Archive: 2006 May

I always quite look forward to the World Cup, but when it actually comes along I usually don’t pay as much attention to it as I expected. But on the 31st of May 2006, I can say that I am looking forward to the World Cup.

Of course, here in Scotland the big debate is: Who should Scots support? And is it wrong not to support England?

Once, a few years ago, my brother said something like, “There is nothing better than England getting beaten, but there is nothing worse than all the crowing about it at school the next day.”

I’m a bit of the opposite. I don’t really mind to see England win, but the media is just unbearable. Even the most tenuous link to 1966 is pounced upon by smug commentators from every angle. It is very tedious, especially when they are referring to England as “we” when there is no “we” about it for anybody who happens to be living in Scotland, Wales or Northern Ireland, which is roughly 20% of the entire population. And the wall-to-wall coverage of Wayne Rooney’s metatarsal really is not needed!

The recent case with Mars is a prime example. Digbeth explains here. I didn’t believe it at first, but I have seen two of these billboards in Kirkcaldy. It really is terrible. They have clearly considered Scotland as an afterthought. Shoddy. It would have been better for them to just not advertise north of the border at all. Have they done the same in Wales?

STV’s trailers for the World Cup are also tragic. STV, the Scottish ITV broadcaster, has obviously taken the ITV network’s promo and slapped the STV logo on the end. This efficient tactic works with most programmes, but there is a slight problem in this instance: every single player featured in the promo is English! Honestly! Did they not think it through?! What would people in England be saying if a broadcaster produced a promo featuring nothing but German players?

When England is shoved down your throat all the time even when you don’t live there, it shouldn’t be a surprise. It is probably fair to say that the majority of Scots will not be supporting England in the World Cup. This year, the trendy team for Scots to support is Trinidad and Tobago, who have four players based in Scotland, one of whom happens to be called Scotland. Oh, and there is the small matter that they are in England’s group as well.

Jack McConnell got himself into a wee bit of hot water when he said that he wouldn’t be supporting England at the World Cup. But when Gordon Brown said he’d be supporting England he got even more stick from it, particularly from the SNP (who else?).

English people have been known to complain about the rivalry between Scotland and England. They protest that they are happy enough to support Scotland, so why shouldn’t Scots support England? Well, as David Farrer excellently points out in this post, that is completely missing the point.

Because, in footballing terms, it’s not a fellow team, but is perceived by Scots to be the number one rival. If Celtic are playing against Barcelona in a European match, do Rangers fans cheer on their “fellow” Glaswegians? Aye, right! Were Chelsea, Spurs and West Ham fans in tears over Arsenal’s recent defeat in the Champions’ League final? I don’t think so.

…Scotland aren’t (sadly) a threat to England. It’s no big deal for English folk to support Scotland in those circumstances.

Who says Scotland aren’t being represented in the World Cup though? We all know that isn’t true!

It is perhaps true that Scotland’s rivalry with England is a little childish. But then again, England has its own childish rivalries with Germany, Argentina, France, Turkey……

According to this article on Digital Spy, Gnarls Barkley’s irrepresible record-breaking single, Crazy, has been deleted because they are fed up with it.

I can understand what they mean. There can’t be a single person in the country who hasn’t heard this song now. I guess when a single has been at number 1 for longer than any other single since ‘Love is All Around’, you really know it’s time to pull the plug. I saw them on Popworld* at the weekend playing quite a different version of it. It was a really groovy slow version, much better than the original. I would totally buy the album if that version was on it!

But when I first heard the song I was quite disappointed. The first time I ever heard of it was when a friend told me that Danger Mouse was going to become the first person to reach number 1 on the strength of downloads only. And my reaction was just, “QTF new Danger Mouse material?!?”

Prior to Gnarls Barkley, Danger Mouse was probably most famous for the absolutely immese ‘Grey Album‘. Having heard that it was hard to resist investigating his other releases.

His collaboration with Jemini, ‘Ghetto Pop Life‘, is my personal favourite of his, while ‘The Mouse and the Mask‘ by Danger Doom is also excellent, despite the fact that so many references go straight over the head of somebody who’s never seen Adult Swim before (i.e. me). Apparently follow-up albums for both DM & Jemini and Danger Doom are both in the pipeline, which is good news.

Demon Days‘ wasn’t quite on the same level, but there were still some absolutely cracking tracks, and the last couple of tracks made a great ending to the album.

So given this good track record, I was excited to hear what Danger Mouse would come up with in this new project. But when I heard ‘Crazy’ I was pretty underwhelmed. My brother couldn’t believe it was Danger Mouse either. It just seemed so bland for Danger Mouse. I could hear that it was Danger Mouse — it wouldn’t have sounded out of place on the last Gorillaz album — but it just wasn’t a very interesting song.

Over time, though, it has grown on me, but I still haven’t opted to buy the album. I have heard some pretty mixed reviews for it. Some people say that ‘Crazy’ is boring but the rest of the album is quite good. Others say that ‘Crazy’ is great but the rest of the album is poor.

I wonder if there is a UK / America divide at work here. Maybe people in the UK think of it as a chart song first and foremost — and not the sort of thing that you even need to buy, because you hear it all over the place anyway. In the US, where ‘Crazy’ has not had anything like the impact it has in the UK, it is probably seen more as another Danger Mouse / Cee-Lo project, and the music is more likely to be judged on its merits alone.

I guess I will buy the album if the next singles (if there are any) are good. That’s what I did with ‘Speakerboxxx / The Love Below‘, which ended up being an excellent album.

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…people lay right into you for playing croquet.

Is there really nothing more interesting happening at the moment?

Update: Daily Mail in crap scandal scandal.

Well, that turned out to be not a bad race! Yesterday’s Schumacher incident provided an interesting talking point to frame the race in, and the race did threaten to become a procession at one point.

In a way, it still was a procession, as Alonso led the race practically from start to finish. But what happened behind him was still thrilling — and when I mean behind him, I mean right behind him.

Drivers who really deserved better were harshly treated by luck today. Mark Webber had an amazing qualifying session yesterday, and he was driving well today before his Cosworth engine expired. The Williams car appears to be capable of scoring points, but that Cosworth engine is still a massive liability. I’m not a great fan of Webber, but he was impressive over the weekend, and a podium finish would have been a fair reward.

A pity too for Kimi Räikkönen, who at last was able to challenge Alonso at the front — and he was really threatening at one point. We haven’t really seen this all year. The McLaren car doesn’t have the pace of the Renault or the Ferrari, and Räikkönen seems to have lost a little bit of his drive, but he looked good for at least second place today. He was able to take advantage of Webber’s little error at Ste Devote in a thrilling, brave move. Unfortunately, during the safety car period caused by Webber’s failure, the McLaren’s reliability glitches kicked in again — the story of Räikkönen’s life.

By this time the pack seemed to have well and truly mixed up after the safety car, and Rubens Barrichello in the Honda was in third place! It truly is a remarkable reversal of fortunes at Honda. Button really is struggling at the moment. The Honda team keep on talking up their chances, yet the performance they really need never materialises. This is a weekend that Button will want to forget — Barrichello is now much more confident in the Honda. Unfortunately for the Brazilian, speeding in the pit lane isn’t the way to go about finishing in the podium.

After Barrichello’s drive-through penalty, it was Jarno Trulli in the Toyota which Martin Brundle said looked so bad it was like a pogo stick (!) during practice who was in line for a podium finish! But towards the end of the race, his car gave up as well, on the hill after Ste Devote. Clearly, third position was not a lucky place to be in today!

So when David Coulthard in the Red Bull inherited the podium position, he might well have been worried about Barrichello and Michael Schumacher catching up with him. Luckily for Coulthard, he only had to maintain his position for a few laps, and he scored a great podium finish — Red Bull’s first. It’s good for them as they have had a moderately disappointing season so far. I absolutely loved the Superman cape stunt! It might even beat last year’s pit crew of Star Wars stormtroopers. Fantastic.

Yes, Michael Schumacher was in fifth position. After yesterday’s scanda, Schumi went some of the way towards redeeming himself with some clean, impressive overtaking manoeuvres. He left his team mate Massa behind.

Who was second you ask? Juan Pablo Montoya with yet another anonymous race, quietly collecting a helpful handful of points.

Today’s troublemaker was Christijan Albers, who unwisely squeezed his team mate Monteiro into the wall at the otherwise unusually clean start. That was unnecessary enough, but then he decided to ram into a Super Aguri later on in the race. Come on Albers, this isn’t a computer game!

I have to say though, all of the drivers were largely impressive. There was little in the way of driver error or crashes — Nico Rosberg’s was apparently caused by his throttle being stuck open.

All-in-all, it was a good race, but even this early in the season it looks as though Alonso has the championship well and truly wrapped up. Silverstone next!

Update: “Horner goes for a swim… But did he take a dip in the nip as advertised?”

Trans Canada Highway cover I was probably a bit too harsh when I reviewed ‘The Campfire Headphase‘ last year. Although I feel like it was a disappointing album, I still listened to it quite a lot. However, I still derive more satisfaction from listening to ‘Geogaddi‘. Anyway, the question was, could Boards of Canada redeem themselves with their new EP, Trans Canada Highway? The answer is, kind of.

The title and the wonderful artwork appear to be a cheeky homage to Kraftwerk. This nod towards the pioneers of electronic music is mirrored in the music. The guitars have taken a back seat, apart from on the opening track, ‘Dayvan Cowboy’, which was a standout track from ‘The Campfire Headphase’.

Leaving Dayvan aside then, what does the music have in store? ‘Left Side Drive’ is a slow-paced track with slightly creepy synths and an uneasy drumbeat. It is quite similar in style and mood to the ‘In A Beautiful Place Out In The Country‘ EP; particularly reminiscent of ‘Kid for Today’. It is a nice track, but nothing too spectacular.

‘Heard From Telegraph Lines’ is much more like it. There is nothing to this track — it is simple and short, but it really hits the spot. A gentle ambient warble which wouldn’t seem too out of place on this thing. The other short track, ‘Under The Coke Sign’, feels a bit pointless frankly. It is almost identical to ‘Olson’ from ‘Music Has the Right to Children‘. I’m not sure why they bothered including this track at all.

‘Skyliner’ was the track which was pushed by Warp the most. It is probably the standout track on the EP. A harsh synth with a purpose announces itself, and is joined by an interesting beat. The track eventually develops into something not too dissimilar to ‘Dayvan Cowboy’, with similar madcap drumming towards the end. It’s quite a fun listen.

The EP ends with a remix of ‘Dayvan Cowboy’ by Odd Nosdam. It ends up being the highlight of the EP. It feels a bit like payback for the time Boards of Canada managed to upstage an entire cLOUDDEAD album. The remix splits into three sections, mostly made up of ambienty drones. You can only just about hear flashes of the original track. It is fabulous though — top marks to Odd Nosdam.

If you’re quick off the mark you might get a DVD featuring Boards of Canada’s first ever publicly-released video, for ‘Dayvan Cowboy’ naturally. It features a man (presumed to be stock footage of Joseph Kittinger) diving to earth from space, who upon landing in the ocean emerges on a surfboard. I like the first part of the video, the part set in space. It reminds me a lot of the late-night Channel 4 programme, ‘The Trip’, which set lots of archive footage of anything to trippy late-night style music. Good stuff. I’m not so sure about the surfing bits — it feels a bit like ‘how many cliches can we fit in’. But the video as a whole has quite a nice BOC feel. A great first video for them.

Overall, I am quite happy with this EP. It might not be anything groundbreaking or amazing, but at least it isn’t a disappointment like ‘The Campfire Headphase’, so there are grounds for optimism here.

Blockbusters board I will award ‘Trans Canada Highway’ four turquoise hexagons out of five. A good effort, but not quite enough to get to the Gold Run.

Original Blockbusters image stolen from UKGameshows