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Why is technology news not news?

The public is kept in the dark about today's important issues

July 17th 2008 16:57

Hello.

I’ve been wondering a bit about the way technology news is still ghettoised. I don’t mean news about the latest rubbish web 2.0 start-up with a ridiculous name. I mean quite important stuff. Security problems and the like.

Take what happened last week. A patch to fix a major flaw in the DNS was released. It is pretty important stuff. But the only mentions of it have been ghettoised in the darkest recesses of the technology sections, cordoned off in yellow and black tape with “warning: geeks only” written on it.

I don’t watch the television much these days, so I might be wrong. But I saw no mention of it on the news. I heard no mention of it on the radio. You certainly don’t hear people talking about it on the streets or in pubs.

You might think, “So what? Security update for X, Y and Z are released every day. You can’t have the news reporting it every day.” But something extra happened with that security update that was released last week: it crippled many users’ computers. Including my parents’ computer.

It is just as well I was still able to use my computer to try and find out what the problem was and how to workaround it. It turned out that ZoneAlarm threw a hissy-fit after Windows XP had updated and prevented users from accessing the internet.

In fairness, the BBC reported this on their website — but that’s not very useful if you’ve got no internet. Perhaps there are still people scratching their head about why they’ve not been able to access the internet for the past week.

The problem is twofold. One, the mainstream media seems quite averse to any technology story unless it’s to do with [say this like a caveman] “GOOGLE” or “APPLE”. Or “GOOGLE”. Simply, if you want to find out anything meaningful about technology you have to really know where to look for it.

And this brings me on to the second part of the problem. The people who don’t know where to look for information are also the most vulnerable users. There are people who, for whatever reason, can’t be motivated to take proactive measures to prevent themselves from the various security issues that inevitably arise when you use the internet.

I have a friend who bought a new computer a few weeks ago. The other day he complained to me that his new computer has already got spyware on it. The thing is that it’s not difficult to protect yourself really.

I’m not really a computer expert in the slightest, but I know the basics of how to protect myself — essentially keep all your software updated with the latest patches and don’t click any dodgy links. I don’t think it’s really a difficult concept. And — touch wood — these basics have worked for me. Since I got my own computer early last year I’ve never had anything worse than a tracking cookie on my computer (as far as I know — I just know that this is an invitation for my computer to explode under the weight of pop-ups tomorrow…).

But even simple measures like these that anyone can take are difficult to get through to some people. So many people still treat computers with awe. It is sometimes easy to forget how foreign computers are to many people.

I remember a couple of years ago when there was a really bad signalling failure on the train line into Edinburgh. Basically every train was cancelled. An old lady pointed to the automated departure monitor and asked why it said a list of trains towards the bottom of the screen were still listed as being on time.

This is what she said in protest (as though it would make her more likely to get on a train to Edinburgh): “I thought computers were wonderful things that never ever went wrong.” But even my basic knowledge of how computers work told me exactly why the trains were still listed as being ‘on time’ — because they hadn’t even departed from their start station, so hadn’t passed any sensors and weren’t technically late at all. The computer was none the wiser for obvious reasons.

This can be put down to the old issue that people in their thirties and younger have been using computers for almost all of their lives and understand what a computer is good for and what it isn’t. Youngsters who have lived with computers all their lives understand how a computer works, but for many people older than that computers just work by magic.

The thing is, that divide between young and old is not so clear cut as I used to think. I was listening to iPM yesterday and there was an interview with Clive Sinclair. He pointed out that back in the 1980s computer users really understood computers because they had to in order to get them to work. Today’s youngsters growing up with computers generally don’t understand computers at all.

So we come back to my friend who is the same age as me and has a problem with spyware. I have had a few conversations with him where I have tried to persuade him to use Firefox. For him, the internet is the internet and he doesn’t understand how one browser can be better than another. Even though I have told him about all the superior features and better security that a browser like Firefox or Opera can provide, he persists on using Internet Exploder version bum point poo.

Many people, through ignorance, don’t take the simple measures to keep themselves safe on the internet. I’ve had a look at the stats for this website to see what bad browsers visitors to this site are using.

In the past month, an amazing 20% of visitors used Internet Explorer 6. This is a web browser that was originally released seven years ago and last updated four years ago. It is notorious for its security problems. The more up-to-date Internet Explorer 7 was released almost two years ago.

You would expect Firefox users to be smarter, right? Not always. In the past month, 243 Firefox users that visited this website were using a version of the browser that is considered unsafe (which I defined as 2.0.0.14 and below). This included 19 people using 1.5.0.12, 11 using 1.0.7 and 8 using 1.5.0.3. Most amazingly, 4 visitors were using Firefox 0.9.1, a browser that has been out of date for four years. I dread to think what kind of security problems these users have been getting themselves in.

It got me wondering. If this many people are using dodgy browsers, how many people are still trying in vain to unsubscribe from spam emails? How many don’t know that even viewing an image in an email alerts a spammer that your email address is active? You could go on.

I don’t mean all this in a preachy kind of way. I completely understand why it is difficult for people to keep up to date with all the security issues that arise. I just find it really frustrating that simple awareness issues are not, well, made aware to people.

Things don’t get much more ubiquitous than the internet. It is impossible to imagine that someone growing up today will not be a regular internet user in some form or another. And there are real dangers on the internet that aren’t to do with [say this like a caveman] “PEDOPHILS” and “CYBER BULLIES”. But the media reports on made-up dangers like “KNIVES” and “YOOFS” and “KNIVES” as though we are on the verge of bladeageddon.

Yesterday I was listening to Digital Planet. They had a chap called Stefan Frei on reporting that around 60% of all internet users are using an out-of-date browser. He had a really smart way of thinking about software security. You should think of software as being perishable, just in the same way as foodstuffs. You wouldn’t eat a mouldy slice of bread, so why would you use a browser with a huge security hole in it?

It’s a really smart analogy that should be spread far and wide. It’s just frustrating that the place I heard it was on Digital Planet, which is probably listened to mainly by people who already know that they should be updating their browsers.

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Music became cheaper today

It seems too good to be true, but we can now legally listen to our favourite bands for free

January 24th 2008 01:18

There is some exciting news from Last.fm. I have been in love with that website ever since I signed up back in 2004, and there is now yet another reason to love it.

As of today, you can play full-length tracks and entire albums for free on the Last.fm website.

Something we’ve wanted for years—for people who visit Last.fm to be able to play any track for free—is now possible. With the support of the folks behind EMI, Sony BMG, Universal and Warner—and the artists they work with—plus thousands of independent artists and labels, we’ve made the biggest legal collection of music available to play online for free, the way we believe it should be.

Beforehand, you could only play a select few tracks in full for free — and to be honest, they were mostly rubbish. Now all four major labels as well as 150,000 indies are on board letting people listen to their music for free on Last.fm. Millions of songs are now at my fingertips.

Okay, so the music is not completely free. Once you’ve listened to a track three times, you will be blocked from listening to it again until you pay up. But complaining about this would be churlish. Even if you approach it as a kind of ‘try before you buy’ service, this is much, much better than anything that has come before.

For me, this is the day the recorded music industry has begun to face the music (excuse the pun). There have been signs of them facing up to the reality of a world with the internet. But even, for instance, their plans to sell DRM-free MP3s through Amazon was as much an attempt to derail Apple’s dominance in the digital download arena as anything else.

No doubt there will be questions about the financial viability of this. The BBC report on the announcement certainly adopts a slightly sniffy, sceptical tone.

It certainly feels strange, coming just a couple of weeks after Pandora closed its similar service in the UK on the basis that the labels were making it too difficult.

Both the PPL (which represents the record labels) and the MCPS/PRS Alliance (which represents music publishers) have demanded per track performance minima rates which are far too high to allow ad supported radio to operate…

But that is pretty much the model that Last.fm is adopting:

We’re not printing money to pay for this—but the business model is simple enough: we are paying artists and labels a share of advertising revenue from the website.

Today we’re redesigning the music economy.

How can Last.fm make it work if Pandora couldn’t? It is true that Last.fm has big backing in the form of its owner, CBS. But if it’s not financially viable, it’s not financially viable, right?

Maybe there is more to this, or there is something I’m missing. Leaving the Pandora issue aside, it looks as though something big has happened today — as though someone’s banged a gong and the majors have all woken up to what’s going on. And they’ve agreed to finally do something sensible about the situation. Today music became even cheaper, and we all became a bit richer.

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The entertainment industry’s wrong turns

The entertainment industry may be inevitably doomed, but their own mistakes have exacerbated their problem

December 28th 2007 15:07. Updated: December 28th 2007 03:17

Series: Copyshite
TOC

  1. Copyshite
  2. The entertainment industry’s wrong turns
  3. The future of music: gigs and t-shirts
  4. The future of music: pretty boxes

Record labels and video distributors had been ticked off by consumers for charging high prices for quite a while. At first the labels got away with it though. This was because they actually added value to the product. They were the only ones who were able to actually deliver the product to consumers efficiently.

However, with the advent of the internet and explosion of file-sharing, they are no longer the only people who can deliver content. It’s even worse than that. They are now woefully inefficient at delivering content.

The big question staring the record companies in the face has been: why should people pay £10 or £20 to buy a CD or a DVD when they could download it for free? Their original answer to this question has been to criminalise the very fans whose custom they depend upon. At every turn, consumers of music are accused of stealing music and killing the record industry.

Not exactly the best way to build a loyal fanbase.

Since that approach didn’t work, the record labels reluctantly dipped their toe into the digital water. But even this was a complete disaster. They insisted on releasing music that was crippled by DRM. This shackled the music, yet again making the consumer feel like a criminal.

The worst instances of DRM prevent people from listening to music on different devices. A high-profile example is music purchased from the iTunes Music Store, which can’t be played on any device unless it was made by Apple. That is like buying a CD released by Sony BMG and only being allowed to play it on CD players manufactured by Sony. It is outrageous, and it is a wonder that the music industry ever felt that it was a sensible approach. Sadly, the most blinkered companies still release digital music in this way.

Incidentally, kudos should go to Warp Records, who recognised from the very start that its fans wouldn’t like to be treated as criminals. Its foray into the digital download world, Bleep, sells music at the highest quality the MP3 format can provide and entirely without DRM.

Some albums are even available as lossless (i.e. CD-quality) FLAC files. And you are allowed to preview the entire track before purchasing. Some albums also come with exclusive artwork, screensavers and so on. Furthermore, a (comparatively) huge cut of the profits goes to the artists, which is where fans like to see profits go.

Now hundreds of independent labels sell their music on the service. Bleep has been a huge success, having sold over a million downloads. The majors should have realised that this is how it should have been done from the start.

The problem facing the record industry remains. Their expertise was in distribution, but this advantage was removed by the internet. Their solutions don’t address the fundamental problem. Why should someone buy a digital download when they can get it for free from peer-to-peer networks?

The worst solutions were never going to work because they made the consumer feel like criminals. The better solutions — like Bleep — work to an extent because they tickle the fan’s tummy, making him feel good.

Regardless of what the record companies would like to think, the internet has greatly improved efficiency and has made consumers better off. Unless they really like pretty boxes, a choice between buying a CD for upwards of £10 or downloading the music for free is a no-brainer.

Sticking plaster solutions such as reducing the price of CDs or releasing DRM-infected MP3s were never going to do. And you can’t un-invent the internet. In their current state, record companies are a complete anachronism. An entirely new business model is needed in order for them to survive. It is the only way. For some of them, it may already be too late.

But I think there is an answer. And I think they are catching on to it. But I’ll write about that in my next post.

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F1 season review: podcasts

Podcasts are new to me, but I already love several

December 16th 2007 20:01. Updated: December 16th 2007 22:42

In case you were wondering, I have decided against writing a review of F1’s ‘bigwigs’ — for the sake of my health. I just wrote a big rant about Max Mosley the other day anyway.

My next post was going to look at F1 websites. But this week Ollie White wrote a post about podcasts, so I thought I would move my post on podcasts to this week.

I’m a relative newcomer to podcasts. As a concept, they have grown much more quickly than blogging and I would bet that ‘podcast’ is more of a household word than ‘blog’ already. But they never really grabbed my attention because, for me, they are rather inconvenient to listen to, as I wrote a few months back.

Since I wrote that post, I have transformed into a big fan of podcasts though. This was partly because I replaced my ageing iRiver with a brand spanking new iPod.

I have to say, mega thumbs up to the people at Apple who have made keeping up with podcasts so easy! The iPod takes away so much of the hassle that existed with my old iRiver.

At first I only listened to podcasts on my commute through to university. But soon enough I found myself subscribing to more and more podcasts and not having enough time to listen to them all. Now I am such a podcast addict that I actually set aside some time every day to listen to them by going out for a walk (with the added benefits of exercise and fresh air that this brings).

So, from my mild scepticism in the late summer, I have turned into a full-on podcast addict. And right at the top of the list comes the F1 podcasts that I have gradually discovered. This post will review my favourites. They are listed in alphabetical order, in case you’re wondering.

AT&T Williams Podcast

As far as I know, Williams is one of only two Formula 1 teams who produced podcasts this year. Maybe it’s just me, but I would never have expected Williams to be so hip. They always seemed like a team that is mainly supported by middle-aged men, the kind of people who prefer Fifth Gear to Top Gear.

Maybe this is actually the case, because for me the Williams podcast is the least fulfilling of my regular listens. It is produced by USP Content — the same people who produce the excellent programmes for Radio 5 Live and Renault’s podcast. But the Williams podcast misfires a bit.

So what’s the problem? It’s just a bit too cheesy. It is a bit like a local radio programme. An example regular feature is ‘2007′ (pronounced ‘twenty-oh-seven’) where presenter David Croft talks to Alexander Wurz at 8:07 PM on the Saturday before the race. I don’t know, but that is quite a hollow feature to me. Yeah, neat pun, but it’s a bit meaningless when you’re listening at whatever time you choose. Besides, we don’t even know that the interview was conducted at 8:07 PM and apart from that there was nothing much to the feature.

The interviews, conducted by Tom Clarkson, were normally a bit too fluffy for my liking. I can remember actually cringing at some of the questions. It is probably reasonably entertaining for some fans. But if you’re looking for insight and analysis it is best to look elsewhere.

Worst of all, some kind of glitch towards the end of the season meant that the podcasts weren’t getting delivered (at least to me — and I remember Sidepodcast mentioning a similar problem). The podcasts for Japan, China and Brazil all arrived on my iPod weeks after the season had finished. Does this mean that they were not getting published? To think about all the work that must have gone into producing them, only for them to be inaccessible until they were completely out of date.

All evidence that the Williams podcast existed seems to have been removed from the Williams website, which perhaps suggests that the podcast won’t be making a return next season. A list of old episodes is available on USP Content’s website though, and the iTunes link is here.

Chequered Flag Formula 1

The BBC’s Formula 1 podcast is one of the best for my money. The centrepiece programme is The Chequered Flag, which provides analysis soon after the end of every race. But when you subscribe to the feed you also receive other F1 programmes broadcast on Radio 5 Live including the race preview show and occasional editions of the 606 phone-in.

There is not much else to say apart from the obvious. I already covered Radio 5 Live’s coverage in last week’s post, and the same applies to the podcast. They contain excellent interviews and top-notch analysis. The kind of quality you expect from the BBC. Great stuff.

F1 Rejects

Direct from Australia comes the funniest F1 podcast I have come across.

The website is dedicated to the “heroic failures” of Formula 1 — the people at the back of the grid who regularly put their lives at risk despite the fact that they have no hope of achieving any success. The podcast has a similar vibe, with a kind of attitude towards bad drivers that is a curious mixture of disgust and awe — an attitude that I broadly share.

But while the podcast revels in its celebration / castigation of F1’s rejects, it has plenty to say about the world of F1 in general. If you are looking for a humorous take on the world of F1, look no further. I have only been listening for a couple of episodes, but already F1 Rejects is one of my favourite podcasts.

Formula 1 Blog

On balance, this is probably my favourite Formula 1 podcast. It is American, which is an advantage because it doesn’t fall into the trap that Brits have fallen into by dividing into two camps — pro-Hamilton and anti-Hamilton. Formula 1 Blog is more neutral in this regard — a great dose of reality in this world of Hamilton hype and anti-hype.

But Formula 1 Blog certainly isn’t a neutral podcast, and it prides itself on being a journal of opinion. Negative Camber is a Ferrari fan (no, I don’t understand either) and his sidekick Grace is a McLaren fan. As a result, the banter between them is fantastic to listen to!

Negative Camber is also quite nifty at doing impressions. His impression of Patrick Head’s grumpy expression is hilarious and a couple of weeks back he did an impression of Ross Brawn that had me in stitches on the train. I do worry about his strange obsession with Matt Bishop though. Any discussion of a McLaren press release soon turns into a discussion about Matt Bishop and how he copes with wearing the grey McLaren uniform instead of his normal loud shirts.

The podcast also touches on other motor sports, particularly MotoGP and WRC. But the centrepiece of the podcast is F1.

The podcasts are a tad on the long side — typically lasting almost an hour. The long idents also grate a little bit. They are an entertaining listen the first time round, but after that it takes about two minutes from the start of the podcast until the actual discussion begins. Nevertheless, it is always an entertaining listen.

ING Renault F1 Team Podcast

Note to Williams: this is how you do an F1 team podcast!

The most astonishing thing about the Renault podcast is the fact that important people who probably have a lot on their plate take a great deal of time to appear on the podcast. After every race, Radio 5 Live presenter Holly Samos visits the Renault factory to make the podcast. It is a brilliant way for an F1 team to reach the fans.

Pat Symonds in particular should be applauded for his dedication. It is always worth listening to what he says, and he provides refreshingly honest answers. He has held his hands up and said that Renault produced a bad car this year, and he has been completely open about these faults on the podcast.

The interviews with the drivers are also worth listening to, as they manage to avoid the fluff and cheese of the Williams podcast. It is strange that both podcasts are produced by the same company, USP Content, as the difference in quality could hardly be more stark.

I really do hope that Renault continue the podcast next season. More teams should follow suit, and the Renault template should guide them because it really is top-notch stuff.

Sidepodcast

This was the first F1 podcast I started listening to regularly, and I still loyally follow it.

I am in two minds about Sidepodcast, because I really like it when Christine and ‘me’ have an opinionated discussion, but the more factual and newsy elements of the podcast are not my cup of tea. For instance, a lap-by-lap review of the race sends me to sleep because I already know what happened. After all, I watched the race. However, I can see how it could be useful for those who missed the race.

Sidepodcast should be applauded for its experimental variants on the format. From time to time, for instance, short series are produced. For instance, last week there was a series called ‘Days that Shook the F1 World’ — a short daily podcast, each one focussing on a different pivotal moment in F1 history. Again, for me, these series are not so entertaining because I am personally the type who would rather delve into Wikipedia and books to find out more about such events.

There is a spin-off podcast called F1 Minute. It is a daily, 60 second long podcast rounding up the day’s F1 news in brief. Again, for me, it is not very useful because I usually keep up with news using RSS feeds and I already know most of the stories featured in the podcast. Nevertheless, it must be an excellent resource for those who are unable to keep up with the news as much.

However, I am in awe at the Sidepodcast video podcasts, which are top quality previews of each race. How do they do it?

Sidepodcast should also be congratulated for offering podcasts in the ‘enhanced’ format. These divide podcasts into DVD-style chapters. They also have the capacity to display images as the podcast is playing, which can be quite good if your are sitting around or in the train or something, although rather more off-putting if you’re going for a walk!

All-in-all, the content of Sidepodcast is not all my cup of tea. But in terms of effort, there is no doubt about it. Sidepodcast takes the crown.

That’s it for my review of my favourite F1 podcasts. Does anyone have any other suggestions? I have already mentioned Ollie’s post which contains some other suggestions that I will be trying out in the future, so take a look at that as well.

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If you are a user of Windows Vista, you will no doubt be aware of Windows Gadgets. For the uninitiated, they are basically tiny little applications that run on your desktop (you might also know them as widgets or, in the world of Facebook, applications). You will also be aware that none of the sidebar gadgets in existence are actually useful.

Yeah, there’s that massive oversized analogue clock. And there’s that calendar that doesn’t do anything except tell you what the date is. Then there is the RSS reader that only allows you to subscribe to certain Microsoft feeds. The only really useful one that came as a default on Vista is the post-it note style thing. But apart from that, unless you really like currency converters, there was not much to get stuck into.

There isn’t even anything decent among the third-party efforts. The only good one is iTunes Accessory. Almost all of the others are banal and pointless.

This always struck me as a bit weird. After all, there seem to be a lot of good widgets available for Mac OS X. And even when you look at the wonderful and varied ways that Facebook Applications have been used, the world of Windows Sidebar Gadgets is startlingly stagnant.

But yesterday I discovered a truly useful and surprisingly well-executed Gadget made by National Rail Enquiries. Once you install the gadget, you simply type in your start station (and, optionally, your destination station) and up pops a list of how the trains are running. Essentially, it is the live departure boards feature of the National Rail website, just sitting there in the corner ready for me to glance at.

I already put it to good use yesterday, in my little game of chicken (what’s the latest train I dare to get?). I couldn’t decide which between two trains I should get. But when the earlier one started to run late, I decided I had better stay on the safe side and get the earlier one.

The gadget could do with a couple of extra features. Clicking on a journey brings up a larger screen with details on the expected journey times — but only from your station onwards (eg., I get a table of all the stations between Kirkcaldy and Edinburgh Waverley). But I usually like to see how the train has been running at stations prior to Kirkcaldy to give me a better idea of the journey’s history. I always get the impression that the journey estimates are a little on the optimistic side, and I’d rather like to see the cold, hard facts of how the train has actually been getting along.

But I can’t complain too much. As I said, it is just amazing enough that such a useful gadget has finally been made, and by National Rail Enquiries of all people! I get the feeling that it is going unnoticed (apparently it’s been around since July, and I’ve only just found out about it). If you are a regular train user and have Windows Vista, you probably ought to install it.

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