It’s no secret that the Scottish media is going through a particularly tough time at the moment. In a sense, the past decade or so can probably be described as one long tough time. Job cuts have been piled upon job cuts. With sales plummeting, advertising revenues shrinking and the uncertain world of new media, the credit crunch is simply the icing on the cake.

Just yesterday it was announced that seventy jobs at Trinity Mirror will go once production of the Daily Record and the Sunday Mail merges into a single operation. That amounts to a quarter of editorial staff.

The state of the Scottish press was one of the subjects discussed on Newsnight Scotland yesterday (from 18:07). BBC Scotland’s business and economy editor Douglas Fraser (himself a former Herald journalist) noted that when The Herald and the Sunday Herald did something similar, more people requested redundancy than the Herald Group was actually looking for. On his blog he wrote:

It doesn’t say much about working at those heavier titles to find management has even more voluntary redundancies than they had wanted.

It’s worth remembering also that last year staff at those newspapers held strikes in protest at cuts. But it might not be just the Herald group of newspapers which has become a more difficult place to work. Costs at all newspapers are constantly being cut, but the newspapers are churning out just as much content as before. If anything, they are producing more content as a result of the 24 hour news cycle, and the need to keep websites constantly updated.

Today I have received an email informing me that North Lanarkshire Council has (presumably accidentally) published details of shortlisted candidates for the role of Head of Corporate Communications and Marketing. The job went to Stephen Penman, who used to be deputy editor of the Sunday Herald.

I am reluctant to elaborate too far further in case it annoys any of the people concerned. But the list has been published publicly, albeit without forenames, so you may be able to join the dots. My informant seems certain that the list contains a number of big names from various newspapers and public affairs firms.

No doubt the job of Head of Communications at a local council tends to attract candidates with a background in journalism and public affairs. But the calibre of these applicants is quite striking. There is an Associate Editor for the Scottish version of a major UK-wide newspaper; Group Content Editor for a major Scottish newspaper group; possibly Group Political Editor for a national newspaper group and a columnist for a Scottish newspaper. There is also at least one person, and maybe two, who currently work for private sector public affairs / PR companies.

Whatever you make of it, it has spurred someone to email me. He says: “Considering these names there is a rush to get out of the dead tree press and the private sector and into the safe harbour of the public sector.”

It’s pretty clear that the Scottish press is in turmoil just now. With devolution, there is more politics going on than there used to be, and it is the media’s job to keep on top of it. But ever since devolution, Scottish papers have increasingly struggled to make ends meet in the face of the internet revolution. The government is stronger, but the media is weaker — and that’s a dangerous situation to be in.

It seems likely that this town ain’t big enough for both The Scotsman and The Herald. Many see it as a foregone conclusion that both papers will be dead before long unless something radical is done. Recently Stewart Kirkpatrick, former editor of Scotsman.com, wrote a blog post on what such radical action may look like.

With the latest news coming from Trinity Mirror, it looks as though Scotland’s main tabloid newspaper will similarly struggle. It seems as though even in the best case scenario for the Scottish media, a lot more jobs are going to go and the Scottish press is going to be a lot weaker.

Today the BBC has announced further details of its F1 coverage, which will start in just a month’s time. We already knew who would be presenting the BBC’s F1 coverage, but today we have found out more about just what the BBC will be offering the viewers this season.

Television coverage

The BBC have released full details of the television schedule for the whole season. All of the races and qualifying sessions will be broadcast on BBC One, with the exception of Brazilian qualifying which will be broadcast on BBC Two (as it will clash with Final Score). Races at unsociable hours will be repeated in full later in the day, just as ITV did.

Highlights

What is interesting is that the hour long highlights package will be broadcast on BBC Three. But it will be much earlier than ITV’s offering. While ITV begrudgingly broadcast their highlights as late on Sunday night as they could possibly get away with, the BBC promise to broadcast highlights at 1900 on the day of the race, with the exception of Brazil of course when it will be broadcast at 2300.

Practice sessions

In addition, all practice sessions will be covered on BBC Red Button. This is fantastic news. In 2008 ITV provided live coverage of Friday Practice — but not Saturday Practice. Moreover, ITV only showed it on the internet, meaning that it was a poor quality offering. The BBC will now give fans the opportunity to watch practice sessions at television-standard quality for the first time in the UK.

Red Button

There will also be a number of interactive offerings. On race day, viewers will have a choice of three streams:

• The FOM World Feed (what we’re used to getting), with the option to choose between BBC One or Radio 5 Live commentary.
• Rolling highlights
• A split-screen offering, with the FOM World Feed, on-board action and a leaderboard (the FIA timing screens?)

After the race has finished, there will be an hour-long interactive analysis programme with Jake Humphrey, David Coulthard and Eddie Jordan.

Internet

All sessions will be broadcast over the internet on the BBC’s website. Users will have the ability to choose from a number of different streams — everything that you can get on television, and perhaps more? Moreover, at least one feed will be offered in “extra-high quality”, which the BBC say will be “near-televisual quality video”. There will also be live text coverage, and visitors will be offered the opportunity to vote and discuss the big talking points of the race.

All coverage will be available to watch again on the BBC iPlayer. Users will be able to download videos within 7 days of broadcast, though downloads will self-destruct in a plume of smoke after 30 days.

Website

The BBC are promising that a much-needed relaunch of their F1 website will take place before the season begins. We are promised blogs from Jonathan Legard, Andrew Benson and Jake Humphrey as well as one from an “F1 mole” (hmm, that rings a bell…). Murray Walker’s video review of each race has already been well publicised, but we are now also promised videos and text columns from Martin Brundle and Mark Webber.

If the BBC get this right, it could turn out to be one of the very best F1 websites around. It sounds very promising.

Radio coverage

There is a separate press release concerning radio coverage. It had already been confirmed than Anthony Davidson will be the co-commentator on Radio 5 Live, alongside David Croft. This is mixed news for a number of reasons.

First of all, it should be pointed out that the BBC has pulled off a major coup by signing Anthony Davidson for the entire season. The driver still clings on to hopes that he will get a race drive. But with empty seats in short supply, it looks like Davidson has chosen to develop his career as a commentator.

Davidson has had a few stints as a commentator, on ITV as well as on BBC Radio. He is very good at the job in my opinion. He seems almost as natural behind the mic as Martin Brundle. He effortlessly explains to the listener what a driver is going through, and his technical knowledge of the current cars will almost certainly be second to none among commentators throughout the world.

Sadly, this means that Maurice Hamilton will no longer be a regular commentator on Radio 5 Live. This is unfortunate as I enjoy listening to his comments and opinions. I am sure we haven’t heard the last of him though. I hope he stays involved with some of the podcasts he has worked on in the past — particularly The Inside Line, which I have praised a number of times here.

Otherwise, though, the Radio 5 Live team remains the same. David Croft is perhaps not the best commentator around, but he is a likeable presence with a great enthusiasm for the sport. I’m particularly looking forward this year to watching practice sessions on BBC Red Button, where the commentary will be provided by the Radio 5 Live team. Practice has always been an enjoyable listen, in a Test Match Special sort of way.

There is also good news on Radio 5 Live’s Friday night preview show, 5 Live Formula One. Martin Brundle and David Coulthard will make regular appearances discussing the latest issues in F1. I can’t wait to hear what the pair will come up with. Both are colourful analysts of the sport, and they have worked with each other for many years, so the chemistry will no doubt be super.

What’s missing?

Rumours on message boards had suggested that there may be the option to watch highlights of each Grand Prix all day after the race. But there is no mention of that in the press release.

It looks as though there will be no HD coverage after all. This is a major disappointment. The BBC have hinted in the past that they would jump at the chance to broadcast F1 in HD, so this looks like it’s Bernie’s doing.

And where is the information on the support races? This is what I was most looking forward to learning about today, but looking at the BBC’s press release you wouldn’t know they even existed. I would be gutted if GP2 didn’t end up on terrestrial television, after the races were shown live on ITV4 last year. I am hoping that red button coverage will be announced at a later date.

At work, we are given a choice between working on Boxing Day or working on the 2 January. I have always opted to take 2 January off, even though I tend not to drink much on Hogmanay — certainly not enough for me still to be hungover two days later. Sure enough, this year I have no plans to see in the new year with a bang.

(Even if I did, I probably wouldn’t be able to attend, as I’ve been hit by some winter disease that has taken it right out of me. Yesterday I was sent home from work, and when I got home I went straight to bed and accidentally fell asleep. This was at around 16:30. I stayed asleep more or less right through until 08:30 this morning. I feel better today, but still in no form to celebrate properly.)

Nonetheless, it feels right to work on Boxing Day rather than 2 January, even though I couldn’t articulate a reason why. I don’t know if this is some kind of subconscious Scottish patriotism, the day being recognised as a holiday in few other countries. Maybe it’s just because it’s later, and I want to save it up to enjoy (time discounting wouldn’t be much of a factor, as I filled in the form months ago). Or maybe it just indicates a preference for New Year as a holiday over Christmas.

It has to be said, Hogmanay is pretty naff. To be frank, we could do without the twee BBC Scotland fiddle-me-dee extravaganza. Only an Excuse? ceased to be funny about a decade ago, and lost all relevance to me as I lost interest in football. The other side is not much better, as if the BBC thought that making us suffer most Fridays of the year with Jools Holland on the box wasn’t enough.

But there is still something special about Hogmanay. I think it stems from my memories of it as a child. It was more or less the only day of the year when I was allowed to stay up late. For a nightowl like me, it was amazing. And sometimes I even got an extra special tipple with which to see in the new year: Irn Bru.

Mind you, it’s not as if childhood memories of Christmas are exactly dire. But I think it is easier to fall out of love with Christmas as you become an adult. Gleefully receiving presents makes way for having to give presents. Your eyes are opened to the stress everyone puts themselves under. People get hung up on creating the perfect Christmas, which I would have said rather ruins the mood, which is supposed to be cheerful.

Some people are forced to spend Christmas with family members that they don’t like, and possibly don’t even see for the rest of the year. For some, Christmas Day is a day of dreary, dreaded routine.

Perhaps most importantly, Christmas brings with it a whole suite of naffness. Tacky tinsel, Christmas cards with garish depictions of Santa Claus, and a list of terrible Christmas songs as long as your arm.

Despite the twee TV, our attitude towards New Year is much simpler. You go out with your pals, get blootered and take two days to recover. And perhaps most importantly, there are no bad Paul McCartney songs about New Year. Awesome.

So happy new year everyone! Thanks for sticking with the blog through the dry patches. I might make it my new year’s resolution to update more often. Then again, that was my resolution last year as well…

I am quite a fan of Freeview. Even though I hardly ever watch any television these days, I think it is so wonderful to have that kind of choice fairly hassle-free for £20-odd. There have been quite a lot of changes to Freeview recently.

First came the unexpected and abrupt death of ABC1. It wasn’t a bad channel, but it always seemed like there was something that didn’t quite work about it. When it launched there were no adverts for months — so how was it funded? Then there was the distinct lack of space on prime-time on Freeview, which essentially made ABC1 a daytime-only channel.

ABC1’s schedule was therefore restricted to rather tame American comedies. The same ones. Over and over again. What’s more, they did that odd thing that digital channels sometimes do, of showing the episodes seemingly in random order. This was especially problematic for 8 Simple Rules. One minute John Ritter was dead, the next he had come back to life! And then he was dead again.

In a way this was a good thing though, because you knew what you were getting. Unchallenging, homely television. And there’s nothing wrong with that. I imagine that if ABC1 was around ten years ago, I would have loved watching it on the days when I was off sick from school.

Then came Virgin 1, which is Virgin Media’s latest little stone thrown in their big bear fight with BSkyB. “Oh, they think they’re so smart having a channel called Sky One,” some Virgin Media big-wig probably said on day. “We’ll show them! We can have Virgin 1.”

So, Ftn has been killed to death just when it was getting good. I loved Ftn in its later days. Its repeats of retro gameshows like The Crystal Maze, The Krypton Factor and Bullseye were strangely captivating. Then later at night there was always Takeshi’s Castle if you were up for vegetating a bit. While it was always Freeview’s worst channel, in the past year or so it had carved out a distinctive identity for itself.

The new channel, on the other hand, does not have a distinctive flavour. In fact, it is almost as if they looked at Sky One and decided “we want a programme like that, a programme like that, and a programme like that.”

In short, it is like a watered-down version of Channel Five. Do we really need another channel full of sub-standard American imports? I think not. I would have thought that, especially with the Virgin brand attached to it, they would have put a bit more effort in to make it more distinctive.

Then this week there was the launch of Dave. Dave is essentially a re-branding of UKTV G2, so it’s good to know they’ve gone from one silly name to another. A lot of people are going on about what a great name Dave is for a channel, but I think it is quite silly. They say that it’s based on the idea that “everyone knows a bloke called Dave”, which is true. The problem is that whenever I hear the name I think of that balloon-faced Conservative leader.

As for the programming it’s a bit of a mixed bag. Watching Dave is like being transported back to the 1990s. Have I Got News For You, Red Dwarf and Bottom are among its roster. Essentially, Dave seems to me like BBC Two 2. It’s the channel that BBC Three secretly wishes it could be, if only it could be unleashed from all of those quotas to do with repeats.

Then there is Never Mind the Buzzcocks. I can’t stand watching it, at least when it was hosted by Mark Lamarr. He seems like a genuinely spiteful person. He tells nasty jokes about people, which I don’t mind usually. But Mark Lamarr doesn’t seem to tell them in the sense of “I’m only having a laugh”. He seems to be genuinely nasty. I can’t stand watching it. For a further insight into the dark world of Never Mind the Buzzcocks, check out this blog post by Adam Buxton.

But without a doubt the worst programme on Dave is A Question of Sport. Why does this programme still exist, even in repeat form? It is just diabolical.

Fortunately, this crime is outweighed by the repeats of Whose Line is it Anyway. Now, why is Whose Line is it Anyway not on any more, huh?

Despite the patchy output, the launch of Dave on Freeview seems to add a lot of value. It is replacing UKTV Bright Ideas, which I doubt will be missed by many people. The hours for UKTV History have been cut back, which might not be very popular. But let’s face it. Everyone knows that history channels only ever get ratings if they either

1. Show programmes that are nothing to do with history
2. Dedicate their entire schedule to programmes about Adolf Hitler’s second cousin twice removed’s hairdresser’s pet ostrich.

Perhaps my geekiest guilty pleasure is an interest in television idents. Many a lonely Friday evening has been spent perusing such websites as TV Ark and The TV Room. Not because I’m a sad loner, you understand, but because it’s the really cool thing to do these days.

I also love cereals. The most functional cereal of them all is Weetabix. It’s the only way to go if you have a particularly challenging day ahead. There is nothing in the world that three Weetabix can’t solve. Except perhaps indigestion.

So an advertising campaign that combines the might of Weetabix with the quaint kitsch of classic television idents cannot be anything but awesome. I don’t watch much television these days, so I guess there is the chance that everyone in the world apart from me already knew about it and this post is a bit like going, “ALL BECAUSE THE LADY LOVES MILK TRAY! LOL!”

The only way I learned about the Weetabix advertising campaign was from a post at Idents.tv. I had seen one of the adverts before out of the corner of my eye, probably when I was fast forwarding through the adverts during a grand prix. It didn’t occur to me that it was supposed to mimic idents, with their trippy ambient music and strange abstract visuals.

The TV theme is continued at the Weetabix.tv website, where all of the ident-adverts are available to view. A lot of them have clearly been inspired by classic BBC Two idents from the 1990s.

We have all seen idents thousands of times. Yet, they are forgotten by many and treated as though they are merely wallpaper at best and an annoyance at worst. Yet, idents are the most familiar sight on television; a reminder that all is right in the world. They are beautiful pieces of design that are almost always better than the programme that follows them. So it’s great to see idents being recognised by Weetabix in their advertising campaign.