Archive: Brian Eno

In my previous post I wondered if Nick Clegg would do much to enthuse me. Well, in my view he’s got off to a good start.

He revealed on the radio that he doesn’t believe in God. What’s more, he seems to have a thoroughly sensible, tolerant approach to the whole religion issue.

What a refreshing thing to hear from a politician. It does often seem as though atheism or even agnosticism is one of the worst things a politician can be associated with among some circles. Tony Blair even seemed to think it was a liability to be the wrong type of Christian. C of E while PM, since resigning he has mysteriously become a Roman Catholic.

Paul Linford, for instance has said that Clegg’s non-belief is “certainly concerning for me as a Christian” (via Bob Piper). Never mind the millions of non-Christians in this country who have never seen a non-Christian PM! I wonder if he ever found Margaret Thatcher’s sex as concerning for him as a male.

In this supposedly tolerant society, I sometimes think we’d sooner see a three-legged Prime Minister than a non-church-goer — never mind a black or openly gay PM. I wonder how many leaders of the major parties historically have publicly stated that they don’t believe in God. I assume Nick Clegg must be among the first. Full credit to him for speaking the truth.

The second thing that has impressed me is the fact that he has enlisted Brian Eno to “reach out beyond the London beltway”. In particular, Eno is to advise the Lib Dems on how to appeal to young people.

This is good in two senses. Firstly, appealing to young people is good. One of the biggest crimes in the country today is to be a yoof, as you can see with the vilification of the hoodie, a convenient item of clothing.

Appealing to young people is a typical politician’s cliché. But this comes across to me as quite a serious attempt. Brian Eno is not some greasy pole-climbing politician looking to get good headlines in the Daily Mail.

The second sense in which is this good is… Brian Eno, man!

Brian Eno is 59, which has led some people to wonder if he is really the right person to appeal to youth. I’m 21, which is pretty young, although I guess I am not like most yoofs. But I think Brian Eno is great. The person who (as legend has it) invented ambient music has got to be awesome, right?

He has created some of the greatest pieces of music of the past thirty or forty years. A lot of young people respect this. I know I certainly do. Okay, there are various U2-related crimes, but that’s a tough gig. I mean, talk about polishing a turd!

Brian Eno should be respected for actually engaging his brain (one). He is the only pop musician I can think of who doesn’t just dribble out ignorance every time he opines about a topic other than music. In a world teeming with preening pricks like Bob Geldof and Bono, Brian Eno is a real breath of fresh air.

And, unlike Bob Geldof’s sojourn with the Conservatives (presumably David Cameron has some really nice biscuits and a good belly-rubbing technique), Eno’s association with the Lib Dems is principled. Remember Eno’s website from a couple of years back, Lib Dem This Time (rather broken-looking now)? Eno is also a long-standing supporter of electoral reform.

One other thing, and it’s related to what I said yesterday. It looks as though Nick Clegg has raised a few eyebrows by saying that he hasn’t heard of ‘Fairytale of New York’ and by citing a non-existent album (‘Changes’ by David Bowie) as his favourite.

It does seem a bit odd. But what if the poor guy just doesn’t like pop music? I have written before that I don’t understand why we expect politicians to know these things. Sure, most people keep tabs on pop music. But we are all different, and we all have different interests. Maybe Clegg’s “gaffes” are just down to the fact that he doesn’t waste time on trivia.

I’m glad I have ruled out becoming a politician in the future. If I did, I would no doubt be asked what my favourite film was. I’d have to answer, “I dunno, I don’t really watch films,” because I don’t really watch films. Then I’d be crucified by a media (and society?) that wants mine to be a mirror image of the median voter’s leisure tastes.

Some of this year’s best releases were actually re-releases, compilations or collections of some kind or another. If I had decided to include them in my main list, most of them would have made my top ten of the year. But there’s only so far you can stretch the concept of a ’2006 release’. So I’ve separated them out in their own little list. They are in no particular order, other than alphabetical, which is quite a particular order, but not a meaningful one.

NB. Where I have included audio clips, you have to press play every thirty seconds.

Battles — EP C/B EP

A collection of the band’s previous releases, EP C, B EP and the single Tras / Fantasy, this is the revelation of the year for me. I haven’t been as excited by the noises guitars can make in years. This is the album I hoped Tortoise would make following Standards. Battles are definitely a band to keep an eye on. Let’s hope they don’t mess it up with their first proper album. The promised autumn release date has come and gone, though the band’s MySpace blog says that a single will be out in February with an album coming in early spring. I can’t wait!

What I said about it at the time

Brian Eno + David Byrne — My Life in the Bush of Ghosts

This classic album was digitally remastered and re-released for its 25th anniversary. As an extra special treat, seven tracks that didn’t make the original were included (although ‘Qu’ran’ was removed). Two tracks were even available to download for people to remix under a Creative Commons license. So an old favourite given a very 21st century twist. The best thing about this album is the fact that — despite its heavy reliance on technology — it simply doesn’t sound twenty-five years old. Just incredible.

Broadcast — The Future Crayon

A fine collection of Broadcast’s B-sides here. Some of these are brilliant tracks. The fact that ‘Illumination’ was not included on an album was criminal. That is rectified here. ‘Unchanging Window / Chord Simple’ is also not to be missed! All-in-all, this is an essential album, even if (like me) you already had many of the tracks on previous EPs. And if you’ve always wondered what the fuss about Broadcast was, but never got round to investigating — well, there couldn’t be a better place to start.

Field Music — Write your own history

Another collection of B-sides here. Field Music only have the one album out, and they’re already getting the retrospectives out there. Ker-ching! I thought this album was a bit bland at first. Unlike Broadcast’s album, you could really tell that these songs were B-sides. Often there is a little something lacking. Having said that, this album, presented in chronological order, has grown on me a lot. A lot of it is dangerously close to ripping off The Beatles. But if you can get beyond that, this is a charming and sometimes surprising collection, just like their album. If you liked their first album then you should get this. If not, hold back.

Gescom — MiniDisc

“Groundbreaking” is a word that’s spread around rather liberally. But Gescom’s MiniDisc possibly deserves the tag. It was said to be — by none other than Sony’s MD — the world’s first ever MiniDisc-only release, way back in 1998. It seems to have been an attempt both to take advantage of and thwart the various pros and cons of the MiniDisc format. In particular, MiniDisc’s seamless shuffling was utilised, allowing listeners to shuffle and loop the MiniDisc’s eighty-eight short tracks to their heart’s content — without having to endure those painful gaps you get with CD players.

Of course, the MiniDisc format is pretty much obsolete now, so MiniDisc has been re-released on CD. Not that it matters too much, as iTunes 7 can do the whole gapless shuffle thing anyway. As for the music itself, people’s general reaction is usually mixed. But I think there are a lot of really great tracks on this. Gescom probably works best as a way for Autechre to let their hair down, and they certainly do that here (I know one person who particularly loves the fact that one of the tracks is called ‘Helix Shatterproof’). I particularly like ‘Polarized Beam Splitter’, ‘Pricks’ and ‘Le Shark’.

John Cage — Sonatas and Interludes for Prepared Piano (Maro Ajemian)

This is a re-release of the first recording, made over fifty years ago, of John Cage’s incredible Sonatas and Interludes. It is interesting, but nothing more. Infact, some parts of it are painful to listen to — not because of John Cage’s wizardry, but because the recording is so poor. Could they not have remastered it or something? Save yourself a few quid and just buy the Naxos version.

Steve Reich — Phases: A Nonesuch Retrospective

In celebration of the hugely influential composer’s seventieth birthday, Nonesuch have put together a huge five CD box set of Steve Reich music. And some of his best work is all here — ‘Music for 18 Musicians’, ‘Different Trains’, ‘New York Couterpoint’, ‘Electric Counterpoint’, ‘Triple Quartet’, ‘Drumming’. All jaw-droppingly amazing. There are a few mediocre pieces though. How many times can he get away with re-hashing ‘Music for 18 Musicians’?

The set also misses out the literally pathfinding ‘It’s Gonna Rain’. Still, you can’t complain. I got my hands on this for eighteen quid, which is not much more than what I paid for ‘Music for 18 Musicians’ alone, and the same as what I originally paid for ‘Drumming’. The great value is the best thing about this set. And there couldn’t be a better place to start your Steve Reich collection.

Tortoise — A Lazarus Taxon

Tortoise certainly have plenty of great tracks hidden away in the dustier corners of their catalogue, and it was about time some of these tracks got a good airing. There are many highlights such as ‘Gamera’, ‘A Grape Dope’ and ‘Waihopai’. There are also a few fairly boring tracks. This album is unusual in that I have actually become less fond of it over time. Still, I am grateful that this set of three CDs and one DVD was released. What a treat for Tortoise fans. Let’s hope that their next proper album isn’t as duff as It’s All Around You!

What I said about it at the time

My top ten proper albums of new music of the year will appear next week!

Buddha Machine I first heard about the Buddha Machine from this post at Boing Boing. It certainly grabbed my attention, but at the time it was not so easy to get hold of. Then Boomkat began to sell them and their article was a highly interesting read, and I decided to get one.

If you’ve not heard of the Buddha Machine before, I’ll try and explain. It’s by a duo of experimental electronic musicians based in Beijing called FM3. The Buddha Machine is a music release of theirs — with a difference. In this age of the record industry collectively shitting itself about the internet, downloads and DRM and music fans wondering if the days of vinyl and CD are numbered in the face of more clinical MP3s, FM3 have taken the radical solution. This is not released as a shiny all-modern download, and it certainly is not a CD or a record. That is because the Buddha Machine simply would not work if it wasn’t inside this distinctive plastic box.

Inside the box are nine ambient pieces looping around for infinity. Switching it on is magical. You are greeted by a pleasant hum; the sort that you really wouldn’t mind hearing forever. You could leave this on all day and you wouldn’t be fed up with it. Like the best ambient music, it is very interesting to listen to but you could just as easily ignore it.

Buddha Machine packaging It comes housed in a nondescript cardboard box littered with bewildering Chinese notes. The only clue to the contents come courtesy of a sticker that’s been slapped on: “fm3 buddha machine”. Open the box and pull out the Buddha Machine — it looks like a cheap and crude piece of junk. But switch it on and you cannot help but be won over by the sheer beauty of the sounds it is making.

It has certainly caught the attention of many people. Often when you search Google for something you just get rubbish. But search for Buddha Machine and you find loads of interesting articles (even Pitchfork wrote quite a good article). Almost all of them also mention the fact that Brian Eno bought half a dozen as soon as he saw it. I’m not going to buck the trend, obviously.

Once you’re past the first impressions and the Brian Eno factor, there are two quite common things that people say about the Buddha Machine. Firstly, it is like an AM radio. That’s what my mother said when she saw me with it. The in-built speaker certainly gives that impression. The poor quality of the speaker makes it seem like the sort of tacky, junky, rip-off radio you might get for collective twelve Weetabix tokens. If you use headphones the quality of the sound is actually pretty good. But when the cheap speaker is combined with the sweet sounds being emitted from the Buddha Machine, it only adds to its charm, characteristically crackling away as though it’s humming along with the music.

Buddha Machine speaks Secondly, it is an anti-iPod. Well it certainly looks like it could have been a crude prototype of the iPod. It’s a similar idea — a little box plays music, plug in some headphones and slip it into your pocket. And I have used the Buddha Machine on journeys to replace my MP3 player.

The circular speaker also looks like it could almost be a cheeky nod to the iPod’s navigation wheel, acknowledging the similarity of the two boxes. It also comes in a range of different colours like the iPod Mini. They are shipped at random, so it adds a little bit of the kid-at-Christmas factor as you don’t know which colour you’re going to get. All I can say is I’m glad I got the blue one and not that disgusting earwaxy orange one!

Despite the obvious similarities between the Buddha Machine and the iPod, though, I think a more apt analogy would be something like a Tamagotchi. The iPod is a completely soulless machine. The only point of it (unless you’re shallow and using it as a fashion accessory) is to enable you to listen to music. The iPod is a cold middleman. It’s not your friend. You only want the music. With the Buddha Machine on the other hand, you turn it on specifically because you want the Buddha Machine. It’s not middleman; it is its purpose.

It’s a bit like a plant. At one point I forgot I owned it, and when I looked at it I felt myself smile. That’s the sort of function it serves. You can have it sitting there gently warbling away in the corner of your room — I’ve seen a few people compare it to an art installation. It has accompanied me when I’ve been having a rest, when I have been having a bath and even when I have been watching television. I bet it would be pretty good to study to as well (although I haven’t tried that yet… oops!). And if you’re bored of the loop (which you probably won’t be) or if it simply doesn’t match your mood, just flick the switch on the side of the box and it will play a different loop out of the nine housed inside. I love this unique little box.

But there is a danger. It could just be like a lava lamp or a fibre optic lamp — fascinating for about half a week, then forgotten about and stored away in the attic for the rest of eternity. Or it could be one of these passing fads — Pogs for ambient music fans. But the idea of the Buddha Machine is showing signs of maturing with the emergence of Buddha Boxing (scroll about two thirds of the way down). This little Flash thingy seems pretty close to the idea. What would be really cool is if a future Buddha Machine could emit generative music.

Meanwhile, my mother just didn’t understand it. She saw that it was like an iPod, but with the music already inside it — “What if you don’t like the music?”, she said. I think the best way to think about this is like a regular album (it’s the same price as an album) with a difference.

If you’re swithering and need convincing, have a listen to the mix that FM3 made for Boomkat (look in the sidebar on the left). The music in the mix (particularly ‘Zheng’ / track 2) got stuck in my head and I knew I had to buy the Buddha Machine.

Some other smart articles on the Buddha Machine

  • Scotland on Sunday
  • Almost Cool:

    Even if I play my iPod at loud volumes, other sounds inevitably seep into what I’m listening to, and depending on the degree to which they intrude upon my listening, I tend to find myself somewhat annoyed (which isn’t really a good thing in either starting or finishing the workday). As an experiment, I instead listened to The Buddha Machine several days while commuting and the difference in how I perceived outside noise was quite different. Instead of being annoyed, I found my brain slightly focusing on the loops themselves, but also listening to how the sounds of the outside environment filtered in over and alongside them.

  • PopMatters:

    At its heart… the Buddha Machine is actually a counterargument to the onset of the downloading age. For one, the entire point of the release is to have the little box. Sure, you could theoretically download each of the drones (which are actually available in mp3 form on FM3′s website), push “repeat” in your media player of choice, and have something close to the original effect, but you lose much of the aura of the work that way — evaluating these drones purely on the basis of their musical merit is entirely different than evaluating them as an aspect of an odd little artifact.

  • zang.org — when your mobile rings apparently it goes haywire and sounds more like Autechre than Eno!

British rock musicians Brian Eno and Peter Gabriel have been unveiled as key members of the team behind the 2006 World Cup’s opening gala in Berlin.” (Via)

Look who’s voting Lib Dem This Time — it’s none other than genius musician Brian Eno!

I could hardly agree more with the first few paragraphs of Eno’s open letter. Pay attention especially to the section headed ‘The Riddle’. This tackles something that has pissed me off recently as well.

Forget Backing Blair — this is going in my sidebar.

I'm voting Lib Dem this time

Via The Liberal Dissenter.