Several years ago I bought the domain name duncanstephen.co.uk. I have never really been sure what to do with it, but I have kept it up because, well, it’s my name. I have had holding pages up, but never anything of real note.
I have had a bit of time off work this month, but I hadn’t planned anything. So I decided once and for all to make a proper attempt at putting a good webpage up there. The result is this new design.
I used this as an opportunity to experiment with new techniques. This should look pretty good on both mobiles and desktops — though it’s reasonably straightforward here since there is not really much content to speak of. (I am working on making this blog a bit more mobile-friendly in due course.)
I found it fascinating working on this design. It reminded me of when I was first learning about web design a decade ago. For the first time in years, I truly pushed myself to learn new things, and I was hooked on trying to get it all working the way I wanted it to.
I am a big fan of their less-is-more approach. I have always loved minimalist design, and I have increasingly strived to create designs that are simple and clear. Hopefully I have achieved it here.
It should work fine in all major browsers, although I have noticed a few quirks in Opera Mini, as well as older versions of Internet Explorer. Please let me know if you spot anything unusual.
Confession time. I have always been a bit sceptical about the Le Mans 24 Hours.
There is nothing to doubt about its prestige, or the special challenge it presents. It clearly is one of the most important races on the planet.
But as a spectacle to watch on television, I have always been a bit wary. Could I be kept on the edge of my seat by a race where the gaps are ultimately measured in laps rather than seconds?
This year, for the first time, I have got access to Eurosport. So I decided to make a concerted effort to watch as much of the Le Mans 24 Hours as possible. For one night only, my sofa became my bed, and I dozed off with the race going on in the background.
I am mighty glad I did watch it. Because I discovered that Le Mans has it all and more.
All the initial indications were good. An intensely close battle between the Audis and Peugeots was promised. But disaster struck twice for Audi, with truly horrific crashes for Allan McNish and Mike Rockenfeller.
McNish’s crash was incredibly worrying. But the way the car teetered over the barrier before somehow opting to land back in the gravel trap, was truly frightening. I was concerned for all the photographers that were being showered in debris, and it can be considered luck that there wasn’t another 1955 Le Mans disaster.
Even scarier was Rockenfeller’s crash. It was difficult to make out anything in the darkness, but the mangled wreckage looked very little like an Audi R18 TDI. I feared the worst, and the Eurosport commentators revealed later in the race that they had as well. It was such a relief to hear that he managed to exit the car by himself and suffered only a cut arm.
These were two low points that punctuated a rollercoaster race. Once it was established that Rockenfeller was OK, I drifted off to sleep.
When I woke up at about 7am, I was astonished to see that — after around 18 hours of racing — the top three cars were all within two seconds of each other. I watched it while I could, but soon succumbed to the sleep monster for another couple of hours.
I awoke again to see my favourite of the Peugeots, the #7 driven by Anthony Davidson, Marc Gené and Alexander Wurz, had crashed off. The gaps had grown, and the fight was basically down between one Audi and one Peugeot, although there were a couple of other Peugeots a few laps down that could help out.
This tense battle, coupled with some hairy driving tactics from the Peugeots and an intriguing difference in strategy, ensured that the last few hours of the race were utterly gripping to watch. After 24 hours, the lead cars were separated by just 14 seconds. Incredible.
But it wasn’t just about the battle at the front. With 56 cars, there is no shortage of stories to tell. Plus, there is a variety in the designs of the cars and engines that simply does not exist in most other forms of motorsport.
It makes Formula 1 seem like toytown in comparison. All the F1 cars have practically identical 2.4 litre V8 engines. The spirit of innovation has been lost there in the drive to cut costs. But at Le Mans, it lives on strongly.
I also enjoyed seeing what the spirit of Le Mans is all about. The reactions of rival mechanics to the horrific Audi crashes. Victorious Audi chief Wolfgang Ullrich graciously congratulating his rivals from Peugeot immediately after the race. The deepest lows imaginable. Great joy at immense accomplishments. Sheer love of motorsport.
Watching Le Mans this year, it finally clicked with me. No longer do I just need to take people’s word for it that it is a special race. Now I feel it as well.
I recently received this print as a gift. It is a poster advertising the 5th Monaco Grand Prix, held in 1933. Doesn’t it look great?
A great deal has changed in the past 78 years. But this is unmistakably Monaco — the exit of the famous tunnel, with the harbour to the left and the hills to the right. It’s a great design that sums up Grand Prix motor racing beautifully, whether it’s 1933 or 2011.
Meanwhile, a fan-made set of posters for each of the grands prix of 2011 has taken the internet by storm. PJ Tierney’s Formula 1 2011 poster series is a brilliant exhibition of great design.
PJ Tierney set himself the challenge of producing a poster a day. The idea is to use Formula 1-based imagery to form the flag of each country hosting a grand prix in 2011.
It is a simple but brilliant concept, beautifully executed. The poster for the Japanese Grand Prix particularly impressed me. It is clean, bold and clever. This poster would look great on the wall, so it’s just as well you can buy them.
The use of the DIN typeface also links these posters in neatly with official Formula 1 branding. These are so good that they really ought to be the official posters. Bernie should get this guy on his books!
Compare it with the actual official posters, which are bland and utterly devoid of character. The example here is for the 2008 Chinese Grand Prix. (If you really want to, you can buy this poster for the knock-down price of 45p.) Mind you, it’s quite apt.
A near identical poster was produced for each grand prix of that season, and was used as promotional imagery on the website and elsewhere.
Deeply dull, these official posters are a brilliant example of how to turn the marvel of grand prix motor racing into something sanitised and watered-down.
Hi everyone, and welcome back to my blog! This is it — it’s official. This is a proper relaunch. And to prove it I have about a dozen posts already prepared, ready to be whipped out whenever I hit a dry patch.
I was actually hoping to launch it a few weeks earlier. But the process of redesigning the blog took much longer than I had anticipated. I must have had the original ideas for this design way back in September, and I have been working on it on and off ever since. Obviously it went on the back burner when I moved into my new flat, which took up a huge amount of my time between December and February.
Nonetheless, I expected that I would be able to put together the design quite quickly. One of my original intentions was to do it properly, with good accessibility, a mobile stylesheet, and some HTML5 and CSS3. I saw it as a good learning experience, and an opportunity to learn about the sort of code I will have to start using at work.
In the end, I have ended up having to basically re-learn how to develop a WordPress theme, due to major changes in versions 2.7 and 3.0. That was much harder than I anticipated, and it was only after borrowing a book from my colleague Gareth Saunders that I finally cracked it (sort of)!
It got to the stage where I have just had to work as quickly as possible to get the theme finished and ready for public display. As such, most of the fancy stuff I wanted to implement has not been started on, never mind finished. And the theme lacks the final polish. You will probably notice a few inconsistencies in the way some elements of the design work. I will be hoping to iron this all out in the coming weeks.
Content-wise, I anticipate that the blog will be quite different to what has been here before. But I knew that all along. That was part of the reason for my hiatus over the winter. But you will see what’s in store later on.
In the next few weeks there will be a few posts that would normally have appeared in either November or December. The normal sort of end-of-year stuff. For instance, I never got round to writing about the end of last year’s Formula 1 season (!), nor did I write a music roundup, which I have done every year since I started blogging way back in 2002.
Please let me know what you think of the design. As I say, I’m still working on it and am open to any suggestions.
Apologies for the lack of updates recently. I have been mad busy.
To compound matters, when I had a spare bit of time I decided to upgrade to WordPress 3.0. This broke comments on the blog. (My fault I guess — I have been meaning to update the code for comments for at least a year, but never got round to doing it.)
So for the time being I have put up a quick fix so that comments just about work. It just doesn’t work quite as nicely as I’d like.
On the plus side, this is forcing me to have a look at recoding / redesigning the blog, which I have been thinking of doing for a while now. I have a bit of extra spare time next week, so I may get it done then.
In the meantime, please excuse the slight flakiness. I will try to continue posting so keep your eyes peeled.
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