. Crofty gets excited in a similar way, and he is obviously very passionate about the sport. Could be a good shout, although like I said the BBC might consider him to do such a good job on radio that they might keep him there.

The second candidate is one that I haven’t seen mentioned often — Jonathan Legard. The first article I read about the Beeb winning the rights on Pitpass said, “of course” Jonathan Legard is likely to be the lead commentator. Somewhat conflictingly, the article also describes David Croft as “a shoo-in for the Allen job”, though they might have meant for ITV.

Jonathan Legard used to do the commentary on Radio 5 Live up until the height of the Schumacher domination years. He left to become the station’s chief (I think?) football news reporter. Obviously that’s a pretty good job to have anyway, but you would imagine he’d be tempted by the opportunity to be the lead F1 commentator on television. Legard’s style contrasts to David Croft’s. Legard is more analytical. It might depend on who his sidekick is. Having two analytical voices in the commentary box might not work.

Another possibility — yet another that I have seen little mention of — is Ben Edwards. It amazes me that he seems to be seldom considered as a potential James Allen replacement because he seems to do an excellent job whenever I see him commentate. He is highly experienced as a lead commentator, and he can do both the Croft style excitement and the Legard style analysis.

On the other hand, it is difficult to imagine Ben Edwards commentating with anyone other than John Watson! They must be joined at the hip.

An outside possibility is for Martin Brundle to be the lead commentator alongside David Coulthard. I have thought for a while now that Brundle would make as good a lead commentator as a ‘colour’ commentator. After all, he has had to carry James Allen for several years now, so he is used to playing the two roles.

David Coulthard has been linked to a role at the BBC as a ‘colour’ commentator. I am sure DC wants a job like this once he retires from driving, and he would be more useful in this role than Brundle because of his more recent experience as a driver.

On Martin Brundle, I am sure that most F1 fans agree that the BBC must pull out all the stops to bring Brundle to the Beeb. He is an institution now, just as Murray Walker was when the Beeb lost the rights to ITV.

An on Murray Walker, any suggestion that this will see a return to the commentary box for him is surely complete nonsense. Murray Walker didn’t retire because F1 left the BBC — he commentated on ITV for years. He retired because he was past it. He is even more so today. It’s not bad for the occasional race, but an entire season? No way.

As I said though, it’s all speculation for the time being. I am sure the BBC will give us some decent coverage though. With their red button service, it is tempting to think that we could get a watered down version of F1 Digital+, where we can perhaps go interactive to watch different parts of the race or view the timing screen. I would have thought Bernie would go along with this, seeing it as a pilot for a relaunched F1 Digital+.

Going by what Bernie Ecclestone has said, we can expect to have coverage of practice session as well. ITV have only just started that this year, online. And the BBC have a good infrastructure to provide online coverage and highlights packages over iPlayer. They already do this with MotoGP.

In summary, the move to the BBC gets my thumbs up. It will be a good opportunity for BBC to bring Formula 1 coverage in Britain up to date, just as ITV did when the won the rights. Let’s just hope their coverage isn’t too Lewis-focussed and dumbed down.

Here is how Formula 1 exited the BBC — with a look back at the highs and lows of the BBC’s twenty years covering the sport.