This year everyone has been talking about the Senna documentary, including me. But while praise for Senna has come from F1 fans and non-fans alike, I have been more impressed by another sport documentary from this year — Bobby Fischer Against the World.
Chess may seem like an unlikely game to take to the big screen. But chess comes alive in this riveting documentary about one of the most fascinating figures of the 20th century.
The term ‘flawed genius’ may be an overused cliche, but if it applies to anyone surely it is Bobby Fischer. The film tells the story of how a variety of factors contributed to a great man’s decline.
The centrepiece of the film is the famous 1972 World Chess Championship match between Bobby Fischer and Boris Spassky. The individual American took on the might of the Soviet chess system, which had dominated world chess for a quarter of century. This Cold War face-off had as much political significance as chess significance, as is cleverly illustrated through the use of archive news footage.
But the chess itself is never forgotten. The significant moments of the match are explained in a very vivid and accessible manner. I would guess that little or no chess knowledge is required in order to enjoy this film. The world’s most popular board game doesn’t have a sexy image, but after watching this film you wonder why.
But what stays with you is the tale of Fischer’s decline. This is where this film excels over Senna. It is a painfully honest assessment of the downsides of Bobby Fischer’s character. In the Senna hagiography, the driver’s flaws are only ever briefly brought up, and even then it is only to sweep them straight under the carpet.
In contrast, Bobby Fischer Against the World in unafraid to shine the torchlight on the enigma of the world’s greatest chess player who managed to alienate everyone he knew. At times it is painful and embarrassing to watch as a successful man becomes a delusional, anti-American, antisemitic and all-round offensive man.
In doing so, the film paints a genuinely complete picture of one of the 20th century’s most significant figures in sport. Senna, in contrast, only skims the surface.
If you follow Formula 1 online, it has been absolutely impossible to avoid the hype. Films about Formula 1 do not get made often. It is highly unusual for so much footage to have been prised out of Bernie Ecclestone. When you factor in that the film is about Ayrton Senna, a driver who has reached an almost legendary status, it was inevitable that this film would attract a lot of attention.
Moreover, the film has been met with near (although not quite) universal approval. Seasoned film critics and those with no interest in motorsport have lapped it up enthusiastically.
So it has been a painful wait. I was delighted to learn that it was being shown at my local cinema, so I took the first opportunity to watch it.
I found the film truly engrossing and hugely emotional. The story of Senna’s career — or at least one version of it — is very well told. Some of the footage, particularly of drivers’ briefings and the like, is absolutely astonishing.
Alain Prost
The film’s treatment of Alain Prost has come under a lot of scrutiny. It is said that Prost is cast as the villain of the film. I was relieved that his treatment was not as bad as I had feared.
I actually felt that Prost comes across quite well in the film — though this may be for ideological reasons, and that I already understand the Prost–Senna rivalry. It is easy to see why, in a film that celebrates Senna’s approach, others may feel that Prost’s alternative approach to racing does not come across so well.
In fairness to the filmmakers, I think it does illustrate that the frosty tensions between Senna and Prost had thawed in the final months of Senna’s life. We see Senna embracing Prost on the podium at the 1993 Australian Grand Prix, Prost’s reaction to Senna’s fatal crash from the TF1 commentary box and Prost as a pallbearer at Senna’s funeral. A caption at the film’s climax also displays the fact that Prost is a trustee of the Ayrton Senna Foundation.
Important details skipped
However, I do feel that the film does not get across just how controversial Ayrton Senna was. The only time it is really tackled is in a relatively brief clip of Jackie Stewart’s famous interrogation of Senna’s dangerous driving.
I was also disappointed in how little of Senna’s career is actually covered. The film skips straight from karting into F1, then practically fast-forwards to the Prost–Senna rivalry, which is clearly the meat of the film. Thereafter, the 1992 and 1993 seasons get the briefest look in. In the process, the championship victories of Nigel Mansell and Alain Prost are belittled, particularly through the skilful vilification of the Williams car.
After the film had finished, I felt like only a handful of incidents had been covered. I was left feeling that only a superficial account of Senna’s career had been presented.
I can fully understand why this is so. There is a limit to what Bernie Ecclestone will allow. So the filmmakers are left with the quandry of how to sum up an amazing driver’s entire career in the time it takes to complete just one grand prix.
Authentically inauthentic
I also found myself being annoyed by tiny details that I felt detracted from the authenticity of the film. For instance, almost all of the source footage must have been shot in 4:3, but the film is in a different aspect ratio, meaning that all of the footage is cropped. When much of the footage is blurry enough as it is, this doesn’t help.
A significant proportion of the film also contains a blurred-out Globo DOG, with a new one superimposed on top of it (presumably to meet the requirements of the Brazilian broadcaster). Then there are the mock TV captions that crop up throughout the film.
These are small details, but I found them irritating me. To me, they detract from the cinematic mood.
When I read about the edits that have been made to some of the footage, particularly the sound, my eyebrows were raised. “They managed to change it, so it’s very authentic,” says Manish Pandey. It reminds me of a line from the Pulp song Bad Cover Version: “Electronically reprocessed to give a more lifelike effect.”
Intense and emotional
Having said that, the film is no less gripping as a result of all these niggles. I felt the grin across my face as I watched Senna’s awesome driving in the Toleman and the Lotus. The events of the 1994 San Marino Grand Prix weekend are well-handled and emotional to watch.
However, here it does once again feel that certain events are rushed through. Rubens Barrichello and Roland Ratzenberger are both only briefly introduced before their crashes are shown. Not much time is reserved to dwell upon these events, even though Ratzenberger’s death was, for me, the most emotional part of the film to watch.
Summing up Senna
All-in-all, Senna is a brilliant, emotional film packed with extraorindary footage and with a well-constructed story. But the time constraint, and (let’s face it) the requirement to make a film that would be commercially successful, did leave me feeling as though only the tip of the iceberg was considered.
In fact, for me, the Top Gear feature from last year summed up exactly what Senna was all about in only 13 minutes. It outlines exactly what made Senna so different to other drivers, and was not afraid to investigate his controversial racing style while also underlining his parodoxical concern for safety.
The Senna film sets out to do something different. So in this respect I was slightly disappointed in the fact that the film is a celebration of Senna’s career, and not a thorough factual account of it. However, as a celebration of Senna’s career, it is difficult to imagine how this film could be improved, beyond being longer. I am eagerly anticipating the DVD release.
Shortly after the Canadian Grand Prix finished, Bill asked me in the comments what I thought about the latest tangle that Lewis Hamiton has found himself in.
It was another bad race for Hamilton. Two more clumsy clashes were added on top of the controversial incidents in Monaco that are still fresh in the memory.
It is starting to look like a bad habit.
Montreal incidents weren’t so bad
But the thing is, I don’t think either of the incidents in Montreal were nearly as bad as what he got up to in Monaco.
Yes, the move up the inside of Mark Webber at the start was too optimistic. But in the dry it probably would have worked. If you look at Hamilton’s onboard camera shot, Hamilton looks like he is going to make it, but then understeers through a puddle.
It would be right to argue that Hamilton should have taken the conditions into account. So in that respect, it was a dodgy move on Hamilton’s part. But at least he didn’t just steam straight into Webber in stable conditions, as he did to Felipe Massa and Pastor Maldonado in Monaco.
As for the crash with Jenson Button, I think this was an unfortunate racing incident. Hamilton got such better drive than Button, that it is perfectly understandable that he had a go. Plus, the racing line along the pit straight at Montreal effectively goes from the extreme right to the extreme left, back to the right again.
No matter which way Hamilton went, he would have found himself getting squeezed eventually. It was just a bad deal that Button couldn’t see him in his mirrors due to a mixture of bad conditions and confusion. Again, Hamilton should have taken the conditions into account. But, again, at least it wasn’t as malicious as what went on in Monaco.
Why does Hamilton get himself in so much trouble?
It does strike me, though, that Hamilton is taking on far too many of these marginal overtaking attempts. Hamilton has always been a little bit like this, though he had seemed to calm down a bit. His excitable inexperience is no longer an excuse — this is his fifth F1 season. He has more than enough grands prix under his belt to know what’s what.
But what is making him go for all these half gaps? One theory is that he just has to push harder this year to beat Red Bull, and is becoming desperate as a result. Undoubtedly that is part of the problem. But Hamilton had a much worse start to the season in 2009 and he wasn’t quite as clumsy as this then.
If you no longer go for a gap that exists, you are no longer a racing driver.
Senna was known for his high-risk, sometimes dangerous moves. The key to Senna, though, was that he was often able to intimidate drivers into moving out of his way. Michael Schumacher also had this trait.
It is well known that Hamilton idolises Senna. When Hamilton goes for a half opportunity, you can imagine him repeating the Senna quote to himself in his head.
It’s more than just “going for a gap”
But overtaking is about so much more than simply driving round another car by going faster. You need to assess the situation; analyse what the opposing driver has at stake, work out what he is thinking and how much he will yield. It is effectively a 200mph game of chicken.
Senna and Schumacher managed to balance the scales of this game of chicken massively in their favour by building up a fearsome reputation. They were the hard-chargers who would impose themselves on their opponents through a mixture of speed and aggression. Perversely, this possibly made it easier for them to overtake.
Hamilton, on the other hand, is very quickly building himself the opposite reputation. He is becoming clumsy Lewis — probably about to cause another crash that will be all his fault.
Even in a situation where Hamilton may have the upper hand on track, he may begin to find overtaking more difficult. Hamilton’s reputation is such that even in a racing incident, he could well find himself being blamed for every clash he is involved in. This, in turn, could make his opponents more open to defending more aggressively.
Could it be that in his attempts to become this generation’s Senna, Lewis Hamilton has actually achieved the reverse?
Yesterday, I began looking at this year’s new F1 teams. This was following Ferrari’s controversial blog post and the news surrounding some of the new teams that has dominated the F1 news websites.
Yesterday I looked at the good aspect of the process — the relative success of Lotus and Virgin. Today, I turn my attention to the bad and ugly sides.
The bad side of the process
Campos’s fall from grace
It is unfortunate for Campos. At first they were regarded as among the most credible of the new teams. But unfortunately the money seems not to have been coming in. It looks as though the team has been saved. This week, as part of the process, its name was changed to Hispania. And today the car was finally launched.
But the car won’t get any proper running until it arrives in Bahrain for the first race, which doesn’t bode well. The last time a Formula 1 team turned up to a race without having tested was Lola in 1997. Running up to six seconds off the pace, the Lola remains one of the worst F1 cars of recent years.
Campos had previously run a successful GP2 team, and had signed a big name driver in the shape of Bruno Senna. For whatever reason, though, the prospect hasn’t brought in the sponsors.
Up until very recently, the driver line-up was still uncertain. For a period, it seemed as though Bruno Senna wasn’t safe. I do wonder if, counter-intuitively, Bruno Senna has been hindered by his name.
I have an immense amount of admiration for Bruno Senna. For my money, he was the class of the GP2 field in 2008. Yet, look at the other GP2 drivers from that season who have made the transition to F1 on more solid foundations: Lucas di Grassi, Romain Grosjean, Sébastien Buemi, Vitaly Petrov. Now you can add Karun Chandhok to that list.
I guess teams avoided hiring Bruno Senna for fear of being accused of only signing him up because of his name. So instead, shaky drivers like Jaime Alguersuari get parachuted in.
Hopefully Bruno Senna will be able to make something out of this mess. Considering he was unable to race for ten years in his youth due to his family’s wishes, he has done an amazing job to become as good as he is.
The situation at Campos / Hispania has been messy, and it’s clear that the team almost failed to make it. But it looks as though things are coming together. The new team principal Colin Kolles has experience in running a lean team from his Midland / Spyker / Force India days. Meanwhile, former Red Bull and BAR / Honda technical director Geoff Willis is also linked to the team.
We’ll have to wait and see if the Dallara chassis is any good. But while Campos were unable to pay the bills, there can’t have been too much work being done on it.
USF1: Another kick in the teeth for American F1 fans
The situation is even worse for USF1. Regarded very early on as a clown-like team, things have gone from bad to worse. It has to be said that Peter Windsor often comes across as someone with a rather child-like over-enthusiasm. Apparently we can add child-like naivety to his list of qualities too.
It seems as though Peter Windsor was genuinely the last person in the world to twig that USF1 wouldn’t arrive in Bahrain with a car. Stories from disgruntled USF1 employees have been leaking out for weeks now. The verdict on his management of the team, along with that of his business partner Ken Anderson, is damning.
With just weeks to go until the first race in Bahrain, USF1 was left with no car, and having done no testing. Peter Windsor was allegedly in tears when he broke the news to its sole announced driver, José María López (a driver who, incidentally, has not raced an open-wheel single-seater in anger for four years). He has apparently been lying low, having not been seen at the factory recently.
This week, when USF1′s employees were finally put out of their misery and told that the game was up, neither Peter Windsor nor Ken Anderson were present. When considering also the news that USF1 apparently had offers to save the team, but the shareholders rebuffed all of these efforts, I begin to assume that this entire exercise was all about ego, and nothing to do with any of the patriotic clap-trap they came out with.
Yesterday, the FIA finally kicked them out of the championship, too late for a more credible team such as Lola or Prodrive to be brought in. That didn’t stop one shady outfit from sniffing around though…
The ugly side of the process
Second hand car business Stefan GP
Serbian outfit Stefan, led by Zoran Stefanović, originally attempted to enter F1 along with the other teams last summer. It was not viewed as credible by anyone. It was noted that the way Stefan went about securing an entry was rather unconventional. For instance, they did their best to upset the FIA by complaining about the entry process itself — which won’t exactly get you in the FIA’s good books.
However, fast forward to this winter. Quietly, Stefan has secured the intellectual property to Toyota’s car, with the manufacturer having recently pulled out. Clearly, actually having a car is a fairly good weapon in an F1 team’s arsenal, particularly considering that certain teams (not naming any names, but I’m talking about USF1) did not even have a car, despite having been preparing for at least a year.
With the shit hitting the fan at USF1′s factory in Charlotte, Bernie Ecclestone was apparently trying to help Stefan make it onto the grid in an attempt to keep the field full. The trouble was that, despite having a car, Stefan still wasn’t terribly credible.
Their preferred form of communication was by bizarre press releases bemoaning everyone and everything in broken English. And when they attempted to test their car a couple of weeks ago, everything was all set, apart from the minor fact that they forgot to arrange a tyre supply!
And I hardly know where to begin with the drivers Stefan are rumoured to have been talking to — the likes of Jacques Villeneuve and Ralf Schumacher. Michael Schumacher’s comeback is cynical enough, but at least he is talented and has the ability to come back after a few years away. Jacques Villeneuve couldn’t even spend half a season away in 2004 without coming back even worse than normal.
All-in-all, this entire process hasn’t been F1′s proudest moment. And Formula 1 in recent years is littered with bad news. Here is hoping that Jean Todt will manage to bring some sense into the FIA’s processes. I won’t hold my breath though.
The final part of the factory tour was the chance to see the simulator. It is an impressive piece of kit. The driver sits in a cockpit, surrounded by a massive screen that curves round to take up his entire field of vision.
Little wonder it has been known to induce sickness. Drivers are advised that they may want to close eyes if they spin in order to avoid reacquainting themselves with their lunch. Apparently drivers have been known to be sick all over the place while driving the simulator. Come to think of it, I’m slightly suspicious because I remember that the cleaner was leaving the room just as we were entering it. We were told, though, that Kazuki Nakajima is amazing in the simulator and can spend all day in it with no ill effects.
The circuit models are said to be very accurate indeed, albeit some more accurate than others. For instance, someone else has exclusive rights to the best map of the Nürburgring. The maps are constructed using lasers. A van drives slowly around the circuit emitting laser beams at multiple angles, creating a map of millions of dots. This means that every bump on the circuit is accounted for.
An aerial image of the circuit is then overlaid on top of these dots to create the environment. But if you look at the circuit, some of the landmarks are not very accurately reproduced. In fact, some of it looks like bad virtual reality graphics. The idea is to reduce any confusion that might be caused by too many cues. If they don’t think something will give a driver an accurate cue, they won’t implement it.
Some teams have more sophisticated simulators. In some simulators the car will be on a moving platform to give the impression of movement — something clearly lacking from the still Williams cockpit. It is said that some simulators even have belts that tighten up to give you some impression of g-forces. Williams shun such devices, which they regard as off-putting.
I have to confess that I have been slightly sceptical about the Williams simulator in the past. McLaren’s is said to be amazing, but it is jealously kept under wraps from outsiders. Williams have no such qualms however. It is the only simulator that I have seen on television. See, for instance, this ITV video with Mark Blundell and this BBC video.
We were lucky enough to be in the room when occasional Williams tester Daniel Clos was driving it. He was there to acquaint himself with the Hungaroring in preparation for the GP2 races which were being held just a few days later. I have to say he didn’t look very good while we were there, and he even spun at one point. But those must have been his very first laps round the circuit and of course I am in no position to pass comment. In the real thing, he finished 11th in both races.
It is presumably a service that Williams are happy to offer young drivers in the hope of developing them into a Formula 1 star of the future. Whether Daniel Clos is one remains to be seen. But surely on his way to F1 stardom is another Williams tester, Nico Hülkenberg. Simulator Engineer Jeff Calam is adamant that the simulator is a worthwhile piece of equipment to invest in, pointing at Hülkenberg’s highly impressive GP2 results at circuits he hasn’t driven at before. This fact puts to bed my doubts about the quality of the Williams simulator.
Once the factory tour was over, we had a Q&A with Sam Michael. He was largely very open in his responses, and came across very well to me. I was impressed that he took the time out of his schedule to talk to a bunch of bloggers. You can hear audio of the Q&A session over at Brits on Pole once again.
After that, we went for a tour of the fabulous Williams museum. Here, we were expertly guided by Scott Garrett from Synergy, the company that arranged our visit on behalf of Philips. Although he now works for Synergy, he was previously Head of Marketing at Williams and now has links with a number of F1 teams. This makes him a highly knowledgeable speaker on Formula 1, and Williams in particular. It was a real pleasure to have this sort of insight.
For obvious reasons, photography was strictly forbidden in the factory, but we were free to take as many photographs as we wanted in the museum. And boy did we take the opportunity!
The museum is impressive, with a range of cars from the full history of the Williams team’s existence. The first car you see is Alan Jones’s FW06 with its Ford Cosworth engine peering out the back. Cars are displayed, more or less a car for every year, right up to 2007′s FW29 — the very car that the competition winner will be driving.
All-in-all, the museum contains over forty cars. We are told that Frank Williams is a hoarder. The team still owns 106 chassis, while it only makes around six per year. Most of these cars are well looked after and can theoretically still be driven. The main exception is the Honda-powered cars, because they asked for the engines back!
For the most part, the cars are laid out in chronological order, and as you make your way through the museum videos are played telling us about Williams during the period of the cars in the vicinity. The relevant cars are lit up while the video is playing.
Unfortunately, this means that they are plunged into darkness once the video is finished, and you are supposed to move along to the next section. It is a pretty clever device to get us to keep moving and get rid of us quickly, but quite annoying for those of us who would have liked to have done it at our own pace. One person sarcastically remarked under his breath, “you have a lot of great cars, then put them in the dark.” It is for this reason that the lighting is not very good in some of the photographs.
Despite the chronological layout of the museum, there is still a fairly clear centrepiece. Two cars in particular are displayed on a higher plinth — the FW18 and the FW19, the team’s latest two championship-winning cars from 1996 and 1997 driven by Damon Hill and Jacques Villeneuve.
A great moment of F1 geekery occurred when Mr Garrett pointed out that the FW19 on display is the actual car which Michael Schumacher famously crashed into at Jerez in 1997. Everyone went “oooh” and inquisitively gathered to look at this particularly historic Williams F1 car. The damage is still evident. I had heard that Patrick Head liked the car to be displayed with the tyre mark still there, but it has since been restored and now just looks like a couple of holes have been punched in the corner of the sidepod.
“We never got on very well with Michael Schumacher,” Scott Garrett noted, just in case we didn’t get the clue. This prompted a cheeky question from someone else, “How did you get on with Ralf?”
There is a notable omission. The most distinctive F1 car in the team’s history, the FW26 with the “walrus nose” is nowhere to be seen. It is perhaps not the team’s proudest design.
One unusual design does proudly feature though. Williams were never able to race with their FW08B six-wheeler. It was banned by the FIA before the season started over fears that it would be too dominant.
Go up the stairs, and you will see two cars that are clearly very special to the team. One is Ayrton Senna’s test car from 1994. The other is the record-breaking FW10, in which Keke Rosberg was the first person ever to set a lap at a speed of 160mph in 1985. The record was set at Silverstone and remarkably stayed in place until 2002!
All-in-all, it was an absolutely fantastic day. Although Williams are not among my favourite teams, they have got to be admired for being so accommodating to us. If you ever get the chance to attend such an event, I would highly recommend it. A massive thank you to those who organised it and invited me.
Below is the full slideshow of photographs from my visit to Williams.
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