Archive: branding

It has just about the simplest and least imaginative channel name possible. But over the years the people behind Channel 5 have still managed to regularly get themselves ito a bit of a tizzy over what their channel is actually called.

So for years, the powers that be insisted that you should just call it Five. Or better still, five, without a capital letter. It was never ‘Channel Five’, and it was definitely not ‘Channel 5′.

You see, ‘Channel 5′ was associated with trashy TV movies and the notorious “three Fs” (films, football and fucking). This image worked in the pre-digital era of the first few years of the channel’s life.

But with 101 trashier other sides available to anyone with a posh new digital telly, Channel 5 had to go upmarket. Which meant spelling out the number 5 in full. But without a capital letter. Or the word ‘channel’ in front of it.

This was despite the fact that it was impossible to seriously talk about it this way. Saying to someone that you “saw a really good programme on five” would leave them staring at you in confusion — and not just because Channel 5 has no good programmes.

Still, I guess everyone just about got used to it after about nine years. That must be why new owner Richard Desmond has decided that it is better just to call it ‘Channel 5′ after all.

The branding brouhaha extends also to Channel 5′s digital channels. Even the relatively simple ‘Five US’ has been changed in the past to become ‘Five USA’. Now it is, of course, ‘5USA’.

Another week, another rebranding

5* logo

I noticed today that its other digital channels has changed its name yet again. It was originally launched in 2006 as Five Life. I guess that would be an all right name, if it wasn’t for the fact that it was extremely similar to the name of a certain high-profile BBC radio station. Whoops.

(Incidentally, BBC Radio 5 live is another station that would like you not to use a capital letter. The ‘l’ in the word ‘live’ is supposed to be lowercase. No matter that this looks really awkward wherever it is written.)

After a couple of years, Five Life became Fiver. It’s not clear why. It’s like a £1 note, but for the noughties! Perhaps £5 was the channel’s original programming budget.

Now it is called 5*, which is a bit awkward. The logo styles it as a nice five-pointed star, but in text materials an asterisk is used instead. Presumably you’re supposed to pronounce it “five star”, but it could as easily be “five pow” — I don’t know, and I am not prepared to watch for long enough to find out.

What does the asterisk signify? That this is just a temporary name and it might change again? Or is 5* a five letter swear word that you are provoked into uttering if you have to actually watch that garbage?

I saw that eyebrows were raised today when it was announced that BSkyB was going to close Channel One, just a month after relaunching it, and two months after buying it. I guess the half-hearted attempt at removing the Virgin branding from the channel formerly known as Virgin 1 should have been a kind of warning sign.

Channel One logoI mean, Channel One must be the rubbishest name for a television channel you could come up with. It is difficult to imagine a less creative option. Channel One would maybe be the perfect name for a channel when there were, say, two channels.

But in a world with BBC One, ITV1, Sky1 and Goodness Knows What Else One, it’s not very strong. I mean, surely they could have at least called it Zavvi.

(Sorry. You know I never miss an opportunity to deploy that joke.)

Capital FM logoI was also interested to see that Global Radio have decided to create something resembling a national commercial radio station. But I can’t help but wonder about the name they have chosen for it: Capital.

I see a slight problem with this. Now I might be wrong, but if there is one thing that brand says to me, it is London. So it seems a bit of an odd choice for the new UK-wide brand.

Global owns a number of brands including Heart, Xfm and Galaxy. None of these are so strongly associated with one geographical area. Even though they might not all fit in with the kind of station that Global plan on creating, surely Galaxy would have been the better option.

The explanation — “We are the capital of hit music” — is not very convincing. I think everyone knows that Capital is called Capital because it was originally a local station in London.

It’s all very interesting to consider this in the context of the future of local radio. Global are probably among the worst culprits playing a role in the slow erosion of local radio content. Now it seems as though they don’t think even pretending that their stations are local is the way to go. That is fair enough; it is their prerogative.

But I am still baffled as to why they have chosen to make their new station sound like a local London radio station being rebroadcast across the UK, rather than a UK-wide station that happens to be based in London. Bizarre.

I’ve been thinking about getting involved in podcasting for a while now. So when I saw a favourite blogger of mine asking for contributors to a new podcast he was setting up, I thought it was the ideal opportunity to dip my toe in the water.

The podcast is the idea of James O’Malley, a fine chap with a jolly good blog. His thinking is to have a number of contributors chipping in to a weekly podcast which will be around 15–20 minutes long. The podcast will be along the lefty / liberal / atheist / skeptical / rationalist lines. Read James O’Malley’s explanation for more.

What was missing was a name for the podcast. A bit difficult to come up with a name for something that only exists in your brain. But with the vague template in mind, I set to work, along with the other contributors, to think of a suitable name.

Suddenly, it came to me. After I had been lying in bed literally unable to sleep for hours, it suddenly came to me: The Pod Delusion. Yes, I know. I’m a genius. Not quite a living legend like James O’Malley though. Nonetheless, the fact that I came up with the excellent name means that The Pod Delusion is definitely my podcast. The fact that I put no effort whatsoever into creating it, producing it or commissioning pieces for it is frankly neither here nor there.

Anyway, I am quite excited about The Pod Delusion. With the stellar line-up of contributors, it seems like it’s going to be ace. If everything goes to plan and this week’s pilot goes down well, you can expect a new episode every Friday. My plan is to publish all transcripts of my contributions, or an accompanying article, on this website as and when each podcast is published.

Here is the first episode of The Pod Delusion. I have just listened to it myself. Since it’s the first ever attempt, it is a tad ramshackular, but that will get better over time. All-in-all, I think it’s a fine listen.

Hopefully sometime soon it will be available over iTunes too. You can follow @poddelusion on Twitter.

My first little piece for The Pod Delusion is about product placement. When I first set about doing it, my intention was to try and make it serious. I had actually been planning to write here about the product placement hoo-ha, but then decided I could kill two birds with one stone by making it my Pod Delusion contribution too.

Unfortunately, I got a little bit carried away with the fact that I was working in an exciting new audio medium. I inserted a few audio jokes which won’t work in writing. From then on, the whole thing became just a collection of bad jokes about product placement, strung together by the flimsiest of wafer-thin serious points.

So, bearing that in mind, here is my contribution to this week’s Pod Delusion.


It was announced last week by Culture Secretary Ben Bradshaw that product placement will soon be allowed on commercial channels. I suppose there was an inevitability in this. After all, commercial broadcasters finding it harder to sustain themselves through traditional advertising in a multichannel world. Plus, we are living in an era where so many people use PVRs to fast-forward through the adverts anyway.

There has to be some way to fund commercial television. After all, what would we do without ITV? Okay, that’s a bad example. But what would we do without Channel Five? Well okay, but you get my point.

Many worry about the effects that product placement will have on the viewing experience. With product placement, there will be a question mark over the purity of the programmes we watch. Will our programmes be peppered with subliminal advertising that attempt to brainwash us into changing the brand of soap powder that we use?

I’m not so sure that will be such an issue. After all, we are well used to product placements in major films. Television programmes from other countries are filled with product placements already. I am sure that most people are savvy enough to tell what’s going on.

For instance, it can be disconcerting to watch an episode on Neighbours when one of the characters decides to open the fridge. Inexplicably, the fridge is filled from wall to wall with nothing but cans of Sprite! That is obviously a nonsensical scenario. It would have been far more realistic if the fridge was filled from wall to wall with cans of tasty Dr Pepper — “what’s the worst that can happen?”

The odd thing about imported programmes is that due to the stricter laws in the UK, our broadcasters have to blur such product placements out. But this only brings attention to the fact that there is an alien blob floating around on the screen.

Focusing on the blobs on American Idol, for instance, you can clearly see that the judges have large cups on their desk. These cups are predominantly red but with a distinctive white swirl that can only be associated with Coke. Mmm… fresh, ice cold Coke.

The new product placement rules do not affect the BBC. But it would be interesting to consider what it might be like if one day the rules were relaxed for the BBC too. After all, is there anything more ridiculous than the slightly awkward attempts to avoid using brand names during makes on Blue Peter? Referring to “sticky back plastic” may be quaint and traditional, but it is also distracting and sets off a klaxon in your brain that sounds something like: “SELLOTAPE! SELLOTAPE!

I once saw a Blue Peter make where you had to use a “crisp tube”. What on earth is a crisp tube? Crisps come in packets don’t they? What they were talking about was a pack of Pringles. Given that Pringles are the only make of crisps to be sold in that style of tub, you can more or less guarantee that sales of Pringles went through the roof anyway — all because of the BBC’s massive abuse of power.

Well I think I have said all there is to say about product placement. I think what I will do now is take off my Specsavers glasses and shut down my Asus Eee PC. Then I think I will listen to my Apple iPod, while eating a fresh sandwich from Subway.

Or perhaps I will just go for a piss in my Armitage Shanks toilet.

We have all accidentally visited the wrong website at some point. Recently I was talking about my blog to someone. They went to visit it, but instead of typing in this blog’s address, doctorvee.co.uk, they made the mistake of visiting this website. It is owned by a certain “Mr DeeJay Doctor V€€”.

When I first bought the domain name for this blog, I considered buying the .com address. But I decided it was too expensive. I preferred doctorvee.net, but that was just as expensive as a .com address. In the end, a .co.uk address gives me a half-decent domain name for a pretty cheap price.

A while back I saw that someone had bought doctorvee.com. Perhaps egotistically, I suspected they had bought it in order to sell it to me for a sky-high price. Turns out it was this DJ bloke. I doubt anyone actually confuses me with him, but it was slightly disconcerting when I discovered that someone was using “my” moniker.

This is a pitfall of modern communications. There are far too many top-level domains floating about the place. I could have hoovered up .com, .net and whatever else. But there doesn’t seem to be much point when just buying a .co.uk does the job for a cheap price.

I’ve just got to come to terms with the fact that I’m not the only doctorvee in the world. On some popular websites — notably Skype, eBay and YouTube — the username ‘doctorvee’ had been taken before I got round to it. I originally stuck with ‘doctorvee’ as a result of a frantic search for an email address that wasn’t being used by anyone else. Of course, all the sensible ones had been taken.

Now that ‘doctorvee’ is, as it were, my brand, I sometimes feel the need to sign up to any web service that is invented just so that I can have doctorvee, just in case I need to use it. I bought duncanstephen.co.uk just so that I could have it. I’ve had it for over two years now, and only recently have I found something vaguely useful to do with it (basically I use it as a place to beg people to give me something resembling a job).

Recently I had to visit the websites of all the local councils in Scotland. In most cases it’s easy enough. Just Google the area and most of the time the first result will be what you’re looking for.

Not always though. There were a couple of near misses. For instance, searches for both Orkney and Shetland took me to tourism websites for those areas. I suppose that is understandable enough. More people are probably interested in tourist information than local government information for those areas. Even so, the council websites were not so far down the page on Google.

Try finding the website for the local authority in the Outer Hebrides though. Before reading on, try it. As I write, a Google search for ‘Outer Hebrides’ will not help you find it. I gave up after the fifth page.

It is a bit of an anomaly. For local government purposes, the group of islands is officially known as Na h-Eileanan Siar, but good luck finding someone south-west of Mallaig who actually calls it that. The official name change only came into effect from 1997.

The area is also well-known as the Western Isles, and funnily while Googling ‘Outer Hebrides’ will get you nowhere, ‘Western Isles’ will do the job no problem without you having to resort to typing in Gaelic.

The domain name is cne-siar.gov.uk. CNE-Siar being short for ‘Comhairle nan Eilean Siar’. But despite having a Gaelic web address, you are presented with a home page written in English, with little Gaelic to be seen.

Indeed, as far as I can tell, the amount of Gaelic content on the entire website is completely dwarfed by the amount of content in English. Even in the Gaelic homepage, almost all of the navigational links are in English, and to pages written in English.

I am sure that residents of the Outer Hebrides are all very aware of the name of their local authority. So in that sense you might wonder why it’s an issue. But what about people who don’t live there and don’t have the modicum of Gaelic required to remember the website address? The blurb on the home page is clearly aimed at the potential visitor to the Outer Hebrides, but thanks to its web address it can’t reach out to them as well as it might.

The name change happened in 1997. I wonder if today the name change would be less likely to happen because of SEO concerns, even with all the attempts to keep Gaelic alive.

The case of a language barrier is almost understandable though. I still struggle to understand why Clackmannanshire Council did not decide on an address such as clackmannanshire.gov.uk or even clacks.gov.uk. Instead, it is clacksweb.org.uk. It’s not even a .gov.uk address. What’s that all about?!

Once I phoned Fife Council and the guy on the other end told me to go to fifedirect.com to find all the information I needed. Aside from the dreadful customer service (what if I didn’t have easy access to the internet? Might that have been why I was phoning?), it was just plain wrong. fifedirect.com is occupied by a squatter. Perhaps he meant fifedirect.gov.uk.

It would be wrong to imagine this is a problem affecting government only. In the mid- to late-1990s, when many businesses were taking their first tentative steps onto the web, marketing departments ran amok, getting in the way of common sense. Instead of publicising a simple web address like [brand-name].com, web addresses were sometimes centred on the contemporary marketing campaign.

For instance, Boots spent years trying to encourage people to visit wellbeing.com. How are any customers supposed to remember that? Today, it redirects to boots.com. Much better.

To this day, B&Q’s web address is diy.com. I’m sure they’re very proud of the fact that they own diy.com, but does it not dilute the brand? Absurdly, B&Q’s website does not even mention the term ‘DIY’, except in reference to ‘diy.com’. Sensibly, bandq.co.uk redirects to diy.com, but bandq.com takes you nowhere.

All-in-all, what a minefield. There can be few things more important when setting up the website than getting a decent address for it. But it is surprisingly common for a decent website to be let down by a bad web address.

Regular readers will know that until January this year I worked for Woolworths — I wrote about my experiences. Since then I have taken an interest in the future direction of the brand, which was sold last month to Shop Direct.

The new, online-only version of Woolworths is not set to launch until this summer. However, it has already established a strong online presence, effectively utilising social media tools. What strikes me about this activity is that I cannot imagine the old Woolworths doing this — certainly not with as much success.

For the time being, woolworths.co.uk redirects to The Woolies Blog. This new blog is largely used to ask readers what they’d like to see from the new Woolworths, and keeps people updated on all their future plans. A common theme seems to be how the new online-only store is going to make pic n mix work, and I’m certainly interested to see how they crack that one.

There are also a good deal of nostalgic reflections on the old version of Woolworths. The sidebar contains links to classic Woolworths adverts (though disappointingly all but one of them are from 2006 or later). Readers have been asked what items from their Woolies memories they would bring back. The blog also covered the story of the last ever bag of pic n mix which sold for £14,500 on eBay.

Generally there is just a warm and fuzzy feeling to the Woolworths blog. You can see this most in the description of their team. All the teams even have their own cute little icon to represent them. Clearly a lot of thought has gone into little things like this.

It probably signposts the way the Woolworths brand will be developed by its new owners. A year ago Woolworths was stale and perhaps even tacky. Over Christmas the brand was tarnished. Today Woolies already feels more personable and friendly.

Woolworths on Twitter Woolworths now also has a Twitter stream, and they are doing a really good job with it. It is done with a good sense of humour. I do hope they get that kettle and fire extinguisher for their portacabin.

They are also using Twitter to ask followers about the five things from the past of Woolworths that they’d like to see back, with the hashtag #woolies5. (I’m working on my top five, but I’m struggling to get beyond the payslip.)

There has also been a hint that there will be an e-museum. I liked the online museum that was part of the old Woolworths website. I doubt that Shop Direct will have access to all of the old material, but I do look forward to seeing how they will recognise the heritage of the brand, which they clearly have a lot of respect for.

I can’t imagine the old Woolworths being able to embrace Twitter and blogging and getting it the way Shop Direct have. The only sign of a sense of humour in the old Woolworths was some cheesy dialogue between Wooly and Worth.

All-in-all, Shop Direct’s approach to relaunching Woolworths is a great demonstration of how a business can use social media to build a relationship with its customers and to refine its offering. Their Twitter stream is an example that corporate use of Twitter doesn’t have to be annoying. It goes some way to disproving this website.

(Hat tip to Chris Applegate via whom I discovered the Woolworths Twitter stream.)