Archive: DVD

Pitpass ran an interesting story yesterday about the deadlock that appears to have been reached between Sony and Bernie Ecclestone who are in negotiations to create a new Formula 1 video game. It is a shame that Bernie’s “hardball” attitude has led to this apparent stalemate.

I have been a big fan of Sony’s Formula 1 series of games. Its history can be traced back to 1996 when Formula 1 (based on the 1995 season) was released. It was a complete masterpiece. Developers Bizarre Creations had made the first 3D Formula 1-based video game and they got it near enough perfect first time round. It is still a joy to play the game today.

It was an arcade-style racer which meant that it was fairly basic, certainly by today’s standards. But it was a huge hit even among non-F1 fans. It was Europe’s second biggest selling video game of the year.

Formula 1 97 followed the year later, refining the product to a great extent. You could even set an option to have tear-off strips. When your visor got too dirty you had to press a button to clean it! It also had a separate arcade mode which felt like a completely different game. This meant that the game pleased non-F1 fans and dedicated F1 geeks alike.

From there, things went a little pear-shaped. Despite the huge success, Bizarre Creations decided to call it a day with F1 so that they could concentrate on Metropolis Street Racer. That series has since become the hugely successful — and, I must say, excellent — Project Gotham Racing series.

In the meantime, Psygnosis, the publishers who owned the rights to the F1 game, were left in the lurch. Visual Sciences were given the job of developing Formula 1 98, but they had just a few months to do it in. Sure enough, the game was an utter beast — buggy, unplayable and generally unsatisfying.

Another change of developer came for Formula One 99. Studio 33 were brought on board. They managed to do a competent job, but it was clearly a case of getting the basics right first as the game was slightly bare. It was, however, the first game to incorporate the Safety Car! Whether gamers enjoyed the experience of being behind the Safety Car is another matter…

In the intervening period, Psygnosis was bought by Sony Computer Entertainment Europe and renamed Studio Liverpool. This began Sony’s association with the F1 license. Gradual improvements were made for both the 2000 and 2001 editions, but the glory days of Bizarre Creations’s games would not be reached on the PSone again.

It is worth remembering that this period was a rather congested time for Formula 1 fans. In some years there might have been around half a dozen different versions of the F1 game. The PSone alone had four F1 games released in 2000.

As well as the Sony offering, Video System brought their F1 World Grand Prix brand from the Nintendo 64 to the PlayStation. Developed by Lankhor, the game was highly realistic, with a dizzying array of different set-up options and horrifically realistic handling. At least, I hope that was the case because it made the game damn well unplayable. It was a struggle even to reach the end of a straight. It was without a doubt the worst F1 game I have ever played.

The following year, Video System published a second game based on their 1999 license. This time they turned to Ubi Soft to develop it. F1 Racing Championship was considerably better than the first attempt, but that wasn’t saying much. As it was the third PSone game based on the 1999 season, there was little reason to buy it, particularly as the year was now 2000!

More successful was the Electronic Arts series. The company made the brave decision of publishing F1 2000 at the start of the 2000 season. Sony had been releasing their games at the end of each season. This meant that there were some inaccuracies in the game as teams proved to be more or less competitive than their pre-season testing form showed. But that seemed academic when all of a sudden there was a chance to play the F1 game several months earlier than normal, and crucially before the Sony edition came out.

However, the EA game was simply not as satisfying as the Sony version. For one thing, EA brought in Visual Sciences to develop the game, although this was kept quiet! VS was the company that made a hash of Psygnosis’s Formula 1 98. Although this time round they did a better job, it was still a bit of a handful to play.

EA also made the decision to release an updated version called F1 Championship Season 2000 at the end of the season to fix some of the inaccuracies of the original. There was quite a neat “scenario mode”, where you would relive actual events from the 2000 season. But by now the PSone market was truly over-saturated with F1 games.

Presumably realising this, FOA gave Sony an exclusive license to publish Formula 1 games from the 2003 season. EA’s parting shot was to release F1 Career Challenge. This took advantage of their licenses for the seasons from 1999 through to 2002. You would begin your career in a poor car and try to make your way up to a better car through the seasons.

This added a much-needed new dimension to F1 games which were often very samey for the obvious reasons that they were all based on the same circuits and the same cars time and time again. Sony / Studio Liverpool have since added a career mode to each of their subsequent F1 games.

These were difficult years to be an F1 gamer. Instead of getting what we wanted — namely, a decent F1 game every year — we were getting several mediocre games, none of which did the trick. Thankfully this changed with the move to the PS2 and the exclusive license awarded to Sony. It was tough luck if you didn’t own a PS2 though.

Sony’s early PS2 games were not all that great. But they were notable for being the only way you could get DVD reviews of the 2000 and 2001 F1 seasons, complete with footage from F1 Digital+. These remain the only official review DVDs of those seasons.

Every year the F1 game improved a little bit. Formula One 04 was enjoyable enough. But Formula One 05 was probably the first time you could say there was an F1 game as good as Formula 1 97. There were also some neat features where, using the Eye Toy peripheral, you could insert your own face into the game and watch yourself participate in the podium ceremony. Rather surreal, but good fun! Unfortunately, F1 05 was far too easy to play even on the hardest difficulty settings. Another nice touch was a set of unlockable classic cars.

Formula One 06 further refined the game. By now, a number of authentic features had been added to please the F1 fans. For instance, in career mode if you are stuck in the test driver role you have to be prepared to trundle around an empty track doing consistent laps — a lot more difficult than it sounds! Come race time you could even choose to drive the formation lap yourself and you would have to get the tyres up to temperature.

(You can read my more detailed reviews of Formula One 05 and Formula One 06.)

There has been one game on the PS3, F1 Championship Edition (strangely familiar title, that). It is based on the 2006 season. I’ve never had the chance to play it, but it looks great.

Just as the F1 series was becoming great again though, the F1 games have dried up. I had wondered why. After all, the 2007 season ought to have been more lucrative for Sony because of the hype surrounding Lewis Hamilton. Unfortunately, Bernie Ecclestone seems to have thought this more than Sony did, leading us to the current deadlock.

In the meantime, Electronic Arts have signed a £5 million deal with Lewis Hamilton. However, this does not necessarily mean that a new EA F1 game is on the horizon. Several years ago Jacques Villeneuve was involved in a fantasy racing game called Speed Challenge: Jacques Villeneuve’s Racing Vision. This EA deal could be a similar plan.

With stalemate all round, it is probably too late even for a game based on the 2008 season to be made. What a terrible shame. You might think I am going overboard a bit. But for me, the annual video game has become an important memento of the season, just as much as the review DVD is. If I feel a bit nostalgic for Pedro de la Rosa in an Arrows, I stick on Formula One 99. Now it looks like two whole years will be lost.

Fans of F1 games should check out F1Gamers. The site is chock full of obtrusive adverts, but it’s a good resource nevertheless.

Well, last year I looked at some reissues as well, so I thought I’d do that this year as well. I wasn’t joking when I said I might not get this list finished until February. This is in alphabetical order.

Seefeel — Quique (Redux Edition)

This is nice. This forgotten shoegaze / techno crossover classic got a re-release for seemingly no particular reason. Not even an anniversary. If they’d waited until 2008 they could have done it for the fifteenth anniversary. I guess that for whatever reason they felt like the time was right to reissue it last year.

Scottish readers may be wondering, and I can confirm — this album’s title rhymes with ‘keech’. But the music itself is anything but.

This ‘redux’ edition comes with a full second CD of lost extra goodies. Tracks that inexplicably never made an album as well as alternate versions and remixes come included. My particular favourite — of both discs — is ‘Clique’. Why did this not make the album? It should have been a single!

Quique has a gentle ambient approach, like a wall or ocean of sound. I personally prefer the heavier, darker, more industrial sound of their follow-up, Succour. But Quique is nevertheless a fine album, and I’m happy to have picked up this double disc joy.

The Knife — Silent Shout (Deluxe Edition)

I missed this one first time around. Wasn’t quite interested enough. But when it was re-released as a three disc package I went for it. Maybe I was right first time round.

It’s actually a fairly good album. There are some good tunes. But I was disappointed. Given the rave reviews the album got, I very much found it a damp squib. Good to listen to from time to time though.

Maybe part of the problem is that I already knew one of this album’s tracks quite well. For that reason it suffers from that problem where one song seems to tower over the rest of the album. Even knowledge of this problem hasn’t prevented me from feeling a bit disappointed though.

The new extra discs give me much the same feeling. One is a DVD of a concert performance (An Audio Visual Experience) and all of The Knife’s videos. The other is a CD with the audio of the concert performance.

On CD it sounds quite good. About the same standard of Silent Shout. But watch the DVD and it just looks a bit ridiculous. It is about as live as Princess Diana. The vocals seem to be live, but that other guy clearly doesn’t know what to do with himself. If somebody is making that music live, it certainly isn’t him.

I’d love to believe that waving a couple of ridiculous looking glowing sticks in a pseudo-rhythmic (and often not even in sync with the music) manner is making all of those sounds. But I get the feeling that that awesome instrument hasn’t been invented yet.

I know that live electronic music is a bit of a grey area. But seriously. I prefer the “look like you’re checking your email” approach. At least that is less pretentious.

I enjoyed the music videos though. I will probably check out some of their older stuff if I see it going cheap somewhere.


White Noise — An Electric Storm (digitally remastered)

Already this has become one of my favourite albums of electronic music. I am absolutely in awe of it. Having read about the techniques used to make it, and just the sheer fact that it was so visionary, I really think this ought to be more famous than it is.

I have already written a suitably gushing review of it. I had forgotten how long it was. All those words and not a single comment! Gah.

That’s yer lot. Incidentally, I have been linking to my original impressions of the albums I have been listing in this series. But there was also a post where I wrote about 12 of them — a kind of mid-year roundup. If you are interested, you can read it here. You will notice that I was actually near enough on time with that one. Ironic really, given how busy I was at the time…

There are only two things in the world that give us absolute total happiness. One is seeing other people fail. The other is unwrapping a newly-bought CD.

–Armando Iannucci

In the wake of all the upheaval that the recorded music industry is facing, a lot of people have been predicting the death of the CD. After all, the very reason why music is cheap or free these days is because they don’t need to be put on a physical object which then has to be transported around the world. Surely digital downloads are the only conceivable future for music distribution.

I don’t like the idea of this. If I was five years younger it would probably make perfect sense to me. Last week’s edition of The Economist tells the story of a focus group that EMI held. It was aimed at understanding yoofs better. At the end of the meeting, the teenagers were invited to take as many free CDs from a pile on a table as they wanted. Not a single person took a CD.

It’s just the latest example of a recorded music industry that has always found it difficult to adapt to new technology. Historically, consumers have gone for the most convenient and cheapest format rather than the technically excellent one. So says Fredric Dannen if you scroll a long way down.

When the long-playing record (LP) format was introduced by Columbia Records back in the late 1940s, the industry as a whole resisted it, and many predicted it would never take off because 78s sounded better. Without question, early LPs did not sound nearly as good as 78s. But given the choice of listening to all of Beethoven’s Ninth Symphony on two sides of one record versus sixteen sides of eight records, the consumer opted for convenience and simplicity (not to mention less shelf space).

…You can always count on the record industry to cling to the past, and to fight innovation.

So does the arrival of MP3 mean the death of the CD? I personally hope not. I love CDs. I am of that generation, probably a small five–ten year window of people who wouldn’t consider vinyl but had no access to file sharing as they grew up. Napster came onto the scene in 2000, when I was 14 — well into my music-consuming life.

I have been collecting CDs since I was nine years old. I haven’t counted, but I must have around 600 CDs. I only bought my first vinyl records a few years ago. I bought them grudgingly, only because they were not available on CD. I reckon today I have 30 vinyl records.

I have only ever bought around a dozen MP3s — again, because they were not readily available on CD or vinyl. (I have downloaded a few dozen more because they weren’t commercially available at all — mainly live bootlegs and demos.) I would consider buying more. But although MP3 is the format du jour, there is a big block in my mind preventing me from buying something that I will never be able to see or touch.

I suppose this makes me a collector. (Yes, my collection is in alphabetical order — or it was until I ran out of space.) Collectors tend to be fans of vinyl though, which makes me an anomaly.

It would be nice to think that the CD will limp on and eventually survive another day in the MP3 era just as vinyl has done in the CD era. I have grown up with CDs and I love them. I’m not an audiophile, so the sound quality issue doesn’t worry me too much. And to be honest, I can’t be bothered with the faff of vinyl.

Whether it is CD or vinyl, there will always be people like me who treasure the physical presence of an album. It’s not just about a collection of notes. It about an event, a happening. It’s the artwork, the packaging. The sleevenotes, the lyrics. The smell of the booklet. It has an aura. When you hold a copy of a good album, you are transported to its space without even having to put it on. Could all of this really die because of the internet?

When Radiohead released In Rainbows, the pricing structure grabbed all of the headlines. But that wasn’t the interesting thing for me. The pay-what-you-want method is just a belated recognition of the fact that people could choose to pay nothing anyway.

The other aspect of the release of In Rainbows interested me much more. I didn’t pay anything for the MP3s. I downloaded them for free when they were released on 10 October. That’s because I got them as part of the £40 “discbox” set.

The discbox is a premium edition of In Rainbows. It comprises a CD of the album, an second CD with eight extra tracks and enhanced content, a 2× vinyl edition of the album, and generally all-round badass packaging.

In Rainbows discbox packaging

£40 is the most I have ever paid for an album. I hesitated before I ordered it — but not much. Although I am sort of a collector, I have never been a completist. I am usually happy to have the CD version on its own. But I couldn’t resist the awesomeness of the discbox — despite the fact that I hadn’t even heard the album.

This was largely ignored in the media coverage of the album, but to me it was the most notable aspect of the unconventional release of In Rainbows. When I first posted about In Rainbows, I neglected to even mention the fact that the MP3s were free. I didn’t find it that interesting.

People like me, who love the physical formats, will be continue to be catered for. It is easy to make money out of us. Slap a sticker saying ‘limited edition’ on a record and suddenly demand for it will become price inelastic. Suckers like me will buy premium versions of albums at higher prices than we would otherwise consider. And this will become ever more important for the record companies as physical sales continue to get eaten into by the internet, where profit seeking is impossible.

In Rainbows wasn’t the start of this. Limited edition versions of albums have been around for a very long time. But in an age where it is becoming increasingly difficult to make money out of recorded music, it is becoming more and more prevalent.

When I went shopping for Sigur Rós’s Heima DVD I thought £17 was a bit steep. Then I saw the limited edition version for £25 and bought it.

The deluxe multi-format edition seems to be becoming more common as well. Björk’s latest single, ‘Declare Independence’, is available as a deluxe edition, yours for only £19.99.

Formatted in the same extravagant packaging as the Volta double LP, this contains all conceivable formats of the single: double vinyl, CD and DVD.

Something else that is becoming more and more common is for people to automatically get the MP3 version for free when they order a physical version. For instance, Nonesuch has started doing this. You can choose between standard 128kbps MP3s or maximum quality 320kpbs at no extra cost.

It makes sense to me. Being able to have your entire music collection on a portable device is becoming an expectation these days. Since vinyl is a bit more tricky to get onto your iPod, it would be good to get the MP3s of music that you have already bought automatically for free. Hopefully more record companies will adopt this approach.

A lot of people have wondered aloud if the fact that we can now get music for free from the internet is devaluing music. But it seems to me as though the internet is not only driving the price of music down — it’s also driving the price of CDs and records up.

I am making this the last in my series of posts looking back on the 2007 Formula 1 season. Truth be told, I’ve become a bit sick of writing them every Sunday. I skipped last week. Anyway, next Sunday is in a different year, and it’s a bit off to be looking back when everyone else is looking forward.

Anyway, I promised I would review Formula 1 websites, so here goes. Again, this is all in alphabetical order.

Autosport.com

A reliable source of Formula 1 — and other motorsport — news. It is also the most frequently updated of the F1 RSS feeds I subscribe to. So chances are that if something has happened, Autosport will have the story.

There is also a neat ‘Autosport TV’ feature, containing highlights of certain motorsport events. Bernie take note — this is how things will be done in the future, so don’t leave F1 lagging behind every other series!

Unfortunately, not all of the content on Autosport.com is free. But you can’t have it all. The website also performed badly on the day of McLaren’s WMSC hearing, when the website was down for huge parts of the afternoon, and then when it came back up it got the story wrong. Oh dear.

BBC Sport | Motorsport | Formula One

The BBC’s F1 news website is as you would expect — solid, but not really in-depth enough for obsessives like me. Only the very biggest F1 stories appear on BBC Sport Online, and they seldom contain anything revelatory.

Having said that, there are some neat features from time to time. Heikki Kovalainen wrote a regular column. I also particularly enjoyed reading an article about Kimi Räikkönen’s playboy image! There is also some good video and audio content collected from the BBC’s output.

However, the stories and features also concentrate too much on Lewis Hamilton. I guess this is to be expected from the BBC, but it’s all a bit fawning and not very balanced.

So much Lewis Hamilton!

As for the other features, again they are pretty good, although they haven’t changed much for several years. I would imagine that features such as the pitstop guide are excellent resources if you are just getting into the sport.

BlogF1

Ollie White’s BlogF1 was the first Formula 1 blog I started reading regularly. The posts strike a neat balance between news and opinion, although I personally prefer more opinion-heavy pieces.

I have to confess that nowadays my favourite feature of BlogF1 is the weekly caption contest. However, there are some other neat features hidden away from the main blog area.

There is a particularly comprehensive section on racetracks from around the world, complete with images from Google Maps. There is also a stunning complete list of championship statistics going all the way back to 1950, the inception of the Drivers World Championship.

F1 Insight

This excellent blog is, as its title suggests, very insightful. What I love about it is the fact that Clive doesn’t just churn out banal posts about the issues of the day. Instead, he finds an interesting angle and then writes about it, bringing to the reader’s attention an aspect that he may not previously have thought about.

To take some recent examples, there is a post questioning Sebastian Vettel’s reputation as a promising driver. And here is an interesting take on Fernando Alonso — is he going to be the greatest reputation-maker of all time?

In sum, F1 Insight is guaranteed to challenge the conventional wisdom, making it an essential read.

F1Fanatic

Without a doubt, the best Formula 1 blog around! What astonishes me is that you can visit the website every single day and there will be something new — even in the depths of the off-season. There was even a new post on Christmas Day, but you are just as likely to find three or four new posts per day even at this time of year.

The breadth of features is also breathtaking. Book and DVD reviews often appear. The Lapped Legends series takes a look at some of the less talented drivers and teams in F1′s history. And the ‘F1 in the Blogs’ feature is a must-read roundup of the best F1 blogging. The blog has also been known to hold competitions which I have been lucky enough to win!

Main writer Keith Collantine is clearly very dedicated to the website and infinitely knowledgeable about the sport. It could so easily fall into the trap of being a haven for stattos, but it actually strikes a perfect balance between geek heaven and accessibility.

Ah, and I have also had a guest post published on F1Fanatic. So obviously it’s a must-read! :D

Formula 1 Blog

This is the Formula 1 Blog as in Negative Camber and Grace, whose podcast I wrote about a couple of weeks ago. The blog is rather different to their podcast. You would never guess that it was the same thing. The long, in-depth podcasts are accompanied by very concise, brief, pithy blog posts.

Despite the difference in style, the blog is great for all the same reasons as the podcast. Priding itself on being a “journal of opinion”, forceful opinion is certainly what you get.

One problem is that you have to be registered to comment. This is okay, and understandable in an age where upwards of 95% of blog comments are spam. But I tried to register and never got my confirmation email, so I am locked out (well, not really, but I can’t be bothered going through the rigmarole of registering again). Okay, so it’s not the end of the world, but it is a bit off-putting.

As well as the blog, there is a forum which I hear is buzzing. But forums are not quite my thing.

Formula1.com

This is the big daddy — Bernie Ecclestone’s Formula 1 website. It has come on leaps and bounds in the past year.

The best bit is still the Live Timing facility. If you have access to a computer during a grand prix, having Live Timing open will keep you up to date, with access to pretty much all of the information you would want, updated in real time.

The news section is so-so, but this is more than made up for by the site’s other features. A particular joy is the technical section, which looks in detail at the developments each team makes throughout the season. There is also great information on each circuit, a fine image gallery, profiles on all the teams and drivers and — for the bravest among us — a good section on F1′s Byzantine rules.

Perhaps the strongest part of the website, though, is the database of past races results, stretching right back to 1950. An excellent, in-depth resource if you want to look up old race and Championship results.

However, this section suffers from a frustrating navigational quirk. Say I want to look up the past results of a driver. I can select the driver, say Kimi Räikkönen. Now I want to look at his results from 2002, so naturally I select 2002 from the drop-down menu. But this takes me straight to the Championship Table of 2002, not the results of Kimi Räikkönen. What a pain!

Little annoyances aside though, Formula1.com is better than you might expect. It is finally catching up with other motorsport series. Now FOM needs to move into offering video on the website urgently. An insipid, 30 second long ‘highlights’ clip (which inevitably focuses on the crashes rather than the racing) will not do. Bernie needs to offer more video content online in future. If he is going to take all the interesting videos off YouTube, he had better offer them on Formula1.com.

Fun F1

A fair attempt at an F1 humour website, although not the best.

GrandPrix.com

One of the best F1 news sites going. This website might not have the budget or the big-name status of, say, Autosport, but it undoubtedly has the contacts.

Often the stories are as much about rumours as they are about hard facts. But this is often to its advantage. I seem to remember that GrandPrix.com was the first website to announce that Kimi Räikkönen had signed for Ferrari. Some other websites laughed at the suggestion at the time, but GrandPrix.com was proved right.

It was also consistently ahead of the curve in the reporting of the Stepneygate scandal. You simply had to read GrandPrix.com to keep on top of the facts surrounding the issue. Remarkable reporting.

ING Renault F1 Team – Weblog

A fine companion to the Renault podcast. Once again it demonstrates that Renault are serious about reaching fans in ways that other teams don’t consider. The blog is properly done as well, not half-hearted and with a buzzing comments section.

The design is rather busy for my liking, but to be fair I am not the biggest fan of the content either (unlike the podcast, which is excellent). Nevertheless, this is a lesson to the other teams: this is how it should be done.

ITV Sport – F1

This season saw the ITV-F1 website turn from a reasonable, accessible guide to Formula 1 into a central cog of the Lewis Hamilton hype machine. No doubt it is good for raking in the advertising money, but it is awful for genuine F1 fans.

Nevertheless, there are some top features on the ITV-F1 website. For instance, there are regular columns from Peter Windsor and David Coulthard. And Ted Kravitz’s notebook is often worth a read.

Next year I expect nothing less than a Lewis stalking feature which will plot on a Google Map where Lewis Hamilton is at this precise moment in time.

Linksheaven

A reasonably good Formula 1 group blog.

Pitpass

A fine independent Formula 1 website. Like GrandPrix.com — a reliable news resource, although Pitpass has a much slicker design! I have to say though, it is rather annoying that you can’t copy any of the text if you want to quote it. I can’t think of any other websites that persist on using this user-unfriendly technique that treats normal users — even people like me who want to approvingly link back — as criminals.

I would also rather that the news feed did not contain stories about that awful tripe known as A1 Grand Prix. Yeah, that toytown motor racing series where drivers don’t win, nor do teams — but countries do. What a load of nationalistic gash!

Apart from that, the news reports are good. The opinion pieces are fine, but often come across as a bit curmudgeonly. And the endless predictions of the imminent death of Formula 1 do get tiresome after a while.

Sidepodcast

A great blog to accompany a great podcast! They have recently had a new lick of paint. That’s all I can say. A cracking read, just as much as the podcast is a cracking listen.

Sniff Petrol

The best attempt at a Formula 1 humour site. This site provides some much-needed light relief amid the turmoil and politics of an F1 season.

Highlights include Crazy Dave Coulthard (complete with entertaining descriptions of what Red Bull tastes like), D.I. Blundell’s latest report and the latest advice Michael Schumacher has given to his brother.

Times Online Formula One blog

Ed Gorman’s Formula 1 blog is easily the best of the MSM F1 blogs. I do hope it returns for the 2008 season. I imagine it will because apparently it has been very popular indeed.

I can vouch for that. I think I can thank the comments section of Ed Gorman’s blog for a few of this blog’s readers nowadays. It is still to this day one of my top referrers. Infact, it is the top referrer to this blog all year apart from Google Images UK. And this is all from the comments sections of two posts from October. Blimey.

One problem was that it came to be defined in terms of its (oddly) mostly Spanish readership clashing with Ed Gorman’s British perspective on events. Thankfully in the end the relationship appears to have become the more respectful, ‘agree to disagree’ type, rather than the antagonistic relationship it could have been.

I think that’s about it, mostly because I am losing the will to live. As are you, most likely. Er, any other suggestions, blah blah, etc.?

I hope the new colour scheme isn’t putting anybody off? I’ve not been blogging very much recently. Mostly cos I couldn’t be arsed. But yesterday I was away to see The Mighty Boosh in Edinburgh. It’s the first time I’ve gone outside for almost four years. Why don’t I do it more often?!

Howard Moon and his ugly girlfriend Anyway, the Boosh were pretty good. Hopefully I’m keeping spoilers to an absolute minimum here. If I were to have one criticism it would be that is felt like they were just trying to crowbar as many of their ‘greatest hits’ into one show as they could. Lots of the same old jokes and the same old scenes, only with a re-jigged plot.

Of course you have to expect them to use their popular material — I’m sure one particular person in the crowd (who the entire audience told to “shut the fuck up!”) would have been disappointed if Old Gregg didn’t make an appearance. But most of the time it just felt like they were always gearing up to tell a joke that we’ve already heard rather than coming up with genuine new funnies.

Still, it was very funny. I thought they wouldn’t really be that bothered to entertain because it’s the middle of the tour and are surely fed up and tired, but they seemed to be enjoying themselves on stage. Julian Barratt was right in there taking the piss out of audience members from the start, which laid my fears to rest. There were lots of good bits — Noel Fielding and Rich Fulcher having a spit-spat and the Hitcher’s soliloquy, complete with a dig at BBC Three’s scheduling, particularly stuck in my mind.

I keep on remembering lots of stuff, as you do with these things. Looking at The Mighty Boosh website, I see that they are making a DVD of the live show, which is fantastic news! You can watch it again and again, etcetera. I’m looking forward to it.