10. Timo Glock
Timo Glock has started to show real signs of improvement this year. While the Toyota team may have bizarrely liked to have criticised Glock for the car’s poor performance, the fact is that Glock put in some great performances in 2009. Particularly notable was his heroic performance in Singapore, where he finished in second position, climbing his way up from sixth on the grid. Despite still making the odd mistake, he generally impressed me more than Jarno Trulli.
9. Kimi Räikkönen
By now it is no secret that the Ferrari F60 was a difficult car to drive. Nor was is particularly fast. In this light, Räikkönen’s achievements seem rather better than the results may suggest. Strangely, he seemed to become better after Felipe Massa was sidelined. He scored four podium finishes in a row from Hungary onwards. This included a magnificent win in Belgium. It is always a joy to watch Räikkönen at Spa.
However, the same question marks surrounding his commitment and motivation continued to float around him. Sometimes his behaviour did little to dispel this notion. It is a shame that he won’t be racing in F1 in 2010, but you can’t help but wonder if he could have done a little more to make his mark this year.
8. Fernando Alonso
I am a great admirer of Fernando Alonso, but it was a difficult year to watch him. The Renault car was not up to Alonso’s capabilities, and as such I feel that Alonso spent much of this year going through the motions. This year was a year of him just waiting for a Ferrari contract to be signed.
At the start of the season, Alonso would collect a sixth place here, a fifth there… Although it didn’t set the world alight, it was admirable stuff considering that his team mates could not even think of touching a points position. There were some flashes of greatness — an early dominance of the Hungarian Grand Prix before it all fell apart after his first pit stop and a nifty third place at Singapore among them. I look forward to seeing him in a good car again.
7. Felipe Massa
Obviously Felipe Massa had a very difficult season for reasons outwith his control, what with him having to sit out the second half of the season after being injured in Hungary. But he looked good during the first half of the season, when the car wasn’t letting him down. He out performed his team mate, grabbed the fastest lap in Monaco, a good podium finish in Germany and possibly would have had another good result in China if his car hadn’t broken down.
6. Nico Rosberg
A solid year for Rosberg in my view. I was critical of him during the 2008 season, when he got involved in too many needless scrappy accidents. This year he looked more mature, and is ready to step up to the plate with a better car. He comprehensively outperformed Kazuki Nakajima. Although there were no podium finishes, he had a great run of very strong results, with eight consecutive points finishes in the middle of the season.
5. Rubens Barrichello
Rubens Barrichello had a brilliant year considering it was marginal whether or not he would even be in F1 this year. But the sport’s elder statesman showed why he is still entrusted with the world’s fastest cars. He took a while to get up to speed at the start of the year. This gave Jenson Button the vital momentum he needed in order to secure this year’s Drivers’ Championship. But Button would not have been in that position were it not for Barrichello’s set up data. You might not be able to teach an old dog new tricks, but you can certainly rely on him to bring you your pipe and slippers. He will be a great asset to Williams, although he is unproven in the role of team leader.
4. Mark Webber
At last, Mark Webber has had a decent season where he has been able to show his abilities without being hindered by bucketloads of bad luck. Even then, he was disadvantaged by the fact that he had a huge chunk of metal embedded in his leg as a result of the injuries he sustained while bicycling last winter. Given that Mark Webber is already quite large as drivers go, this extra weight was an enormous disadvantage. For a portion of the season he looked like a decent Championship contender. Even though a bad phase in the final third of the season put paid to this, Mark Webber took two wins and a handful of other great results too.
3. Sebastian Vettel
It is no secret that Sebastian Vettel is hugely talented. But he is also still young, and has a lot yet to prove if he is to truly deserve the mantle of “Future World Champion” which is often attached to him. He does still make too many mistakes. His lap 1 foul-up in Turkey is unforgettable, and his late tangle with Robert Kubica in Australia was avoidable. Meanwhile, Vettel has shown a worrying trait of failing to overtake drivers. That said, he is undoubtedly fast and generally had the upper hand over his team mate.
2. Lewis Hamilton
This has been a learning year for Lewis Hamilton, and I am sure he exits 2009 a much stronger driver than he entered it. McLaren started the season with a horrid car. The year also began in disaster when he was caught, in collusion with members of the McLaren team, lying to the FIA stewards. But he didn’t let any of that get the better of him. Instead, the McLaren team got on with the job of making the car better, and Hamilton was ready to take advantage as soon as the car was good enough to win races.
The most eyebrow-raising moment of his season was when he let a great result in Italy slip away when he pushed too hard unnecessarily on the final lap. Apart from that, I think the second half of the season was textbook from Lewis Hamilton. I am sure he will be extremely strong in 2010, particularly if McLaren produce as good a car as they ought to.
1. Jenson Button
But the best driver of the year for me has to be Jenson Button. His utter dominance at the start of the season meant that, no matter how much he went off the boil in the second half of the season, he was untouchable no matter which way you slice it.
The thing that impressed me the most about Jenson Button this year was the fact that when he needed to overtake someone he just did it. This is in stark contrast to his main rival for the Championship, Sebastian Vettel. Most of the season’s best overtaking moves have come from Jenson Button, meaning that not only was he the best driver — he was also the most entertaining one.
Happy new year to all readers of vee8!
It wouldn’t be an end-of-year music roundup from me without something related to The Fiery Furnaces appearing on the list. And here it is: I’m Going Away. This is probably the lowest they have appeared in my end-of-year list since I discovered them. Not that I’m Going Away is a poor album (otherwise it wouldn’t be in my top ten). But as The Fiery Furnaces have produced more conventional music, I have found them less interesting. Nevertheless, this album has some great tracks, not least ‘Charmaine Champagne’.
I had not taken much notice of Bibio in the past, but after hearing some clips from Ambivalence Avenue I decided to give it a shot. I was not disappointed. The influence of Boards of Canada is at times painfully obvious. But into the childlike nostalgic sepia-toned mix is thrown more folk-based influences, IDM, hip-hop and funk. And it all feels like it fits well. My favourite track is ‘Haikuesque (When She Laughs)’, even though it clearly owes so much to Boards of Canada.
I could not wait for this to come out, yet at the same time I was apprehensive about the results. Beacons of Ancestorship is Tortoise’s first proper album since 2003′s It’s All Around You. Even that was a bit of a let-down, and the bits of material they have released in the intervening period (*cough* not looking at any particular collaborations with Bonnie ‘Prince’ Billy, you understand) have been poor.
You might rightly think, “Blimey, Doves. That’s that band that gets worse after every album.” Maybe so, but the fact that they do this and yet their latest album, Kingdom of Rust, is still brilliant demonstrates just how good a band Doves are. The first single worried me somewhat as it seemed like Doves by numbers. But it has grown on me, and the reset of the album shows a good development in the band’s sound, with a harder edge in some parts and a krautrocky and electronic vibe in others. The highlight is ’10:03′.
Dirty Projectors is an odd band, because they are one of the very few acts that I have ever managed to see live (when they supported Battles a couple of years ago). As a live act they were pretty impressive — the singing was incredible. When you hear Bitte Orca, it might sound suspiciously like the vocals are not real. But they definitely are.
Animal Collective have been the darlings of the music press this year. While they don’t quite justify all of the hype, their album Merriweather Post Pavilion certainly deserves to be recognised as one of the best of the year. They have done a good job of crafting a poppier and more accessible sound while maintaining their experimental roots. This is ‘Summertime Clothes’.
After spending his past few albums apparently trying to make more mainstream albums, Graham Coxon went back to basics with The Spinning Top. It reminds me of his earliest albums, which is no bad thing. There is a wonderfully natural and gentle sound to this album and right from the first listen I knew I was going to love it. Here is the marvellous ‘Brave the Storm’.
Tyondai Braxton is a pivotal member of the experimental electronic / rock band Battles. I think Battles is just about the best band going right now, and I was hugely looking forward to Tyondai Braxton’s solo effort, Central Market. It was not quite what I was expecting, but I was not disappointed. This is the sound of an artist truly pushing himself and exploring musical areas in a way that musicians should do more often.
Grizzly Bear is one of those bands that just gets better and better. Each album is an improvement on the last, and I can’t wait to hear what they can create in the future. They have a wonderful natural sound to them, which means that even though they are often described as an experimental rock band, they are nevertheless accessible. They just write great songs. ‘Two Weeks’ is an instant chamber pop classic.
This is a true meeting of minds. Broadcast are already well established as a great band with an interesting take on bringing the past to the present in weird and wonderful ways. The Focus Group is Julian House, who has designed artwork for Broadcast for several years and is now one of the chief figureheads of the ‘hauntology’ genre, as co-founder of the incredible Ghost Box record label.
I would not normally have made this purchase. But I decided to experiment with asking for recommendations using Twitter. Noble Beast was the first suggestion I received, and I’m glad I followed it because it is a rather pleasant album. I particularly enjoyed ‘Not a Robot, But a Ghost’.
I am not yet sure what I make of Butter. If the garish cover wasn’t enough to put you off, the music is in many ways equally garish. Yet there is something enticing about the sound of this album, which mixes out-there electronic sounds with the pop-funk sensibilities of OutKast. This track, ‘
This should have been a fine album by a national treasure. Certainly, Jarvis Cocker’s first solo album was decent enough. As it transpires, though, “Further Complications.” is merely an okay album with some strangely messy-sounding production. It does, however, have a few great moments. I particularly love the closing track, ‘
While Squarepusher is best known for being an electronic music maverick, he has become an increasingly notable bass guitar player. At last, this other side of his musical talents has been showcased on a full CD, Solo Electric Bass 1. While it may be a bit too noodly and self-indulgent for some, and there is no doubt that it is a pretty dense listening experience, there are plenty of moments to enjoy and savour. Such as this piece, ‘seb-1.03′.
Mark Pritchard transmogrified from his similar-sounding Harmonic 33 to Harmonic 313 with When Machines Exceed Human Intelligence. The projects’ two sounds are radically different, although approached from the same perspective: creating a sound that is heavily influenced by electronic music of the past. Harmonic 33 brought library music to life. Harmonic 313 turns to the dystopian 1980s, with a worry that artificial intelligence will one day become too intelligent and usurp the human race. Here is the closing track, ‘Quadrant 3′.
I am still not sure that Clark is fulfilling the potential he promised with the 2001 release of Clarence Park, which I still think is his best album. However, with Totems Flare he has taken yet another step in the right direction. While earlier material was too heavily indebted to other artists, Clark has really begun to carve out his own sound. The major innovation in Totems Flare is the increased use of vocals, as demonstrated on my favourite track on the album, ‘Rainbow Voodoo’.
Jim Jupp is the celebrated co-founder of the Ghost Box record label, which specialises in releasing a particular type of music (sometimes known as ‘hauntology’) which is heavily influenced by psychedelic and folk music of the 1960s and 1970s, library music, public information films, programmes for schools… with a dark twist. Although I prefer some of the other artists on Ghost Box, Jim Jupp’s Belbury Poly project is still one to keep an eye on. From an Ancient Star represents a progression in the Belbury Poly sound. This is ‘Adventures in a Miniature Landscape’.
Anyone who has an interest in vintage soundtracks or music for television will adore the soundtrack to Life on Earth, the seminal 1979 nature documentary series. It is beautiful and haunting, with a gentle and entrancing use of electronics. It was released this year after a series of coincidences, beginning with one of the 100 privately-pressed records being found in a charity shop. The quality of the recording is not great, meaning that you have to peer a bit to hear it. But this just adds to its charm.
Former Broadcast keyboardist Roj Stevens this year released his début solo album, a masterful foray into the mysterious. Roj has created a curious and slightly creepy album — just as you would expect from a Ghost Box release. Imagine eastern spiritual vibes being interrupted by imaginary transmissions from fictitious Soviet stations.
Jonny Trunk, of the eponymous record label that specialises in “music, nostalgia and sex”, this year released a collection of snippets of music that he has worked on in his spare time. Purposefully, it has not been carefully packaged. It is called Scrapbook for that reason. The tracks retain their working titles, and are sequenced in alphabetical order. But despite the apparently slapdash nature of the release, there is something magical and charming about this album. Just as you would expect from Jonny Trunk, it is equal parts nostalgia, humour and brilliance. One highlight that encapsulates this is ‘
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