Archive: Scotland

I recently learned about a Twitter account that campaigns against Dundee Contemporary Arts, Dundee’s excellent culture hub in the centre of the city.

Typical tweets include:

DUNDEE DITTY: What do Balbeggie and Dundee have in common? Neither have a mainstream cinema in their town centres. Please RT.
@DCA_Dundee
The Dowager Countess
Anyone know when we'll be able to see #FriendsWithBenefits for just £5 at our DCA in #Dundee ? I hear it's quite a popular film. Please RT.
@DCA_Dundee
The Dowager Countess

I went to see Friends with Benefits a few weeks ago, and it was pretty awful. The highlight is one funny joke about iPads in the middle. The rest is just mush. No harm in that of course. But the great thing is that I saw it in Dundee, at the Odeon, which is about a ten minute drive away from the DCA.

It’s funny because I was only just thinking about how extraordinarily well-served by cinemas Dundee is. I live about a 40 minute walk away from three cinemas. Two are “mainstream”, and the other is the DCA, which usually shows films that the others wouldn’t. The DCA shows some films that I really like. While the two mainstream ones may not be in the “town centre”, at least they are there.

Where I used to live, in Kirkcaldy, no such luck. There is the Adam Smith Theatre, which shows a small selection of films that were on general release six months ago. Besides that, you had to go to Dunfermline, a half hour drive away, then drive to the outskirts of that to get to the nearest cinema.

Off the top of my head, I think I have seen six films at the cinema this year. Three of them were at the DCA; the other three were at the Odeon (one of these films was also shown at the DCA). Maybe it’s just a coincidence, or maybe I’m just a snob. But the three I saw at the DCA were by far and away the better three.

I understand the arguments against the public subsidy for the DCA. But the idea that, if the DCA wasn’t there, a multiplex Odeon would magically sprout up in the city centre, is a tad fanciful.

Cinemas are rare beasts these days. It’s no conspiracy. It’s because commercially it doesn’t add up the way it used to because of changes in society (for the positive) over the past few decades. With this in mind, I have felt lucky to live somewhere with as many as three cinemas nearby.

After moving to Dundee a year ago, the DCA quickly became one of my favourite things about the city and I celebrate its existence. The great thing is that, for those who do not like what is shown at the DCA, there are two other cinemas that are just a stone’s throw away (even if they are not in the “town centre”).

I would hate for the most unique cinema of the three to go.

Last weekend my brother and I headed along to Scone Palace to witness the finish of this year’s Rally of Scotland, the penultimate round of this year’s Intercontinental Rally Challenge. Scone Palace is only about half an hour from where I live, and five minutes from where my brother lives. So it seemed silly not to go.

Neuville takes out a hay bale

I have a bit of an on–off relationship with rallying. I used to enjoy watching the World Rally Championship a decade ago, when Channel 4 had some excellent coverage. But even then, it was never as satisfying a television spectacle as watching circuit racing.

Often there is no footage of the major incidents in a rally, and you just have to take people’s word for what happened. Sometimes there is footage, but taken by a spectator at the quality of a You’ve Been Framed camcorder calamity.

This sketchy experience must be amplified if you are standing in the middle of a stage, somewhere remote, in the freezing cold, Thermos in hand, bobblehat on head. A car whizzes past, then you wait for a minute or so until the next one comes. All part of the experience I guess, and something I want to do in the future.

Another slight issue is the fact that the stage you attend is only a small fraction of the overall rally. If you attend a later stage, chances are that the rally has pretty much already been decided. Prior to Scone Palace, Andreas Mikkelsen had a 30 second lead. That is difficult to overcome in a couple of two minute long stages!

Andreas Mikkelsen drives to the podium

But Mikkelsen, driving for the Škoda UK team, was the chosen man for the win. So much was this the case that when we entered the area around Scone Palace we were approached by a girl handing out Škoda flags that said “Go Andreas!” She said that the flags were “for when he wins”.

I raised my eyebrows as there were still two stages to go, and anything can happen in rallying! But it must be said that as a PR exercise it worked out pretty well. Most people had these Skoda flags and were planting them in the grass. Couple this with the several representatives from Škoda staff, and you would be forgiven for thinking that Scone Palace is in the Czech Republic. Škoda had conquered Scone.

Thierry Neuville Supporters' Club

Having said that, the Thierry Neuville Supporters’ Club were also there to show their support for the Belgian Peugeot driver.

Škoda’s nice flags could have backfired. Guy Wilks was the perfect demonstration of the fact that anything can happen in rallying. He has had a pretty rotten season, and a pretty rotten Rally of Scotland. He hit a gatepost on the final stage and failed to finish.

As rally stages go, Scone Palace is compact and spectator-friendly. This stage was just two minutes long, and was repeated in quick succession. It also doubled up as the finish. So there was a reasonably large crowd, and commentary from Rally Radio on the loudspeakers.

Aside from the relatively sanitised main spectator area, there was a bit of scope to wander around and see further along the stage from a neighbouring field.

Guy Wilks blasts along the stage

Overall, I really enjoyed my trip to the rally. It was quite a different experience to the World Series by Renault, which I attended a couple of months ago.

The really striking thing was the sound of the cars, which is totally different to the TV. Something else, that I didn’t get so much at World Series by Renault, was the smell of the fuel wafting slowly up after a car has gone by. Worryingly, I felt myself starting to crave it!

After the rally had finished as the front-running drivers were preparing for the podium ceremony, the access was amazing. Top-class international rally drivers were just standing around chatting, and their cars were right there for all to see up close.

The top three at the finish

It is the first rally we have ever been to, and we certainly enjoyed ourselves. We plan on attending next year, perhaps even going to a stage further afield if we can plan ahead.

And congratulations to Andreas Mikkelsen. It may not have been clear from what I wrote above, but you cannot begrudge him this victory. He has come so close twice this year, only to be denied his first IRC victory. Then he came to Scotland and this time it was his rally.

Andreas and Ola, arms aloft

All my photos from the Rally of Scotland

There are lots of great things about the railway, but the industry’s use of language is not one of them.

I have often been amazed by the linguistic tangles conductors often find themselves in when they try to “talk posh” during announcements. Clearly they are not trained about the importance of plain English. This problem was covered excellently by the Guardian’s Mind Your Langauge blog calling for railspeak to be terminated.

Another recent article on the BBC News website looked over some of the dodgy phrasing of railway delay excuses. The cryptic but common explanations include “tanking train toilet” (the loos won’t flush) and “poor railhead adhesion” (the track is slippery).

On the ubiquitous “signalling problems”, the article notes that this is usually caused by cable theft.

I don’t know why they don’t say ‘It’s because some so-and-so has stolen 150 yards of cable.’ That’s going to get people on-side.

This evening my eyebrows were raised by a tweet I spotted from the National Rail Enquiries ScotRail Twitter feed.

DISRUPTION CLEARED: Trains are now running normally between Edinburgh and Glasgow Queen Street / Stirling #fb
@NRE_ScotRail
National Rail

This “DISRUPTION CLEARED” is a dead body. It can’t just be me that feels that there could be a more sensitive way of describing this than “DISRUPTION CLEARED”.

Some television presentation is designed to tell you what programmes are coming up. Others might tell you the time.

This ident, on the other hand, tells you what country you are in — just in case you found yourself sitting in your front room and suddenly wondering where you are.

I was pretty excited to learn this week about Domesday Reloaded. The Domesday project aimed to take a snapshot of British life in 1986. 25 years on, the BBC are looking to update it to document the changes that have taken place since then.

I have been interested in the Domesday project for a while. The idea that a snapshot of Britain was taken, in the form of maps, photographs and text. Yet, the data was unavailable to most people.

The Domesday project was as much an ambitious experiment with technology as anything else. The technology was just about available, but a lot of pioneering work had to be done, and the hardware required for it was prohibitively expensive, leaving many of the contributors somewhat miffed.

Since then, it has become one of the most famous examples of digital obsolesence. This was due to a combination of the technology required to read the discs becoming increasingly rare, and idiosyncratic code.

The Domesday project came at a time when the technology was available, but the standards were not yet there to make it stable enough for long-term preservation, or even easy access in the short term. It’s a reminder that digital technologies are hugely enabling, yet frighteningly fragile.

Then there are the copyright issues surrounding both the content and the technology.

Joys of browsing Domesday Reloaded

The BBC should be applauded for finally managing to open up some of the data to the public on the web. The Domesday project was created before the web was invented. This isn’t how the content was designed to be viewed, so navigation is a bit cumbersome.

But aside from this gripe, the Domesday Reloaded website is turning out to be a fascinating resource.

I was born in 1986, the same year in which the Domesday project disc was published. So the Britain described here is a place that I don’t remember. But enough of it is familiar for it to feel incredibly relevant to me. It’s almost like being given a little upgrade to my memory, so that I can have snippets of knowledge from just before I was born.

Take the photographs for D-block GB-328000-690000 — the centre of Kirkcaldy, my hometown (D-block being one of the 4km by 3km areas the UK was divided into). It took me a little while to recognise “Kirkcaldy’s busy High Street”. But once I spotted British Home Stores, I was right there.

Yet, despite the familiarity, it is almost a completely different world. My memory of the High Street before it was pedestrianised is very limited. But it is just within touching distance of my memory for me to feel a strong connection with it.

The text entries are also fascinating. Most of the contributions were provided by primary schools. A decision was taken by the Domesday project not to edit the contributions, so the quality and style of writing varies from area to area.

As such, what strikes me the most is that it informs you as much about the prejudices of the school pupils and their teachers as it does about the area. It also retains their poor spelling and strange grammar.

For instance, an entry from Dundee (D-block GB-336000-732000) called ‘Traffic in and out’ is a basic survey of vehicles travelling on a road, with guesses as to where the vehicles are going and why. It lacks the academic rigour you would ideally want from a historical document.

But while some of the entries may seem banal, it was designed to be this way. The aim was to genuinely document society by capturing childrens’ curiosity with everything. This way it wouldn’t leave out what adults perceive as being obvious, when it wouldn’t necessarily be so obvious to someone in 1,000 years.

Missing D-blocks in Dundee on Domesday Reloaded

The really big shame is that not every part of Britain was documented. I could understand remote rural areas not being included. But sadly some highly populated areas have also been missed out. For instance, two D-blocks that cover the centre and east of Dundee lie blank, as does much of London.

But what exists is a joy. Even in the little amount of scanning I have done, I have already learned new information about the area I live in, which has set my mind racing and inspired me to investigate further.

Challenges for the modern day equivalents

What also struck me is how we actually already have readily-accessible modern-day equivalents of the Domesday project, almost by accident. The BBC is asking for users to update the content for D-blocks that were documented in 1986, to take an equivalent snapshot of 2011. I may go out and take some photographs for that.

But this sort of local information is staggeringly well documented already. We have Wikipedia, which can be edited by anyone but retains an academic approach that the Domesday project lacked. As such, it is a treasure trove of local information that can probably be relied on more.

Meanwhile, Google Earth and Google Maps provide masses of images of all corners of the country. It absolutely dwarfs what’s on Domesday Reloaded.

But the big question, which can’t be answered at the moment, is whether the wealth of information available on the web can be packaged up into a Domesday-style snapshot and preserved forever. The challenges of web preservation are massive.

Like the Domesday project, we could find the digital information almost slipping through our hands. The BBC know that themselves. With a stroke of a pen, it was decided that a significant chunk of British web heritage will be removed when the BBC removes some of its archived pages from the web.